CR+D / Document

Part of a Web site

Plohman, Angela. — «Bill Vorn». — Fondation Daniel Langlois pour l’art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — English and French text. — Text written in 2001. — [Date of reference : January 18, 2008]. — Access :
{{https://www.fondation-langlois.org/html/e/page.php?NumPage=261}}.

Part of a Web site [Go to the corresponding page...]
- Document in French and English
- State in the CR+D Collection : ON LINE

The CR+D Database contains the following indexation:
(Please note that indexation is not always exhaustive.
For this document, the indexation for individuals are exhaustives
For this document, the indexation for events are exhaustives
For this document, the indexation for artworks are exhaustives)

Individuals:
- Monty Cantsin
- John Horton Conway
- Louis-Philippe Demers
- François Girard
- Robert Lepage
- John Massier
- Simon Penny
- Bill Vorn

Organisation:
- Ars Electronica Center, Linz

Events:
- ISEA 1995 : 6e symposium international des arts électroniques = 6th International Symposium on Electronic Art, 1995, Montreal
- Sonambiente : Festival für Hören und Sehen, 1996, Berlin
- Ars Electronica 96 : Memesis : Die Zukunft der Evolution = The Future of Evolution, 1996, Linz
- ISEA 1997 : The eighth International Symposium on Electronic Art, 1997, Chicago
- Sonar 98 : 5° Festival Internacional de Música Avanzada y Arte Multimedia de Barcelona = 5th Barcelona International Festival of Advanced Music and Multimedia Art, 1998, Barcelona
- Festival Musiques en scène, 1999, Lyon
- aventure virtuelle à images du futur 95 : l'art interactif = Interactive Art (L'), 1995, Montreal
- Louis-Philippe Demers et Bill Vorn : la cour des miracles, 1998, Montreal
- Cour des miracles] ([La ), 1999, Soissons
- Areale 99 : IndustrieProjekt festival, 1999, Brück
- Cour des Miracles (La ), 1999, Rotterdam
- [Festival Art Rock 1998], 1998, Saint-Brieuc

Related documents:
- «La cour des miracles». — Hochschule für Gestaltung Karlsruhe. — Access : http://www.hfg-karlsruhe.de/~ldemers/frames.html?cat=frameliste_plant.html&topic=plant/latest_news.html.
- Demers, Louis-Philippe ; Vorn, Bill. — «No man’s land». — Ars Electronica Festival 96 : Memesis : Die Zukunft der Evolution = The future of evolution, [1996]. — Access : http://www.aec.at/en/archives/festival_archive/festival_catalogs/festival_artikel.asp?iProjectID=8566.
- Massier, John. — «Wreckin’ machine». — Canadian Art. — Vol. 15, no. 3 (Fall/Sept. 1998).

Artworks:
- Louis-Philippe Demers and Bill Vorn, Espace vectoriel, 1993
- Louis-Philippe Demers and Bill Vorn, The Frenchman lake, 1995
- Louis-Philippe Demers and Bill Vorn, At the edge of chaos = Au bord du chaos, 1995
- Louis-Philippe Demers and Bill Vorn, No man's land, 1996
- Louis-Philippe Demers and Bill Vorn, La Cour des miracles, 1997
- Louis-Philippe Demers and Bill Vorn, Le procès = The Trial, 1999
- Bill Vorn, Life tools, 1996
- Bill Vorn, Evil / Live, 1997
- Bill Vorn and Simon Penny, Bedlam, 2001-2003
- Robert Lepage, Zulu Time, 1999
- John Horton Conway, The Game of Life
- Bill Vorn, Evil / Live 2, 2002
- Bill Vorn and Simon Penny, Bedlam, 2001-2003

DLF Project:
- pr0000192 Bill Vorn & Simon Penny: bedlam

Themes:
- Interactive Art
- Robotic Art
- Media Arts
- Installation
- Interactivity
- Robotics
- Light Art
- Generative Art
- Performance
- Sound

Other documents by the same author:
- Angela Plohman