Digital document
Zaretsky, Adam. – Adam Zaretsky portfolio [CD-ROM]. – 2004. – Silent. – MS Word and HTML files ; also contain JPEG, PSD, TIF, MPEG file.
Text in periodical
Maclennan, Ruth. – «We saw it - like a flash». – Mute. – No. 27 (Winter/Spring 2004). – P. 34-41.
Book
Thacker, Eugene. – Biomedia. – Minneapolis : University of Minnesota Press, 2004. – 226 p. – (Electronic Mediations ; vol. 11).
Group exhibition catalogue
Orlan. – Translated by Deke Dusinberre. – Paris : Flammarion, 2004. – 247 p.
Program
Art & biotechnologies. – Montréal : Groupe de recherche en arts médiatiques, Université du Québec à Montréal : Musée d'art contemporain de Montréal, 2004. – N. p. – Leaflet. – French and English text.
Book
Anker, Suzanne ; Nelkin, Dorothy. – The molecular gaze : art in the genetic age. – Cold Spring : Cold Spring Harbor Laboratory Press, 2004. – 216 p. – (Genomics, bioethics, and public policy).
Book
Bioteknica : corporate brochure. – Montréal : Bioteknica, 2004. – [6] p. – French, English and German text.
Text in periodical
Catts, Oron ; Zurr, Ionat. – «Ingestion / disembodied cuisine». – Cabinet. – No.16 (2004). – P. 12-13.
Book
Biomediale : contemporary society and genomic culture. – Edited by Dmitry Bulatov. – Kaliningrad : The National Centre for Contemporary Arts : The National Publishing House Yantarny Skaz, 2004. – 499 p. – English and Russian text.
Book
Jeremijenko, Natalie ; Thacker, Eugene. – Creative biotechnology : a user's manual. – Newcastle upon Tyne : Locus+, 2004. – 43, 44 p. – Document bound in tumble format.
Text in periodical
«The economist technology quarterly». – The Economist. – Vol. 369, no. 8353 (Dec. 6-12, 2003). – Thematic file. – P. 48-49.
Text in periodical
Daubner, Ernestine. – «Natalie Jeremijenko's clones and robots : repetition/difference and other subversive representational strategies = Les clones et les robots de Natalie Jeremijenko : la répétition/différence et autres stratégies subversives de représentation». – Parachute. – N° 112 (oct./nov./déc. 2003). – P. 92-106.
Text in periodical
Lazaridès, Alexandre. – «Arrêt sur image». – Jeu : cahiers de Théâtre. – N° 108 (sept. 2003). – P. 93-98.
Text in periodical
«Biotelematics : Eduardo Kac interview». – Neural. – No. 20 (June 2003). – P. 40-41.
Text in periodical
Ritoux, Nicolas. – «Art transgénique : quand la génétique devient un outil artistique». – La Presse. – (27 févr. 2003). – P. B1-B2.
Book
Grau, Oliver. – Virtual art : from illusion to immersion. – Translated by Gloria Custance. – Cambridge : MIT Press, 2003. – 416 p. – (Leonardo book series).
Book
Nell Tenhaaf : fit/unfit : a survey exhibition = apte/inapte : un survol. – Oshawa : Robert McLaughlin Gallery, 2003. – 72 p.
Book
The eighth day : the transgenic art of Eduardo Kac. – Edited by Sheilah Britton and Dan Collins. – Tempe : Institute for Studies in the Arts, The Katherine K. Herberger College of Fine Arts at Arizona State University, 2003. – 117 p.
Book
Lecourt, Dominique. – Humain post humain : la technique et la vie. – Paris : Presses Universitaires de France, 2003. – 146 p.
Group exhibition catalogue
L'art biotech'. – edited by Jens Hauser. – Trézélan : Filigranes ; Nantes : Le Lieu unique, 2003. – 96 p.
Text in periodical
Ting Lipton, Shana. – «Happy new ear Bio-art was big in 2003». – RES. – Vol. 6, no. 6 (2003). – P. 54.
Text in catalogue
Kac, Eduardo. – «Transformation du vivant - mutation de l'art». – L'art biotech'. – edited by Jens Hauser. – Trézélan : Filigranes ; Nantes : Le Lieu unique, 2003. – P. 33-42.
Text in catalogue
Michaud, Yves. – «Arts et biotechnologies». – L'art biotech'. – edited by Jens Hauser. – Trézélan : Filigranes ; Nantes : Le Lieu unique, 2003. – P. 80-85.
Text in catalogue
Hoppe, Richard. – «Organismes/Art - les racines historiques de l'art biotech'». – L'art biotech'. – edited by Jens Hauser. – Trézélan : Filigranes ; Nantes : Le Lieu unique, 2003. – P. 86-91.
Text in periodical
Thacker, Eugene. – «What is biomedia». – Configurations. – Vol. 11, no. 1 (Winter 2003). – P. 47-79.
Book
Bowring, Finn. – Science, seeds and cyborgs : biotechnology and the appropriation of life. – London : Verso, 2003. – 320 p.
Text in periodical
Ascott, Roy. – «At home in the post-biological universe». – Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – P. 9-15.
Text in periodical
Kac, Eduardo. – «Life transformation - art mutation». – Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – P. 251-265.
Periodical issue
Courrier International. – Paris : Courrier International, 2002. – 114 p. – Hors-série sciences (oct./nov./déc. 2002). – Issue title : «2002 2020 : la vie techno».
Text in periodical
«O artista digital precisa libertar-se do ego». – Jornal do Brasil. – (5 Aug. 2002). – P. 3.
Text in periodical
Beiguelman, Giselle. – «Estética transgênica». – Folha de S. Paulo. – (4 Iulie 2002). – P. E 1.
Text in periodical
Bureaud, Annick. – «Art biologique : quelle esthétique = The ethics and aesthtics of biological art». – Art Press. – N° 276 (févr. 2002). – P. 38-39.
Text in periodical
Gessert, George. – «Les plantes et l'art de l'évolution = Plants and the art of evolution». – Art Press. – N° 276 (févr. 2002). – P. 40-42.
Group exhibition catalogue
Human Nature. – Bloomington : Indiana University, 2007-. {{www.indiana.edu}}
Part of Web site
«O Trabalho do Artista». – Instituto Itaú Cultural. – São Paulo : Itaú Cultural Institute. {{www.itaucultural.org.br}}
Text in periodical
Osthoff, Simone. – «Eduardo Kac's Genesis: biotechnology between the verbal, the visual, the auditory, and the tactile». – Leonardo Digital Reviews. – Oct. 2001. – Also available on Eduardo Kac's website. – P. [?]. {{www.ekac.org}}
Festival
Ars Electronica 2000 : Festival für Kunst, Technologie und Gesellschaft : NEXT SEX : Sex im Zeitalter seiner reproduktionstechnischen Überflüssigkeit = Ars Electronica 2000 : Festival of Art, Technology and Society : NEXT SEX : Sex in the Age of its Procreative Superfluousness, Ars Electronica Center, Linz, Austria, September 2-7, 2000. {{www.aec.at}}
Conference / Symposium
The aesthetics of care? The artistic, social and scientific implications of the use of biological/medical technologies for artistic purposes, Perth Institute of Contemporary Art, Perth, Western Australia, Australia, August 5, 2002. – Organisation : SymbioticA : the Art and Science Collaborative Research Laboratory, Crawley ; Institute of Advanced Studies, University of Western Australia, Nedlands. – As part of «BEAP 2002 Biennale of Electronic Arts Perth».
Group exhibition
CleanRooms, Oldham Art Gallery, Manchester, England, United-Kingdom, October 5-November 30, 2002.