Theme: Media Arts AND Art History

1506 documents in the collection

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Text in periodical
«Ars Electronica übernahm sich mit "Übernahme"». – Argus der Presse. – (Oct. 1, 2001). – N. p.

Text in periodical
Lechner, Marie. – «Ars Electronica, dédale du digital : le 22e festival autrichien a oscillé entre ouverture et purisme». – Libération. – (8/9 sept. 2001). – P. [].

Text in periodical
Hall, Peter. – «Art's next generation». – Architecture. – Vol. 90, no. 9 (Sept. 2001). – P. 71-73.

Text in periodical
Vitale, Timothy. – «TechArcheology : works by James Coleman and Vito Acconci». – Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – P. 233-258.

Text in periodical
Pollack, Barbara. – «Back to the future with "Bitstreams" : a pair of Whitney exhibitions recently introduced viewers to today's digital art, but also raised questions about the museum's grasp of electronic possibilities». – Art in America. – Vol. 89, N° 9 (Sept. 2001). – Under «Digital Media». – P. 60-63.

Text in periodical
Bureaud, Annick. – «Carnets de route du Saint-Laurent». – Art Press. – N° 271 (sept. 2001). – Under «Les arts électroniques». – P. 92.

Text in periodical
Jana, Reena. – «In with the new». – Artforum. – Vol. 40, no. 1 (Sept. 2001). – P. 42.

Text in periodical
Mukul. – «[Acoustic space lab symposium]». – The Wire. – No. 211 (Sept. 2001). – Under «Ether talk». – P. 78.

Proceedings
Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – Washington : American Institute for Conservation of Historic and Artistic Works, 2001. – N. p. – Proceedings of the conference «TechArcheology : A Symposium on Installation Art Preservation».

Periodical issue
Artlink. – Vol. 21, no. 3 (Sept. 2001). – Henley Beach : Artlink, 2001. – 96 p. – Issue title : «e-volution of new media».

Text in periodical
«Fresh portals for the caravanserai : art and new media in India and Australia». – Artlink. – Vol. 21, no. 3 (Sept. 2001). – P. 38-39.

Text in periodical
Mertl, Monika. – «Im Handy-Rhythmus : die Ars Electronica 2001 in Linz wird nach dem "Takeover" fragen : Wer macht die Kunst von morgen Eine Antwort lautet : das Handy». – Salzburger Nachrichten. – (Aug. 22, 2001). – N. p.

Book
Antúnez Roca, Marcel·lí. – POL handbook : mechatronic performance cross-media work. – [Barcelone] : Marcel·lí Antúnez Roca, 2001. – 242 p.

Text in periodical
Penny, Simon et al. – «Traces : embodied immersive interaction with semi-autonomous avatars». – Convergence. – Vol. 7, no. 2 (Summer 2001). – P. 47-65.

Text in periodical
Seaman, Bill. – «Exchange fileds : embodied positioning as interface strategy». – Convergence. – Vol. 7, no. 2 (Summer 2001). – P. 68-79.

Digital document
The IDEA. – No. 4 (July/Dec. 2001) [CD-ROM]. – New Delhi : Imadjinn!, 2001. – Sound. – HTML file. – Periodical published as a CD-ROM.

Text in periodical
Golonu, Berin. – «Net art's broadening niche». – Afterimage. – Vol. 28, no. 6 (May/June 2001). – P. 4-5.

Text in periodical
Dunn, Melissa. – «From Bitstreams to the Biennal : a conversation with Whitney museum curator». – Flash Art. – Vol. 34, no. 218 (May/June 2001). – P. 93.

Text in periodical
Carvahlo, Denise. – «Bitstreams». – Flash Art. – Vol. 34, no. 218 (May/June 2001). – P. 95.

Text in periodical
London, Barbara. – «The possessed hard drive : Tony Oursler's Timestream». – RES. – Vol. 4, no. 3 (May/June 2001). – P. 60-63.

Text in periodical
Helfand, Glen. – «Art in the age of digital reproduction». – Architecture. – Vol. 90, no. 5 (May 2001). – P. 98-100.

Text in periodical
Carter, Daniel. – «Vision quest : console hacker Paul Johnson projects himself into the game». – Wired. – Vol. 9, no. 5 (May 2001). – P. 160-163.

Text in periodical
Mavrikakis, Nicolas. – «Pris sur le vif : les finissants de Concordia». – Voir. – (26 avril/2 mai 2001). – P. 57.

Text in periodical
«Une oeuvre dont vous êtes le héros». – Le Devoir. – (14 avril 2001). – P. D-10.

Text in periodical
Delgado, Jérôme. – «À vous de lancer les dés : Dés chiffrés, une oeuvre interactive de Bill Seaman». – La Presse. – (7 avril 2001). – P. D13.

Text in periodical
Howry, Michelle. – «Home sweet home». – I.D. Magazine. – Vol. 48, no. 2 (Apr. 2001). – P. 81.

Text in periodical
Robert, Pierre. – «[éc/art S :, n° 2, spécial textualités et nouvelles technologies]». – Parachute. – N° 102 (avril/mai/juin 2001). – Under «Livres et revues = Books and magazines». – P. 135-136.

