Theme: Media Arts AND Conceptual Art

1506 documents in the collection

Page 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15 - 16 - 17 - 18 - 19 - 20 - 21 - 22 - 23 - 24 - 25 - 26 - 27 - 28 - 29 - 30 - 31 - 32 - 33 - 34 - 35 - 36 - 37 - 38

Text in catalogue
Nowlin, Stephen. – «Digital mediations : introduction». – Digital Mediations. – Pasadena : Alyce de Roulet Williamson Gallery, [1995]. – P. [2-3].

Text in catalogue
«Bill Seaman». – Internationaler Videokunstpreis 1995 = International Award for Video Art 1995. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Baden-Baden : Südwestfunk Baden-Baden, [1995]. – German and English text. – P. 14-17.

Text in periodical
Kusahara, Machiko. – «Collisions of meaning and free association paradigms». – InterCommunication. – Traducted by Seiji Mizuta Lippit. – Annual (1995). – Under «Ex. Mech : Bill Seaman : The Exquisite Mechanism of Shivers». – P. 100-102.

Text in periodical
Morinaka, Takaaki. – «Chance and accident, or lessons in future poetics». – InterCommunication. – Traducted by Seiji Mizuta Lippit. – Annual (1995). – Under «Ex. Mech : Bill Seaman : The Exquisite Mechanism of Shivers». – P. 100-102.

Text in periodical
Druckrey, Timothy. – «Artintact». – World Art. – No. 4/1995 (1995). – P. 61.

Text in periodical
Wark, McKenzie. – «The terminal garden». – World Art. – No. 1/1995 (1995). – P. 52-56.

Text in book
Wark, McKenzie. – «The virtual sensoria : notes on new media art». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 305-313.

Digital document
Lefèvre, Joseph. – Traces et contrastes [CD-ROM]. – 1995. – Sound.

Group exhibition catalogue
Halfbred [CD-ROM]. – Vancouver : Grunt Gallery, [1995]. – Director and AVI files.

Book
Fred Forest : 100 actions. – Nice : Z'éditions, 1995. – 240 p.

Text in periodical
Gigliotti, Carol. – «Aesthetics of a virtual world». – Leonardo. – Vol. 28, no. 4. – P. 289-295.

Text in book
de Kerckhove, Derrick. – «Ré-émergence des sens : dans les arts des réseaux». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 60-64.

Text in book
Dove, Toni. – «Artificial changelings: a work of responsive cinema in progress». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 69-71.

Text in book
Elliot, Tessa. – «Interaction arising from installations». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 77-78.

Text in book
Goldring, Elizabeth. – «Imaging directly on the retina : a progress report». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 89-91.

Text in book
Jake*. – «World utopian process W.U.P. : éthique de la création». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 124-129.

Text in book
Longavesne, Jean-Paul. – «Machines à peindre et informatique picturale : ironie de l'art digital». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 172-176.

Text in book
Richards, Catherine ; Sawchuk, Kim. – «Ideologies of interactivity : freedom, choice and creativity». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 240-241.

Text in book
Slayton, Joel A. – «Large scale experimental media and performance». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 267-271.

Text in catalogue
Czegledy, Nina. – «In sight : media art from the middle of Europe». – In sight : media art from the middle of Europe. – Edited by Nina Czegledy. – Toronto : YYZ, 1995. – P. 4-9.

Text in catalogue
Czegledy, Nina. – «Neither east nor west». – In sight : media art from the middle of Europe. – Edited by Nina Czegledy. – Toronto : YYZ, 1995. – P. 12-17.

Text in catalogue
Czegledy, Nina. – «[Contemporary women artists (...)]». – Shifting paradigms / modèles mouvants : contemporary canadian video art. – [S.l. : s.n.], [1993]. – Also in French under the title «Les artistes contemporaines (...)», p. 6-7. – P. 4-5.

Text in catalogue
Czegledy, Nina. – «[Les artistes contemporaines (...)]». – Shifting paradigms / modèles mouvants : contemporary canadian video art. – [S.l. : s.n.], [1993]. – Also in English under the title «Contemporary women artists (...)», p. 4-5. – P. 6-7.

