Name: Jon Ippolito, 1962

Thesis
Verschooren, Karen A. – .art : situating internet art in the traditional institution for contemporary art. – Cambridge : Massachusetts Institute of Technology, 2007. – 202 p. Also available on the Internet. {{cms.mit.edu}}

Part of Web site
McQueen, M.P. – «Perishable art : investing in works that may not last». – Wall Street Journal Online. {{online.wsj.com}}

Part of Web site
Dietz, Steve. – «Collecting new media art: just like anything else, only different». – NeMe. – Limassol : NeMe. {{neme.org}}

Digital document
Rinehart, Richard. – Nailing down bits: digital art and intellectual property = Bien fixer les éléments d'information : l'art numérique et la propriété intellectuelle [On-line]. – Gatineau : Canadian Heritage Information Network, 2006. – 46 p. – Acrobat (PDF) file. {{www.pro.rcip-chin.gc.ca}}

Digital document
Genest, Gwendolina. – Net art : schemas d'accessibilites et evolution du role des acteurs. [digital document]. – 2005. – Mémoire de DESS. – Maître de mémoire : Alain Raymond. – Université Paris 13. – DESS Design d'Interface Internet et Multimédia. {{cyberquebec.ca}}

Digital document
Winget, Megan. – Like a wave upon the sand : digital preservation of variable media art [digital document]. – 2005. {{www.ischool.utexas.edu}}

Text in periodical
Fiske, Tina. – «ERPANET preservation of born-digital art workshop». – DigiCULT.Info [on line]. – No. 9 (Nov. 2004). – P. 25-27. {{www.digicult.info}}

Text in periodical
Depocas, Alain. – «Modèles pour l'archivage numérique : préservation et documentation du patrimoine des arts électroniques et numériques, un parcours». – HorizonZero [on line]. – N° 18 (nov. 2004). – Also available in English under the title «Variable and unstable : preserving and documenting our digital art heritage». – N. p. {{www.horizonzero.ca}}

Digital document
Laforet, Anne. – Net art et institutions artistiques et muséales : problèmatiques et pratiques de la conservation [On-line]. – 2004. – 50 p. – Acrobat (PDF) file. {{www.sakasama.net}}

Part of Web site
«Seeing Double: Emulation in Theory and Practice opens at the Guggenheim March 19, 2004». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Text written in 2004. {{www.fondation-langlois.org}}

Digital document
The archiving and preservation of born-digital art workshop : briefing paper [digital document]. – Glasgow : ERPANET : Electronic Ressource Preservation and Access Network, [2004]. {{www.erpanet.org}}

Part of Web site
Morice, Anne-Marie. – «Conserver, exposer, restaurer les oeuvres instables». – Synesthésie. – France : Synesthésie, 1995-. – Text written in 2003. {{www.synesthesie.com}}

Text in periodical
Soeborg, Torben. – «Two new books about preservation of video art and variable media art». – VIDEOART\e-monitor [on line]. – No. 16 (May 25, 2003). – N. p. {{www.videoart.suite.dk}}

Text in digital document
Grau, Oliver. – «The database of virtual art : for an expanded concept of documentation». – ICHIM Paris 03 : actes : les institutions culturelles et le numérique = Proceedings : cultural institutions and digital technologies [CD-ROM]. – Toronto : Archives & Museum Informatics, 2003. – Acrobat (PDF) file. Also available on the Internet. {{www.ichim.org}}

Text in digital document
Laforet, Anne. – «Conservation du net art». – ICHIM Paris 03 : actes : les institutions culturelles et le numérique = Proceedings : cultural institutions and digital technologies [CD-ROM]. – Toronto : Archives & Museum Informatics, 2003. – Acrobat (PDF) file. {{www.ichim.org}}

Program
Archiving the avant garde : documenting and preserving variable media art. – 2003. {{www.bampfa.berkeley.edu}}

Text in periodical
Berwick, Carly. – «Net gains». – ARTnews. – Vol. 101, no. 11 (Dec. 2002). – P. 86-89. Also available on the Internet. {{www.artnews.com}}

Text in periodical
Sharp, Rebecca. – «The ephemeral will endure : the future of conceptual art and digital preservation an interview with Jon Ippolito, co-ordinator of the Variable media initiative at the Guggenheim Museum, New York, August 2002». – DigiCULT.Info [on line]. – Acrobat (PDF) file. – No. 2 (Oct. 2002). – P. 9-11. {{www.digicult.info}}

Text in periodical
Hochfield, Sylvia. – «Sticks and stones and lemon cough drops». – ARTnews. – Vol. 101, no. 8 (Sept. 2002). – P. 116-122. Also available on the Internet. {{artnews.com}}

Text in periodical
Mayfield, Kendra. – «How to preserve digital art». – Wired News [on line]. – (July 23, 2002). – N. p. {{wired-vig.wired.com}}

Book
McCarthy, Kevin F. ; Ondaatje, Elizabeth Heneghan. – From celluloid to cyberspace : the media arts and the changing arts world. – Santa Monica : RAND, 2002. – 79 p. Also available on the Internet. {{www.rand.org}}

Text in periodical
Jana, Reena. – «The Guggenheim's new legacy system». – Wired. – Vol. 9, no. 10 (Oct. 2001). – P. 64. Also available on the Internet. {{wired-vig.wired.com}}

Text in periodical
Berwick, Carly. – «The new new-media blitz : digital art, in all its forms, is gaining prominence among artists, curators, and audiences». – ARTnews. – Vol. 100, no. 4 (Apr. 2001). – P. 112-116. Also available on the Internet. {{www.artnewsonline.com}}

Text in periodical
Jana, Reena. – «Restoring the Sistine website». – Wired News [on line]. – (March 22, 2001). – N. p. {{www.wired.com}}

Text in periodical
Rinehart, Richard. – «The straw that broke the museum's back? : collecting and preserving digital media art works for the next century». – Switch [on line]. – Vol. 6, no. 1 (2000). – N. p. {{switch.sjsu.edu}}

Part of Web site
«UMaine New Media Group 'Still Water' Wins $300,000 Research Grant». – University of Maine. {{www.umaine.edu}}

Part of Web site
«New media art preservation». – Wikipedia : the free encyclopedia, 2001. {{en.wikipedia.org}}

Part of Web site
Jones, Caitlin. – «Understanding medium: preserving content and context in variable media art». – Keep Moving Images. – London : The Lux Centre for film and video. {{kmi.lux.org.uk}}

Digital document
Rothenberg, Jeff. – Renewing The Erl King [On-line]. – 28 p. – Acrobat (PDF) file. {{www.bampfa.berkeley.edu}}

Part of Web site
«Specialization course in new technologies for art heritage and conservation». – Media Centre d'Art i Disseny (MECAD). – Barcelona : Media Centre of Art & design. {{www.mecad.org}}

Web site
Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. {{www.variablemedia.net}}

Text in periodical
Janda, Ludek. – «Aktivní Dokumentace Zaznamenává Zivot Díla : Rozhovor s Alainem Depocasem». – Illuminace : Casopis pro teorii, historii a estetiku filmu. – Vol. 18, no. 4 (2006). – Interview with Alain Depocas. – P. 145-153.

Book
Paul, Christiane. – Digital art. – London : Thames and Hudson, 2003. – 224 p. – (World of art).

Book
Wilson, Stephen. – Information arts : intersections of art, science, and technology. – Cambridge : MIT Press, 2002. – 945 p.

Group exhibition
net.ephemera, Moving Image Gallery, New York, N. Y., United States, May 3-31, 2001. {{nothing.org}}

Multidimensional event
Ars Electronica 2001 : Festival für Kunst, Technologie und Gesellschaft : Takeover - Wer macht die Kunst von morgen = Ars Electronica 2001 : Festival of Art, Technology and Society : Takeover - Who's Doing the Art of Tomorrow?, Ars Electronica Center, Linz, Austria, September 1-6, 2001. {{www.aec.at}}

Conference / Symposium
Cyberart99, The Cooper Union for the Advancement of Science and Art, New York, N. Y., United States, May 9, 1999. – Organisation : Art & Science Collaborations, Inc., Staten Island ; The Cooper Union for the Advancement of Science and Art, New York. {{www.asci.org}}