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Event: Seeing Double : Emulation in Theory and Practice
12 documents in the collection
Text in periodical
Veilleux, Cindy. – «La conservation des oeuvres à composante technologique». – Muséologies : les cahiers d'études supérieures. – Vol. 2, n° 3 (oct. 2007). – P. 86-101.
Text in periodical
Foisy, Marie-Hélène ; Courchesne, Marie-Ève. – «Sylvie Lacerte, coordonnatrice de l'Alliance DOCAM Fondation Daniel Langlois pour l'art, la science et la technologie». – Muséologies : les cahiers d'études supérieures. – Vol. 2, n° 3 (oct. 2007). – Interview with Sylvie Lacerte. – P. 104-117.
Text in periodical
Rinehart, Richard. – «The media art notation system : documenting and preserving digital / media art». – Leonardo. – Vol. 40, no. 2 (2007). – Revised version of a paper originally presented at the "Refresh! The First International Conference on the Histories of Media Art, Science and Technology" (28 September-1 October 2005) at the Banff New Media Institute, Banff, Alberta, Canada.. – P. 181-187.
Text in periodical
Janda, Ludek. – «Aktivní Dokumentace Zaznamenává Zivot Díla : Rozhovor s Alainem Depocasem». – Illuminace : Casopis pro teorii, historii a estetiku filmu. – Vol. 18, no. 4 (2006). – Interview with Alain Depocas. – P. 145-153.
Text in periodical
Depocas, Alain. – «La mutation comme facteur de conservation : le cas des oeuvres à composantes technologiques = Mutations as a conservation factor : the case of works with technological elements». – Espace sculpture. – N° 71 (printemps 2005). – P. 12-16.
Text in periodical
Pham, Alex. – «Art That Goes on the Blink». – Los Angeles Times. – (Oct. 4, 2004). – P. [].
Text in periodical
Biancorosso, Giorgio. – «Seeing double : emulation in theory and practice». – Future anterior. – Vol. 1, no. 2 (Fall 2004). – P. 75-83.
Text in periodical
«[OLATS (...) Seeing double]». – ASCI ebulletin. – Staten Island : Art & Science Collaborations, Inc.. – 3-1-2004. – N. p.
Text in book
Paul, Christiane. – «The myth of immateriality : presenting and preserving new media». – MediaArtHistories. – Edited by Oliver Grau. – Cambridge : MIT Press, 2007. – (Leonardo book series). – P. 251-274.
Text in book
«Variable media network». – 404 Object Not Found_Seoul : International Project for Media Art / Data Archiving, Presentation. – Seoul : Total Museum of Contemporary Art, 2007. – Korean text. – P. 157-161.
1 page in this Web Site
The Guggenheim Museum and the Daniel Langlois Foundation, The Variable Media Network The variable media concept was developed in 1998 by Jon Ippolito, an associate curator at the Guggenheim Museum in New York.
10 web sites
Part of Web site
Paul, Christiane. – «Challenges for a ubiquitous museum : presenting and preserving new media». – NeMe. – Limassol : NeMe. {{neme.org}}
Text in periodical
Moulon, Dominique. – «un instantané des arts numériques à New York». – Images magazine. – N° 5 (Juillet 2004). – P. 88-92.
Also available on the Internet. {{www.moulon.net}}
Part of Web site
«Echoes of art : emulation as a preservation strategy». – Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – Includes a transcript of the conferences. {{www.variablemedia.net}}
