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Sonia Sheridan fonds
Process: Telecopier (Xerox) and VRC (3M)
Telecopiers (Xerox), Generative Systems, School of the Art Institute of Chicago, c.1972, 1 slide: col.; 35 mm. The Daniel Langlois Foundation for Art, Science, and Technology, Sonia Landy Sheridan fonds. 0501-110.
[Process: "Variable Remote Copier (3M)] / Sonia Landy Sheridan], c.1970s, 1 unfolded sheet: photocopy on paper ; approx. 2 m. Made using the "VRC" telecopier by 3M. By raising the needle of the telecopier at the receiving end, Sheridan changed the duration of the transmission and produced this elongated image. Included in the file entitled "Procédé : télécopieur = Process: Telecopier." The Daniel Langlois Foundation for Art, Science, and Technology, Sonia Landy Sheridan fonds. 0501-155
[Process : Variable Remote Copier (3M)] / Sonia Landy Sheridan, 1981, 1 sheet: photocopy on paper ; 24 X 36 cm. Made using the copier "VRC" by 3M. Included in the file entitled "Process: VRC" The Daniel Langlois Foundation for Art, Science, and Technology, Sonia Landy Sheridan fonds. 0501-145
Process: Hybrid (« Telecopier » + « Color-in-Color »): (Nathan Lyons) / Sonia Landy Sheridan, c.1970, 1 sheet: impression on paper ; 22 X 28 cm. Print made using the "Color-in Color" (3M) and the "Telecopier" (Xerox). An image produced by the Color-in-Color passed through the Xerox Telecopier. The sounds generated during the transfer of the image from one machine to the other were taped and replayed over one of the Telecopiers. It then became possible to adjust the volume and in doing so modify the appearance of the image when it came out of the machine. The Daniel Langlois Foundation for Art, Science, and Technology, Sonia Landy Sheridan fonds. 0501-155
At the suggestion of her friend and collaborator Stan VanDerBeek, in 1972 Sonia Sheridan rented two Xerox telecopiers (model 400 Variable Remote Copiers) (a). She initially used them in the Generative Systems classroom to raise her students’ awareness about the conceptual and practical possibilities of these new communication tools (one of the telecopiers was at the Art Institute of Chicago, while the other was in Sheridan’s home). She then conducted a series of experiments with the machine in order to visualize the results of combining a variety of communications systems (telephone, thermography, etc.). By raising the needle of the telecopier at the receiving end, Sheridan changed the duration of the transmission and produced elongated or deformed images (b), (c). Another exercise involved passing an image produced by the Color-in-Color through the Variable Remote Copier system. The sounds generated during the transfer of the image from one machine to the other were taped and replayed over one of the VRCs. It then became possible to adjust the volume and in doing so modify the appearance of the image when it came out of the machine (it appeared somewhat stretched horizontally) (d).