César Bolaños and Mauricio Milchberg, Sialoecibi, 1970
For piano and one reciter-mime-actor (9 min. 03 sec.)
César Bolaños, Alfa-Omega, 1967
For 2 reciters, theatrical mixed choir (biblical texts), electric guitar, amplified double bass, 3 percussionists (46 min. 24 sec.)
César Bolaños, I-10-AIFG/Rbt1, 1968
For 3 reciters, French horn, trombon, electric guitar, 2 percussionists (11 min. 36 sec.)
César Bolaños, Flexum, 1969
For magnetic tape and wind, string and percussion instruments (13 min. 29 sec.)
Rodolfo Coelho de Souza, O que acontece embaixo da cama enquanto Janis está dormindo?, 1997
Electroacoustic music (7 min. 47 sec.)
Colectivo de Creación Sonora and Jorge L. Sad, Klang/Clan, 1996-1997
For flute, bandoneon, electric guitar, cello and tape with computer generated sounds. (7 min. 44 sec.)
Colectivo de Creación Sonora and Jorge L. Sad, El Doble, 1998
For bandoneon, live electronics, and tape with computer generated sounds (9 min. 53 sec.)
Colectivo de Creación Sonora and Jorge L. Sad, La ida hacia abajo de la tierra de la tarde, 1999
For flute, live electronics and tape with computer generated sounds. (12 min. 18 sec.)
Colectivo de Creación Sonora and Jorge L. Sad, alma mula, 2000
For cello and live electronics. (7 min. 17 sec.)
Colectivo de Creación Sonora and Jorge L. Sad, Improvisación, 2000
For flute, bass clarinet, cello, guitar and live electronics. (6 min. 25 sec.)
Jorge Córdoba, Alternativas sobre un cuadro de Rodolfo Nieto, 1987
For piano and tape (12 min. 28 sec.)
Rolando Cori Traverso, Bailecitos con la novia, 1999
Electronics by computer, voice and guitar (8 min. 08 sec.)
Lucio Edilberto Cuellar, Suite para flauta, trompeta, dos percusionistas, violoncello, piano y tape, 1998
For flute, trumpet, 2 percussionists, cello, piano and tape
Lucio Edilberto Cuellar, Tierra Vieja, Tierra Nueva, 2003
Electroacoustic music on tape (12 min. 27 sec.)
Ricardo Dal Farra and León Biriotti, Furioso, 1991
For oboe and live electroacoustic processing (11 min. 46 sec.)
Ricardo Dal Farra and Carlos Costa, Música para Hall, 1984
For guitar and live electroacoustic processing (18 min. 41 sec.)
Ricardo Dal Farra and Arturo Gervasoni, Clones, 1986
For guitar and live electroacoustic processing (7 min. 47 sec.)
Ricardo Dal Farra and Arturo Gervasoni, Double, 1986
For guitar and live electroacoustic processing (5 min. 27 sec.)
Ricardo Dal Farra and Arturo Gervasoni, Integrados, 1986
For guitar and live electroacoustic processing (8 min. 00 sec.)
Ricardo Dal Farra and Arturo Gervasoni, PH, 1986
For guitar and live electroacoustic processing (8 min. 49 sec.)
Ricardo Dal Farra and Arturo Gervasoni, G, 1987
For MIDI guitar, digital synthesizer and live electroacoustic processing
Ricardo Dal Farra and Arturo Gervasoni, Uhuru, 1988
For MIDI guitar, digital synthesizer and live electroacoustic processing (3 min. 04 sec.)
Ricardo Dal Farra, Estudio sobre Ritmo y Espacio, 1982
For real time digitally processed concrète sounds. (1 min. 05 sec.)
Ricardo Dal Farra, Estudio sobre un ataque de timbal, 1982
For one timpani stroke and digital processing in real time (or tape) (4 min. 51 sec.)
Ricardo Dal Farra, Audiciones, 1983
For analog electronic instruments, performed in real time (or tape) (5 min. 10 sec.)
Ricardo Dal Farra, Civilizaciones, 1983-2003
For 6 percussion players and live electronics. (15 min. 03 sec.)
Audio file
Audio file with sonogram
Audio file with score
Audio file with limited access