Question 1 The making of Machine for Taking Time - the commission and initial ideas | Question 2 Establishing the path of the surveillance camera |
Question 3 Gathering of images from the camera in Oakville | Question 4 Gathering of images from the camera in Oakville (cont'd) |
Question 5 Creating the database for Machine for Taking Time | Question 6 The three different mechanisms used to display Machine for Taking Time |
Question 7 The projector used in the presentation of Machine for Taking Time | Question 8 Light requirements for the exhibition space |
Question 9 “Phase II” of Machine for Taking Time | Question 10 Exhibition of Machine for Taking Time at the Harbourfront Centre (2005) |
Question 11 The screens used for the different presentations of Machine for Taking Time | Question 12 Relationship of the viewer to the surveillance camera |
Question 13 Choice of title for the Montreal version: Machine for Taking Time (Boul. Saint-Laurent) | Question 14 The decision to use two cameras in Montreal |
Question 15 Technical issues encountered in Montreal | Question 16 The decision to exclude night images in the different versions of Machine for Taking Time |
Question 17 Possibility of unforeseen circumstances | Question 18 Protection of the cameras during winter |
Question 19 Working alone vs. working as a team | Question 20 Authenticity and integrity in Machine for Taking Time |
Question 21 The preservation of Machine for Taking Time | Question 22 Machine for Taking Time title. |
Question 23 Variations in Machine for Taking Time | Question 24 Software used in the creation of Machine for Taking Time |
Question 25 Emulation as a preservation process | Question 26 Reconstruction of older works |
Question 27 The preservation of works acquired by institutions and the establishment of preservation protocols | Question 28 Documenting the presentations of works |
Question 29 Keeping the works’ original equipment | Question 30 Researching new equipment |