Text in periodical
Morse, Meredith. – «e-Collaborations in Sixties America: 9 Evenings, the Dancer's Body, and Electronic Technologies». – Scan [on line]. – Vol. 4, no. 1 (April 2007). – N. p. {{scan.net.au}}
Text in periodical
Swartz, Anne. – «Technology, poetry, mystery and pleasure». – NY Arts Magazine. – (July/Aug. 2006). – P. [?].
Also available on the Internet. {{www.nyartsmagazine.com}}
Book
TRG : On transient realities and their generators. – Bruxelles : FoAM ; Linz : Time's Up, 2006. – 184 p. – Includes a DVD.
Also available on the Internet. {{fo.am}}
Part of Web site
«Seeing Double: Emulation in Theory and Practice opens at the Guggenheim March 19, 2004». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Text written in 2004. {{www.fondation-langlois.org}}
Part of Web site
«user_mode = emotion + interaction in electronic performance - a concert». – Tate : online events. – London : Tate. {{www.tate.org.uk}}
Group exhibition catalogue
Art&D : une vitrine sur la recherche en art numérique = a showcase of digital research [On-line]. – Montréal : Société des arts technologiques, 2004. – Acrobat (PDF) file. {{www.sat.qc.ca}}
Text in periodical
Parent, Sylvie ; Leech, Angus. – «Performer! Le spectacle continue». – HorizonZero [on line]. – N° 13 (janv./févr. 2004). – Also available in English under the title «Perform! The show must go online». – N. p. {{www.horizonzero.ca}}
Text in periodical
Roburn, Shirley. – «Le réseau de la SAT : six projets artistiques remarquables et événements majeurs liés à la SAT». – HorizonZero [on line]. – Translated by Danielle Henripin. – N° 11 (oct./nov. 2003). – Also available in English under the title «SAT connections : six remarkable festivals and art projects related to the SAT». – N. p. {{www.horizonzero.ca}}
Directory
In repertoire : a guide to Australian media art. – Sydney : Real Time, 2003. – 15 p.
Also available on the Internet. {{www.ozco.gov.au}}
Text in periodical
Hill, Chris. – «Attention! production! audience! : performing video in its first decade, 1968-1980». – Massage [on line]. – No. 1 (1998). – N. p. {{www.nomadnet.org}}
Periodical
Mouvement. – Paris : Éditions du Mouvement, 1998-. – N° 1 (1998)-.
Also available on the Internet. {{www.mouvement.net}}
Web site
PARIP : Practice as Research in Performance 2001-2006. – Bristol : The Arts and Humanities Research Council : University of Bristol. {{www.bris.ac.uk}}
Web site
Ayers, Robert ; Smith, Barry. – The national review of live art. – Nottingham : Nottingham Trent University. {{art.ntu.ac.uk}}
Web site
Live art archive. – Nottingham : Nottingham Trent University ; London : The Arts Council of England. {{art.ntu.ac.uk}}
Web site
Digital performance archive. – Nottingham : Nottingham Trent University ; Salford : The University of Salford ; Bristol : The Arts and Humanities Research Council. {{dpa.ntu.ac.uk}}
Part of Web site
Wijers, Gaby. – «Preservation and/or documentation : the conservation of media art». – Nederlands Instituut voor Mediakunst = Netherlands Media Art Institute : Montevideo Time Based Art. – Amsterdam : Netherlands Media Art Institute, Montevideo/Time Based Arts. {{www.montevideo.nl}}
Book
Bijvoet, Marga. – Art as inquiry : toward new collaboration between art, science and technology. – New York : Peter Lang Publishing, 1997. – 283 p. – (Series XX ; 32).
Thesis
Durand, Anita. – Perpétuer l'instant : ou quelle conservation-restauration pour les oeuvres impermanentes et/ou performative. – 2006. – 369 p. – A thesis submitted as part of a Diplôme Supérieur en Conservation-Restauration d'oeuvres peintes at the École Supérieure d'Art d'Avignon, in 2006. – Includes aCD-ROM and two DVDs. – Also available as a PDF file in the CD-ROM accompanying the publication.
Text in periodical
Frank, Peter. – «Postwar performance and intermedia : the technological impetus and the musical paradigm». – Avant Garde. – No. 7 (1992). – P. 9-39.
Conference / Symposium
Performative Sites : Intersecting Art, Technology, and the Body, Penn State Conference Center and Hotel, University Park, Pa., États-Unis, October 24-28, 2000. – Organisation : Pen State, University Park. {{www.sva.psu.edu}}
Solo program
Live Video, The Kitchen, New York, N. Y., United States, June 29, 1972. – As part of «The Kitchen video festival».
Festival
15th Annual Avant Garde Festival of New York, The Passenger Ship Terminal at 55th Street, New York, N. Y., United States, July 20, 1980.