Theme: Media Arts AND Art History

272 web sites

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Text in periodical
Boileau, Dominique. – «La conservation du Web en archivistique et les possibles applications à l'art Internet». – DPI : la revue électronique du Studio XX Electronic Review [on line]. – N° 14 (2009). – N. p. {{dpi.studioxx.org}}

Part of Web site
Cates, Jon et al. – «re:place collectively re:viewed». – re:place 2007 : Second international conference on the histories of media, art, science and technology, 2007. {{www.mediaarthistory.org}}

Part of Web site
Lewis, Jacquelyn . – «Conserving pixels, bits, and bytes». – ARTINFO: The premier site for news about art and culture around the world. – New York : LTB Media, 2007. {{www.artinfo.com}}

Part of Web site
Debatty, Régine. – «Interview with Sarah Cook». – We make money not art. {{www.we-make-money-not-art.com}}

Group exhibition catalogue
Automatic update. – New York : The Museum of Modern Art, 2007. {{moma.org}}

Web site
framed : contextualising digital art and writing between 1998-2005. – 2007. {{www.framejournal.net}}

Web site
MediaArtHistoriesArchive : Archiving the histories of media art, science and technology. – Bonn : MediaArtHistoriesArchive, 2007. {{www.mediaarthistory.org}}

Part of Web site
Paul, Christiane. – «Challenges for a ubiquitous museum : presenting and preserving new media». – NeMe. – Limassol : NeMe. {{neme.org}}

Part of Web site
Dietz, Steve. – «Collecting new media art: just like anything else, only different». – NeMe. – Limassol : NeMe. {{neme.org}}

Book
.x-med.a.: experimental media arts. – Edited by Maja Kuzmanovic,Annemie Maes, et Yves Bernard. – Bruxelles : FoAM, 2006. – 143 p. Also available on the Internet. {{xmeda.be}}

Web site
EAI online resource guide for exhibiting, collecting & preserving media art. – 2006. {{resourceguide.eai.org}}

Digital document
Rinehart, Richard. – Nailing down bits: digital art and intellectual property = Bien fixer les éléments d'information : l'art numérique et la propriété intellectuelle [On-line]. – Gatineau : Canadian Heritage Information Network, 2006. – 46 p. – Acrobat (PDF) file. {{www.pro.rcip-chin.gc.ca}}

Database
res-Qualia. – Barcelona : Res-Qualia.net, 2006. {{www.res-qualia.net}}

Text in periodical
Frespech, Nicolas. – «Téléphonie mobile : création et diffusion "Call-aboration"!». – Archée [on line]. – (mai 2005). – N. p. {{archee.qc.ca}}

Part of Web site
Bosco, Roberta. – «The big black box of digital art». – nothing.org. – Also available in spanish in El Pais, February 5, 2005. {{nothing.org}}

Part of Web site
Graham, Beryl. – «Taxonomies of new media art : real world namings». – Museums and the Web 2005 : Speakers. – Toronto : Archives & Museum Informatics. – Text written in 2005. {{www.archimuse.com}}

Text in periodical
Fiske, Tina. – «ERPANET preservation of born-digital art workshop». – DigiCULT.Info [on line]. – No. 9 (Nov. 2004). – P. 25-27. {{www.digicult.info}}

Text in periodical
Rivoire, Annick. – «Art digital : le CICV effacé du disque dur». – Libération. – (22 juil. 2004). – P. [?]. Also available on the Internet. {{www.liberation.fr}}

Text in periodical
Moulon, Dominique. – «un instantané des arts numériques à New York». – Images magazine. – N° 5 (Juillet 2004). – P. 88-92. Also available on the Internet. {{www.moulon.net}}

Periodical
Scan. – Sydney : Macquarie University, 2004-. – Vol. 1, no. 1 (janv. 2004)-. – Electronic journal. {{scan.net.au}}

Group exhibition catalogue
Database imaginary. – Banff : The Banff Centre for the Arts, 2004. {{databaseimaginary.banff.org}}

Part of Web site
«Capturing Unstable Media : Glossary». – Capturing Unstable Media. – Rotterdam : V2_Organisation, Institute for the Unstable Media, 2004. {{capturing.projects.v2.nl}}

Part of Web site
«Seeing Double: Emulation in Theory and Practice opens at the Guggenheim March 19, 2004». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Text written in 2004. {{www.fondation-langlois.org}}

Digital document
The archiving and preservation of born-digital art workshop : briefing paper [digital document]. – Glasgow : ERPANET : Electronic Ressource Preservation and Access Network, [2004]. {{www.erpanet.org}}

Part of Web site
«Jasia Reichardt». – Tate : online events. – London : Tate. {{www.tate.org.uk}}

Part of Web site
«Christiane Paul». – Tate : online events. – London : Tate. {{www.tate.org.uk}}

Part of Web site
«Peter Weibel». – Tate : online events. – London : Tate. {{www.tate.org.uk}}

Video
Gagnon, Jean. – Documentation et conservation du patrimoine des arts médiatiques. – Gatineau : Canadian Heritage Information Network, 2004. – Col., sound, 40 min 46 s. – Audiovisual documentation of Jean Gagnon's conference in the context of the "Beyond productivity : culture and heritage resources in the digital age" conference. {{events.jetstreammedia.com}}

