Latin American Electroacoustic Music Collection

Jorge L. Sad (Argentina)


Jorge Sad (born in Buenos Aires, 1959) is Professor at the Electroacoustic Music Atelier of Alberto Ginastera Conservatory and since 1997 Director of IIESMUMD - Digital Sound and Music Experimental Research Institute at University of Morón (Instituto de Investigación Experimental en Sonido y Música por Medios Digitales de la Facultad de Informática de la Universidad de Morón).

Among other works Sad composed: "Hara" in 1986; "Los giros del alma del toro" in 1989; "Tonal Nagual" in 1990; "El libro de los seres imaginarios" for computer generated tape, realized at Montreal University in 1992; "Il codice assente" for clarinet, flute, electric guitar and synthesizer in 1994; "Vox I" and "Vox II", both for computer generated tape, realized at CCRMA, Stanford University, United States, in 1995; "Klang/Clan" for 4 instrument and tape in 1996; "Aspavientos" for computer generated sounds on tape in 1998, realized at IIESMUMD; "La ida hacia abajo de la tierra de la tarde" for flute and live electronics in 1999; "Improvisación" for 4 instruments and live electronics in 2000; and "Escrita...al borde del mar" in 2001. He also composed "El alma mula" for cello and live electronics.

Since 1995 Sad is directing the "Colectivo de Creación Sonora" (Sound Creation Collective) a group of musicians with who he produced a series of works for acoustic instruments and live electronics.

(last update by RDF: March, 2004)

Member of the group:
- Colectivo de sintesis y creacion

Resources available for this composer:
- List of compositions (9 compositions)

Index: