Book
Rush, Michael. – Les nouveaux médias dans l'art. – London : Thames and Hudson, 2005. – 248 p. – (L'Univers de l'art). – Newly revised edition.
Text in periodical
Pham, Alex. – «Art That Goes on the Blink». – Los Angeles Times. – (Oct. 4, 2004). – P. [].
Text in periodical
Biancorosso, Giorgio. – «Seeing double : emulation in theory and practice». – Future anterior. – Vol. 1, no. 2 (Fall 2004). – P. 75-83.
Text in book
Ippolito, Jon. – «Accommodating the unpredictable : the variable media questionnaire». – Performance documentation and preservation in an online environment. – Edited by Kenneth Schlesinger. – New York : Theater Library Association, 2004. – (Performing arts resources ; vol. 24). – P. 94-101.
Text in periodical
Lessard, Bruno. – «Interface, corporéité et intermédialité : Sonata de Grahame Weinbren». – Parachute. – N° 113 (janv./fév./mars 2004). – P. 60-69.
Video document : Monography
Corra, Henry ; Rule, Charlene. – Frames. – WithGrahame Weinbren. – New York : Corra Films, 2004. – VHS, col., stereo sound, 53 min.
Periodical issue
Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – Lódz : Lódzkie Towarzystwo Naukowe, 2003. – 273 p. – Issue title : «Cyberarts, cybercultures, cybersocieties».
Text in periodical
Ozóg, Maciej. – «Towards the visitor - mastery, control and communication in Luc Courchesne's interactive video installations». – Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – P. 227-242.
Video document : Anthology
Weinbren, Grahame. – Interactive cinema works (1983-2001). – New York : Post Typhoon Sky, 2002. – VHS, col., stereo sound, 7 min.
Book
The new screen media : cinema/art/narrative. – Edited by Martin Rieser and Andrea Zapp. – London : British Film Institute, 2002. – 335 p. – Includes a DVD-ROM.
Digital document
New screen media : cinema/art/narrative [DVD-ROM]. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; London : British Film Institute, 2001. – Sound. – DVD-ROM accompanying the publication «The new screen media : cinema/art/narrative».
Text in periodical
Spielmann, Yvonne. – «Visual forms of representation and simulation : a study of Chris Marker's Level 5». – Convergence. – Vol. 6, no. 2 (Summer 2000). – P. 18-40.
Group exhibition catalogue
ICC biennale '99. – Edited by Takuo Komatsuzaki [et al.]. – Tokyo : NTT Publishing, 1999. – 95 p.
Book
Dinkla, Söke. – Pioniere interaktiver Kunst von 1970 bis heute. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Ostfildern : Cantz Verlag, 1997. – 270 p.
Text in book
Rieser, Martin. – «Interactive narrative - educating the authors». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 117-122.
Group exhibition catalogue
InfoArt. – Edited by Kim Hong-hee and Cynthia Goodman. – Kwangju : Kwangju Biennale Foundation, 1995. – 345 p. – English and Korean text.
Text in catalogue
Huhtamo, Erkki. – «Commentaries on metacommentaries on interactivity». – Cultural diversity in the Global Village : the third international symposium un electronic art. – Edited by Ross Harley. – Adelaide : Australian Network for Art and Technology, 1992. – P. 93-98.
Text in periodical
Binkley, Timothy. – «The quickening of galatea : virtual creation without tools or media». – Art Journal. – Vol. 49, no. 3 (Fall 1990). – P. 233-240.
Text in book
Jones, Caitlin. – «Object and behaviour : variable media preservation». – Hothaus papers : perspectives and paradigms in media arts. – Edited by Joan Gibbons and Kaye Winwood. – Birmingham : Vivid, [2005]. – P. 187-192.
Text in book
Söke, Dinka. – «The art of narrative : toward the floating work of art». – The new screen media : cinema/art/narrative. – Edited by Martin Rieser and Andrea Zapp. – London : British Film Institute, 2002. – P. 27-41.
Digital document
Rothenberg, Jeff. – Renewing The Erl King [On-line]. – 28 p. – Acrobat (PDF) file. {{www.bampfa.berkeley.edu}}
Part of Web site
«Echoes of art : emulation as a preservation strategy». – Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – Includes a transcript of the conferences. {{www.variablemedia.net}}
Text in periodical
Jones, Caitlin. – «Est-ce le matériel qui dicte le sens? : trois études de cas de conservation de médias variables». – HorizonZero [on line]. – N° 18 (nov. 2004). – Also available in English under the title «Does hardware dictate meaning? : three variable media conservation case studies». – N. p. {{www.horizonzero.ca}}
Conference / Symposium
Est-il nécessaire de terminer? : la question de la fin dans le récit interactif = Are Endings Necessary? : Closure in Interactive Narrative, Université Paris 1, Paris, France, December 6, 2000. – Organisation : Centre de Recherches d'Esthétique du Cinéma et des Arts Audiovisuels, Paris. {{www.creca.org}}
Group exhibition
Vision.Ruhr : Kunst Medien Interaktion, Westfälisches Industriemuseum Zentrale Zeche Zollern II/IV, Dortmund, Germany, May 14-August 20, 2000. – Organisation : Landschaftsverband Westfalen-Lippe, Lippe ; Kultur + Projekte Dortmund GmbH, Dortmund. {{www.vision-ruhr.de}}
Group exhibition
Threevisions, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Mass., United States, February 14-March 17, 1994.