Text in periodical
Gauguet, Bertrand. – «etoy : pour un hacktivisme communautaire de l'art = etoy : community hacktivism and art». – Parachute. – N° 102 (avril/mai/juin 2001). – P. 58-71.

Text in periodical
Daigneault, Ginette. – «Au croisement des pratique artistiques et communicationelles : un art qui a lieu». – Espace sculpture. – N° 55 (printemps 2001). – French and English text. – P. 10-13.

Text in periodical
Jana, Reena. – «Weil's wide web : curator Benjamin Weil mediates the marriage of art and technology at San Francisco's Museum of Modern Art». – ARTnews. – Vol. 100, no. 4 (Apr. 2001). – P. 60, 62.

Text in periodical
Jana, Reena. – «Reality bytes : planning a museum devoted to the fast-changing genre of digital art has built-in challenges». – ARTnews. – Vol. 100, no. 4 (Apr. 2001). – P. 118-119.

Text in periodical
Kimmelman, Michael. – «"Bitstreams" and "Data dynamics" : creativity, digitally remastered». – The New York Times. – (Mar. 23, 201). – P. [].

Text in periodical
Kastner, Jeffrey. – «Bit by bit, the digital age comes into artistic focus». – The New York Times. – (Mar. 18, 2001). – P. [].

Text in periodical
«Net gains : a roundtable on new-media art». – Artforum. – Edited by Saul Anton. – Vol. 39, no. 7 (Mar. 2001). – Participants : Maxwell L. Anderson, Aaron Betsky, Mark Dery, Peter Lunenfeld, Christiane Paul, Lawrence Rinder, David A. Ross, Debra Singer, John S. Weber et Benjamin Weil. – P. 118-125, 159.

Text in periodical
Bureaud, Annick. – «Cd-rom : oeuvre ou document ». – Art Press. – N° 265 (févr. 2001). – P. 91.

Text in periodical
Simon Jr., John F. – «Hotlist : John F. Simon Jr.». – Artforum. – Vol. 39, no. 6 (Feb. 2001). – P. 39.

Text in periodical
Manovich, Lev. – «Electrolobby». – Artext. – No. 72 (Feb./Apr. 2001). – P. 90-91.

Text in periodical
Chouinard, Tommy. – «Centre de recherche et de documentation en multimédia : l'art à l'index». – Voir. – (11 janv. 2001). – P. 61.

Text in book
Kuivila, Ronald. – «Open sources : notation and realization in new media». – Feedback : perception and interaction in the electronic arts : proceedings : the eighth biennial symposium on arts and technology. – New London : The Center for Arts and Technology, 2001. – P. 76-80.

Group exhibition catalogue
Festival international nouveau cinéma nouveaux médias. – Montréal : Festival of Nouveau Cinema, 2001. – 231 p. – French and English text.

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258 audiovisual documents

Jessica Loseby, Hello, 2001.

Screen capture.

Courtesy of the artist.

Chris Csikszentmihályi, Afghan Explorer, 2001.

Model.

Courtesy of the artist.

Chris Csikszentmihályi, DJ I Robot, 2001.

Courtesy of the artist.

John Klima, Go Fish, 2001.

Multi-media installation.

Video arcade game console, holding tanks and interactive components.

Courtesy of John Klima.

Lynn Hershman, Roberta Being Trapped, 1975.

Gelatin silver print with glitter, ink, and watercolor.

Courtesy of the artist.

Marc Fournel, SKIN-PÔ, 2006.

Diagram of the installation's components. SKIN-PÔ evolved directly from the Tontauben installation, the first phase of the Transduction project.

Courtesy of the artist.

Elizabeth Vander Zaag, Whispering Pines, 1993.

Image taken from the Whispering Pines CD-ROM.

Actress: Sidney Shadbolt. In the collection of the Morris and Helen Belkin Art Gallery (University of British Columbia, Vancouver, British Columbia, Canada) and the Kamloops Art Gallery (Kamloops, British Columbia, Canada).

Courtesy of the artist.

John Klima, The Great Game, 2001.

Game playable on the Internet.

Topographical map of Afghanistan. Though initially clear, the region gradually fills with icons evoking the West's military strategies aimed at toppling the Taliban regime.

Courtesy of John Klima.

John Klima, Earth, 2001.

Multi-media installation.

A software places data from geological surveys, satellites and and global weather stations onto a 3-D model of the Earth.

Courtesy of the Postmasters Gallery.

John Klima, Terrain Machine, 2002.

Multi-media installation.

Surface effect produced by the array of actuators that modulate the Earth's terrain on a small scale in keeping with the desired topographic coordinates.

Courtesy of John Klima.

John Klima, Context Breeder, 2002.

Search engine interface.

Research results in the Artbase database operated by Rhizome.org.

Courtesy of Rhizome.org.

Alan Dunning, Billy Budd's Stammer, 1988.

Installation.

Courtesy of Alan Dunning.

Luc Courchesne, Panoscopic Image (2005). Courtesy of the artist.

Luc Courchesne, Portrait One (1990).

Luc Courchesne in conversation with Marie (Paule Ducharme).

Courtesy of the artist. Collection of the National Gallery of Canada.