Group exhibition catalogue
ICC biennale '99. – Edited by Takuo Komatsuzaki [et al.]. – Tokyo : NTT Publishing, 1999. – 95 p.
Text in catalogue
Shishko, Olga. – «Introduction». – Newmediatopia, newmedialogia. – Edited by Irina Alpatova. – Moskva : Soros Center for Contemporary Arts, 1996. – P. 5-6.
Part of Web site
«Seeing Double: Emulation in Theory and Practice opens at the Guggenheim March 19, 2004». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Text written in 2004. {{www.fondation-langlois.org}}
Part of Web site
Gigliotti, Davidson. – «Bref historique de RainDance». – Radical Software. – New York : Radical Software ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. {{www.radicalsoftware.org}}
Book
McCarthy, Kevin F. ; Ondaatje, Elizabeth Heneghan. – From celluloid to cyberspace : the media arts and the changing arts world. – Santa Monica : RAND, 2002. – 79 p.
Also available on the Internet. {{www.rand.org}}
Conference / Symposium
Preserving the Immaterial : A Conference on Variable Media, Solomon R. Guggenheim Museum, New York, N. Y., United States, March 30-31 2001. {{www.guggenheim.org}}
Conference / Symposium
Echoes of art : emulation as a preservation strategy, Solomon R. Guggenheim Museum, New York, N. Y., United States, May 8, 2004. {{www.variablemedia.net}}