Fondation
Daniel
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Name: Simon Penny%2C 1955
66 documents in the collection
Book
Dixon, Steve ; Smith, Barry. – Digital performance : a history of new media in theatre, dance, performance art, and installation. – Cambridge : MIT Press, 2007. – 809 p. – (Leonardo book series).
Text in periodical
Gigliotti, Carol. – «Kenneth Rinaldo and France Cadet : artificial life and the lives of the non-human = Kenneth Rinaldo et France Cadet : la vie artificielle et les vies des non-humains». – Parachute. – N° 119 (juil./août/sept. 2005). – P. 68-83.
Text in periodical
Carretón Cano, Vincente. – «Ars robotica». – Arte Contexto. – No. 6 (Spring 2005). – P. 80-83.
Book
Stelarc : the monograph. – Edited by Marquard Smith. – Cambridge : MIT Press, 2005. – 256 p. – (Electronic culture : history, theory, practice).
Text in periodical
Khan, Jeff. – «Intelligent room with a view». – Real Time. – No. 60 (Apr./May 2004). – P. 26.
Text in periodical
Burgess, Marilyn. – «Computer art». – Topia, Canadian Journal of Cultural Studies. – No. 11 (Spring 2004). – P. 191-194.
Text in periodical
«2004 media arts fellowships process». – Film/Video/Multimedia Update. – Vol. 7, no. 7 (2004). – P. 16.
Text in catalogue
Penny, Simon. – «Simon Penny». – Unnatural selection. – Melbourne : Novamedia, 2004. – P. 46-47.
Text in periodical
Dwyer, Natasha. – «Fugitive II - what runs underneath Natasha Dwyer in conversation with Simon Penny». – Fuse. – Vol. 27, no. 3 (2004). – P. 35-39.
Text in periodical
Gondziola, Jason. – «You're being watched : artist creates seeing robot». – Concordia's Thursday Report. – (Sept. 11, 2003). – Included in the project final report. – P. 1-2.
Archive document : Report / Memorandum
Mid-term report : Neutral Ground, Soil digital media suite projects. – Regina : Neutral Ground, 2003. – [3] p. – Interim report of the project submitted to the Daniel Langlois foundation in 2002.
Book
Grau, Oliver. – Virtual art : from illusion to immersion. – Translated by Gloria Custance. – Cambridge : MIT Press, 2003. – 416 p. – (Leonardo book series).
Archive document : Invitation card
Signal : an exhibition of telematic art. – Toronto : InterAccess Electronic Media Arts Centre, 2003. – N. p. – Invitation card.
Text in catalogue
«Bedlam & other robotic art projects : Simon Penny and Bill Vorn». – Subtle technologies 03. – Toronto : Subtle Technologies, 2003. – P. 26.
Book
Bolter, Jay David ; Gromala, Diana. – Windows and mirrors : interaction design, digital art, and the myth of transparency. – Cambridge : MIT Press, 2003. – 182 p. – (Leonardo book series).
Text in book
Krueger, Ted. – «Des interfaces aux médias non symboliques». – Eshétique des arts médiatiques : interfaces et sensorialité. – Translated by Sylvie Lacerte and Marc Boucher. – Edited by Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2003. – (Collection Esthétique). – P. 123-142.
Text in book
Flanagan, Mary. – «"Next level" : women's digital activism through gaming». – Digital media revisited : theoretical and conceptual innovations in digital domains. – Edited by Gunnar Liestol, Andrew Morrison and Terje Rasmussen. – Cambridge : MIT Press, 2003. – P. 359-388.
Digital document
Vorn, Bill ; Penny, Simon. – Bedlam jpegs : Toronto - Montréal [CD-ROM]. – 2003. – Silent. – JPEG and TXT files.
Text in book
Codognet, Philippe. – «Nature artificielle et artifice naturel». – L'art à l'époque du virtuel. – Edited by Christine Buci-Glucksmann. – Paris : L'Harmattan, 2003. – (Collection arts 8). – P. 83-94.
Periodical issue
Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – Lódz : Lódzkie Towarzystwo Naukowe, 2003. – 273 p. – Issue title : «Cyberarts, cybercultures, cybersocieties».
Text in periodical
Wójtowicz, Ewa. – «Cyberperception : where art ends and technology begins». – Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – P. 69-74.
