Name: Christiane Paul

Text in periodical
Rinehart, Richard. – «The media art notation system : documenting and preserving digital / media art». – Leonardo. – Vol. 40, no. 2 (2007). – Revised version of a paper originally presented at the "Refresh! The First International Conference on the Histories of Media Art, Science and Technology" (28 September-1 October 2005) at the Banff New Media Institute, Banff, Alberta, Canada.. – P. 181-187.

Periodical issue
Aspect. – Vol. 7 (2006). – Boston : Aspect Magazine, 2006. – N. p. – DVD Video, col., stereo sound. – Issue title : «Personas and personalities». – Periodical published as a DVD.

Book
Curating immateriality : the work of the curator in the age of network systems . – Edited by Joasia Krysa. – New York : Autonomedia, 2006. – 282 p. – (Data browser 03).

Program
Code : the language of our time = Code = law code = art code = life. – Linz : Ars Electronica Center, 2003. – 53 p. – English and German text.

Program
Ars electronica 2003 : code. – Linz : Ars Electronica Center, 2003. – 40 p. – German and English text.

Text in periodical
Berwick, Carly. – «Screen savers». – ARTnews. – Vol. 101, no. 8 (Sept. 2002). – P. 124-125.

Text in periodical
Anton, Saul. – «Formal affair». – Artforum. – Vol. 40, no. 9 (May 2002). – P. 169.

Text in periodical
Delson, Susan. – «Wiring into a changing climate : museums & digital art». – Museum News. – Vol. 81, no. 2 (Mar./Apr. 2002). – P. 51-64.

Text in periodical
Golonu, Berin. – «Net art's broadening niche». – Afterimage. – Vol. 28, no. 6 (May/June 2001). – P. 4-5.

Text in periodical
«Net gains : a roundtable on new-media art». – Artforum. – Edited by Saul Anton. – Vol. 39, no. 7 (Mar. 2001). – Participants : Maxwell L. Anderson, Aaron Betsky, Mark Dery, Peter Lunenfeld, Christiane Paul, Lawrence Rinder, David A. Ross, Debra Singer, John S. Weber et Benjamin Weil. – P. 118-125, 159.

Text in book
Kluszczynski, Ryszard W. – «From film to interactive art : transformations in media arts». – MediaArtHistories. – Edited by Oliver Grau. – Cambridge : MIT Press, 2007. – (Leonardo book series). – P. 207-228.

Part of Web site
«Danube TeleLectures #3. Myths of Immateriality : Curating, Collecting and Archiving Media Art». – Danube University Krems - University for Continuing Education. – Krems : Danube University Krems. {{www.donau-uni.ac.at}}

Part of Web site
«Specialization course in new technologies for art heritage and conservation». – Media Centre d'Art i Disseny (MECAD). – Barcelona : Media Centre of Art & design. {{www.mecad.org}}

Part of Web site
«Seeing Double: Emulation in Theory and Practice opens at the Guggenheim March 19, 2004». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Text written in 2004. {{www.fondation-langlois.org}}

Conference / Symposium
Art, Science and Free Speech : The Work of Eduardo Kac, Chicago-Kent College of Law, Chicago, Ill., United States, September 18, 2000. – Organisation : Institute for Law and the Humanities, Chicago-Kent College of Law ; Institute for Science, Law and Technology, Chicago-Kent College of Law, Chicago. {{www.kentlaw.edu}}

Conference / Symposium
Floating points : net art now, Emerson College, Boston, Mass., United States, February 6-April 14, 2004. {{institute.emerson.edu}}

Conference / Symposium
Echoes of art : emulation as a preservation strategy, Solomon R. Guggenheim Museum, New York, N. Y., United States, May 8, 2004. {{www.variablemedia.net}}