Part of Web site
Fritz, Darko. – «Panorama : media art». – Culturenet.hr : web portal to croatian culture. – Zagreb : Culturenet Croatia. {{www.culturenet.hr}}

Group exhibition catalogue
Art&D : une vitrine sur la recherche en art numérique = a showcase of digital research [On-line]. – Montréal : Société des arts technologiques, 2004. – Acrobat (PDF) file. {{www.sat.qc.ca}}

Part of Web site
Bureaud, Annick. – «Les basiques : art "multimédia"». – Observatoire Leonardo des arts et des technosciences (OLATS). – Boulogne-Billancourt : Observatoire Leonardo pour les Arts et les Techno-Sciences. {{www.olats.org}}

Web site
Capturing Unstable Media. – Rotterdam : V2_Organisation, Institute for the Unstable Media, 2004. {{capturing.projects.v2.nl}}

Part of Web site
«Seeing double : emulation in theory and practice». – Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. {{www.variablemedia.net}}

Digital document
Naimark, Michael. – Truth, beauty, freedom, and money : technology-based art and the dynamics of sustainability [digital document]. – 2004. – PDF document, 39 pages. {{www.artslab.net}}

Part of Web site
van Saaze, Vivian ; Wijers, Gaby. – «Research into four media installations». – Nederlands Instituut voor Mediakunst = Netherlands Media Art Institute : Montevideo Time Based Art. – Amsterdam : Netherlands Media Art Institute, Montevideo/Time Based Arts. – Text writen in 2003. {{www.montevideo.nl}}

Text in periodical
Roburn, Shirley. – «Le réseau de la SAT : six projets artistiques remarquables et événements majeurs liés à la SAT». – HorizonZero [on line]. – Translated by Danielle Henripin. – N° 11 (oct./nov. 2003). – Also available in English under the title «SAT connections : six remarkable festivals and art projects related to the SAT». – N. p. {{www.horizonzero.ca}}

Text in periodical
Poissant, Louise. – «Projet d'une encyclopédie des arts médiatiques». – Ligeia. – N° 45-48 (juil./août/sept./oct./nov./déc. 2003). – P. 180-185. Also available on the Internet. {{www.olats.org}}

Text in periodical
Couchot, Edmond. – «De la communication à la commutation : l'art et le web». – Ligeia. – N° 45-48 (juil./août/sept./oct./nov./déc. 2003). – P. 87-89. Also available on the Internet. {{www.olats.org}}

Part of Web site
Cates, Jon. – «Golan Levin». – Criticalartware. – [?] : Criticalartware. – Interview with Golan Levin made in 2003. {{criticalartware.net}}

Proceedings
ICHIM Paris 03 : actes : les institutions culturelles et le numérique = Proceedings : cultural institutions and digital technologies [CD-ROM]. – Toronto : Archives & Museum Informatics, 2003. – HTML and Acrobat (PDF) files ; also contain JPEG, GIF file. Also available on the Internet. {{www.ichim.org}}

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258 audiovisual documents

Jessica Loseby, Hello, 2001.

Screen capture.

Courtesy of the artist.

Chris Csikszentmihályi, Afghan Explorer, 2001.

Model.

Courtesy of the artist.

Chris Csikszentmihályi, DJ I Robot, 2001.

Courtesy of the artist.

John Klima, Go Fish, 2001.

Multi-media installation.

Video arcade game console, holding tanks and interactive components.

Courtesy of John Klima.

Lynn Hershman, Roberta Being Trapped, 1975.

Gelatin silver print with glitter, ink, and watercolor.

Courtesy of the artist.

Marc Fournel, SKIN-PÔ, 2006.

Diagram of the installation's components. SKIN-PÔ evolved directly from the Tontauben installation, the first phase of the Transduction project.

Courtesy of the artist.

Elizabeth Vander Zaag, Whispering Pines, 1993.

Image taken from the Whispering Pines CD-ROM.

Actress: Sidney Shadbolt. In the collection of the Morris and Helen Belkin Art Gallery (University of British Columbia, Vancouver, British Columbia, Canada) and the Kamloops Art Gallery (Kamloops, British Columbia, Canada).

Courtesy of the artist.

John Klima, The Great Game, 2001.

Game playable on the Internet.

Topographical map of Afghanistan. Though initially clear, the region gradually fills with icons evoking the West's military strategies aimed at toppling the Taliban regime.

Courtesy of John Klima.

John Klima, Earth, 2001.

Multi-media installation.

A software places data from geological surveys, satellites and and global weather stations onto a 3-D model of the Earth.

Courtesy of the Postmasters Gallery.

John Klima, Terrain Machine, 2002.

Multi-media installation.

Surface effect produced by the array of actuators that modulate the Earth's terrain on a small scale in keeping with the desired topographic coordinates.

Courtesy of John Klima.

John Klima, Context Breeder, 2002.

Search engine interface.

Research results in the Artbase database operated by Rhizome.org.

Courtesy of Rhizome.org.

Alan Dunning, Billy Budd's Stammer, 1988.

Installation.

Courtesy of Alan Dunning.

Luc Courchesne, Panoscopic Image (2005). Courtesy of the artist.

Luc Courchesne, Portrait One (1990).

Luc Courchesne in conversation with Marie (Paule Ducharme).

Courtesy of the artist. Collection of the National Gallery of Canada.