Festival
The 8th Annual Ithaca Video Festival, New York, N. Y., United States, [1982?]. – Organisation : Ithaca Video Projects, Ithaca.
Group program
Image Processing : the Electronic Manipulation of Video, The Kitchen, New York, N. Y., United States, December 4-29, 1981.
Group program
Themes in Electronic Image Processing, The Kitchen, New York, N. Y., United States, December 1-31, 1981.
Group exhibition
Vor-Film : Europäischer Studienfilm-wettbewerb, Städtische Galerie im Lenbachhaus, Munich, Germany, October 20-November 1, 1981. – Organisation : Kulturreferat der Landeshauptstadt München, Munich.
Solo exhibition
Primarily speaking, The Kitchen, New York, N. Y., United States, October 8-31, 1981.
Festival
7th Annual Ithaca video festival, Long Beach Museum of Art, Long Beach, Calif., United States, August 5-September 6, 1981.
Group exhibition
New York Video 1981, Städtische Galerie im Lenbachhaus, Munich, Germany, July 7-August 2, 1981.
Festival
The 103rd Annual Daniel Wadsworth Memorial video festival, The Old State House, Hartford, Conn., United States, June 11-21, 1981. – Organisation : MonteVideo, Hartford.
Solo exhibition
Glass Onion : installations for video, sound & text : a topological mapping, And/or, Seattle, Wash., United States, January 8-24, 1981.
Solo exhibition
Processual video : Gary Hill, The Museum of Modern Art, New York, N. Y., United States, February 26, 1980.
Group program
Beau Fleuve, Center for Media Art, Paris, France, December 3-7, [1979]. – Circulating exhibition. – Organisation : Department of Media Study, The State University of New York at Buffalo, Buffalo.
Group exhibition
Video by videomakers, The Experimental Television Center, Newark Valley, N. Y., United States, March 29-May 3, 1979.
Group exhibition
Video by videomakers, The Experimental Television Center, Newark Valley, N. Y., United States, February 7-May 23, 1978.
Festival
13th Annual New York Avant Garde Festival, World Trade Center, New York, N. Y., United States, June 19, 1977.
Text in periodical
Rouillé, André. – «Chaos des images, dérive des matériaux». – paris-art.com [on line]. – [2007]. – N. p. {{www.paris-art.com}}
Digital document
Rinehart, Richard. – Nailing down bits: digital art and intellectual property = Bien fixer les éléments d'information : l'art numérique et la propriété intellectuelle [On-line]. – Gatineau : Canadian Heritage Information Network, 2006. – 46 p. – Acrobat (PDF) file. {{www.pro.rcip-chin.gc.ca}}
Text in periodical
Laurenson, Pip. – «Developing strategies for the conservation of installations incorporating time-based media with reference to Gary Hill's Between cinema and a hard place». – Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – P. 259-266.
Also available on the Internet. {{www.tate.org.uk}}
Book
Rush, Michael. – Les nouveaux médias dans l'art. – London : Thames and Hudson, 2005. – 248 p. – (L'Univers de l'art). – Newly revised edition.
Group exhibition catalogue
Iles, Chrissie. – Into the light : the projected image in American art 1964-1977. – New York : Whitney Museum of American Art, 2001. – 183 p.
Group exhibition catalogue
Future cinema : the cinematic imaginary after film. – Edited by Jeffrey Shaw and Peter Weibel. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Cambridge : MIT Press, 2003. – 635 p. – German and english text.