
Radical Software, Volume I, Number 1, 1970

Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.

Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.

Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.

Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.

Radical Software, Volume I, Number 3, 1971

URSA observatory, Helsinki, Finland.
Radio Astronomy was installed during ISEA 2004 at the Observatory of U.R.S.A. Astronomical Association, Kaivopuisto Park, Helsinki, Finland.
Photo: Alain Depocas.

Radical Software, Volume I, Number 2, 1970

John Klima, Earth, 2001.
Multi-media installation.
A software that places data from geological surveys, satellites and global weather stations onto a 3-D model of the Earth.
Courtesy of the Postmasters Gallery.

John Klima, Terrain Machine, 2002.
Multi-media installation.
Surface effect produced by the array of actuators that modulate the Earth's terrain on a small scale in keeping with the desired topographic coordinates.
Courtesy of John Klima.

Foto/Graphik Galerie Käthe Kollwitz, 2000.
Courtesy of Pat Binder.

Elizabeth Vander Zaag, Talk Nice, 1999-2000.
Still image taken from Talk Nice (video).
Courtesy of the artist.

Ventspils International Radio Astronomy Centre (VIRAC), Irbene, Latvia.
Courtesy of radioqualia.

Ventspils International Radio Astronomy Centre (VIRAC), Irbene, Latvia.
Honor Harger inside the VIRAC.
Courtesy of radioqualia.

Science Fair: Feminist Configurations in Cyberspace
Web Site screen capture.
Courtesy of Studio XX.

Lynn Hershman, Tillie, the Telerobotic Doll, 1995-1998.
Courtesy of the artist.

John Klima, Terrain Machine, 2002.
Multi-media installation.
Rod matrix. The up and down movements of the rods create surface features as in a pin screen.
Courtesy of John Klima.

John Klima, Terrain Machine, 2002.
Multi-media installation.
Mechanical components (triggers, actuators) moving the rod according to specific topographical data.
Courtesy of John Klima.

Pat Binder in front of the Foto/Graphik Galerie Käthe Kollwitz, 2000

Foto/Graphik Galerie Käthe Kollwitz, 1999-2000.
View of the Foto/Graphik Galerie Käthe Kollwitz featuring the work of Dmitri Prigov.
Courtesy of Pat Binder.

Curieux univers.
Home page of the classification section.
Courtesy of Centre d'exposition de l'Universite de Montréal.

L'herbier Marie-Victorin.
Courtesy of Centre d'exposition de l'Universite de Montréal.

Lynn Hershman, Reach (Phantom Limb Series), 1988.
Gelatin silver print.
Courtesy of the artist.

Lynn Hershman, Shutter (Phantom Limb Series), 1988.
Gelatin silver print.
Courtesy of the artist.

Lynn Hershman, Seduction (Phantom Limb Series), 1988.
Gelatin silver print.
Courtesy of the artist.

Samuel Bianchini, If I Were U / Si j'étais toi, 2000.
IIWU graphic interface screen capture.
Courtesy of Samuel Bianchini.

Radical Software, Volume I, Number 4, 1971

Radical Software, Volume II, Number 1, 1972

Radical Software, Volume II, Number 4, 1973

Radical Software, Volume II, Number 5, 1973

La Maison Radieuse
Le Corbusier's Unité d'Habitation in Rezé, Nantes, France.
Photo: Courtesy of Siraj Izhar.

Radical Software, Volume I, Number 5, 1972

Radical Software, Volume II, Number 2, 1973

Radical Software, Volume II, Number 3, 1973

Radical Software, Volume II, Number 6, 1974

Michael Shamberg, Guerrilla Television, 1971 (also designated as Radical Software, Volume I, Number 6)

motiroti et The Builders Association, Alladeen (1999-2007). Courtesy of the artists.

Foto/Graphik Galerie Käthe Kollwitz, 2000.
Courtesy of Pat Binder.

Rafael Lozano-Hemmer, Vectorial Elevation (1999-2002). Courtesy of the artist.

Rafael Lozano-Hemmer, Vectorial Elevation, Relational Architecture 4, 1999-2002.
Artium Square, Vitoria, Basque Country, Spain, 2002.
Photo: David Quintas. Courtesy of the artist.

Bill Vorn and Simon Penny, Bedlam, 2001-2003.
Interactive robotic installation.
Photo: Simon Penny. Courtesy of the artists.