Text in periodical
Hayles, N. Katherine. – «Flesh and metal : reconfiguring the mindbody in virtual environments». – Configurations. – Vol. 10, no. 2 (Spring 2002). – P. 297-320.
Book
Wilson, Stephen. – Information arts : intersections of art, science, and technology. – Cambridge : MIT Press, 2002. – 945 p.
Text in periodical
[IL]. – «Bill Vorn : du chaos jaillit le robot». – Convergence. – N° 18 (2002). – P. 36.
Text in periodical
Sengers, Phoebe. – «Schizophrenia and narrative in artificial agents». – Leonardo. – Vol. 35, no. 4 (2002). – P. 427-431.
Text in book
Grau, Oliver. – «The art of the interface in mixed realities : predecessors and visions». – ISEA 2002, 11th international symposium on electronic art, Nagoya (Orai). – Nagoya : ISEA 2002 Nagoya Committee, 2002. – P. 97-100.
Text in periodical
Martin, James. – «Welcome to Bill Vorn's apocalyptic world of Bedlam». – Concordia's Thursday Report. – Vol. 26, no. 2 (Sept. 27, 2001). – P. 1, 11.
Text in periodical
Kac, Eduardo. – «The origin and development of robotic art». – Convergence. – Vol. 7, no. 1 (Spring 2001). – P. 76-86.
Text in periodical
Kac, Eduardo. – «Towards a chronology of robotic art». – Convergence. – Vol. 7, no. 1 (Spring 2001). – P. 87-111.
Program
ISEA 2000 : 10e Symposium International des Arts Électroniques = 10th International Symposium on Electronics Arts. – Issy les Moulineaux : Art 3000 ; Paris : Musica Falsa, 2000. – 172, 30 p.
Text in periodical
Dietz, Steve. – «Public and private in an age of dataveillance». – Camerawork : a journal of photographic arts. – Vol. 26, no. 1 (Spring/Summer 1999). – P. 14-17.
Text in periodical
Mandelbaum, Audrey. – «Paradoxes of progress : art at the eighth International symposium on electronic art». – New Art Examiner. – Vol. 25, no. 5 (Feb. 1998). – P. 24-29.
Text in book
«Simon Penny : Fugitive». – Europäisches Medienkunst Festival = European media art festival = Festival européen d'art médias. – Osnabrück : European Media Art Festival, [1998]. – English and German text. – N. p.
Group exhibition catalogue
Star dot star. – Edited by Helen Sloan. – Sheffield : Site Gallery, 1998. – [46] p.
Text in book
[Morse, Margaret]. – «Fugitive». – Hardware : Software : Artware : Die Konvergenz von Kunst und Technologie : Kunstpraktiken am ZKM Institut für Bildmedien 1992-1997 = Confluence of art and technology : art practice at the ZKM Institute for Visual Media 1992-1997. – Ostfildern : Cantz Verlag ; Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1997. – English and German text. – P. 140-145.
1 audiovisual document
4 pages in this Web Site
Simon Penny Born in 1955, Simon Penny is an Australian artist, theorist and professor in the field of robotic and interactive art.
Soil Digital Media Suite, Neutral Ground, Untitled Series Soil Digital Media Suite is a collective of established and mid-career artists and researchers that has emerged through the interdisciplinary mandate of Neutral Ground, an artist-run centre in Regina, Saskatchewan.
Bill Vorn and Louis-Philippe Demers Born in 1959, Bill Vorn is a media artist who has been working since 1992 in robotic art.
15 web sites
Web site
The Database of Virtual Art. – Edited by Oliver Grau. – Krems : Danube University Krems. {{www.virtualart.at}}
Part of Web siteArtist's project
«Bedlam». – Arts Computation Engineering, University of California, Irvine. – Irvine : Arts Computation Engineering, University of California, Irvine. {{www.ace.uci.edu}}
Web site
ISEA2004, 12th international symposium on electronic art. – Amsterdam : ISEA : Inter-Society for the Electronic Arts, 2004. {{www.isea2004.net}}
69 events
Conference / Symposium
[Retouch : Conference on Gender and Technology], Toronto, Ont., Canada, 1995. – Organisation : Public Access Collective, Toronto.
Conference / Symposium
Performative Sites : Intersecting Art, Technology, and the Body, Penn State Conference Center and Hotel, University Park, Pa., États-Unis, October 24-28, 2000. – Organisation : Pen State, University Park. {{www.sva.psu.edu}}