Archive document : Invitation card
In sight : media art from the middle of Europe. – Toronto : YYZ, 1995. – N. p. – Invitation card.

Book
Où se former au multimedia en Europe = Where to get multimedia training in Europe!. – Bry-sur-Marne : Club d'Investissement Media, 1995. – 119 p.

Program
The interactive media events calendar listing 1995. – Los Angeles : Interactive Media Festival, 1995. – N. p. – Leaflet.

Group exhibition catalogue
8. VideoFest '95. – Berlin : Postanschrift Mediopolis, [1995]. – 100 p. – German and English text.

Program
Imagina : des images qui dépassent l'imagination : programme = images beyong imagination : programme. – Monte-Carlo : Festival de télévision de Monte-Carlo ; Bry-sur-Marne : Institut National de l'Audiovisuel, 1995. – 23 p.

Program
ISEA 95 Montréal : 6e symposium international des arts électroniques : programme : une invitation à entendre, voir et toucher les arts technologiques : du 17 au 24 septembre 1995 = ISEA 95 Montreal : 6th international symposium on electronic art : programm : an invitation to hear, see and touch electronic art : from September 17 to 24, 1995 . – Amsterdam : ISEA : Inter-Society for the Electronic Arts, [1995]. – N. p. – Leaflet.

Program
Boston cyberarts festival. – Jamaica Plain : Boston Cyberarts Festival, [1995]. – 36 p.

Video : Art work
Rosenzveig, Eric. – Fleabotics. – 1995. – VHS, col., stereo sound, 16 min 50 s.

Book
Hofstetter, Fred T. – Multimedia literacy. – New York : McGraw-Hill, 1995. – 360 p.

Program
Jahres Rück Blick 1995. – Graz : Neue Galerie Graz, 1995. – [26] p.

Text in periodical
Blase, Christoph. – «Walter Benjamin and the CD-ROM : a new media form». – Artintact. – Translated by John Blau. – No. 2 (1995). – Also in German under the title «Walter Benjamin und die CD-ROM : Zu einer neuen Medienform», p. 7-17. – P. 19-27.

Text in catalogue
de Kerckhove, Derrick. – «A volcanic theory of art». – Press enter : between seduction and disbelief. – Edited by Louise Dompierre. – Toronto : The Power Plant - Contemporary Art Gallery, 1995. – P. 87-99.

Text in catalogue
Heim, Michael. – «The design of virtual reality». – Press enter : between seduction and disbelief. – Edited by Louise Dompierre. – Toronto : The Power Plant - Contemporary Art Gallery, 1995. – P. 57-76.

Text in catalogue
Riley, Robert R. – «Figuration and intimacy in electronic media : John Massey, Jim campbell, and Julia Scher». – Press enter : between seduction and disbelief. – Edited by Louise Dompierre. – Toronto : The Power Plant - Contemporary Art Gallery, 1995. – P. 113-121.

Text in catalogue
Dompierre, Louise. – «Pools of reflection». – Press enter : between seduction and disbelief. – Edited by Louise Dompierre. – Toronto : The Power Plant - Contemporary Art Gallery, 1995. – P. 25-39.

Text in periodical
Adrian X, Robert. – «Kunst und Telekommunikation : 1979-1986 : Die Pionierzeit». – . – Bd. 1, Heft 1 (1995). – P. 10-11.

Page 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15 - 16 - 17 - 18 - 19 - 20 - 21 - 22 - 23 - 24 - 25 - 26 - 27 - 28 - 29 - 30 - 31 - 32 - 33 - 34 - 35 - 36 - 37 - 38

258 audiovisual documents

Jessica Loseby, Hello, 2001.

Screen capture.

Courtesy of the artist.

Chris Csikszentmihályi, Afghan Explorer, 2001.

Model.

Courtesy of the artist.

Chris Csikszentmihályi, DJ I Robot, 2001.

Courtesy of the artist.

John Klima, Go Fish, 2001.

Multi-media installation.

Video arcade game console, holding tanks and interactive components.

Courtesy of John Klima.

Lynn Hershman, Roberta Being Trapped, 1975.

Gelatin silver print with glitter, ink, and watercolor.

Courtesy of the artist.

Marc Fournel, SKIN-PÔ, 2006.

Diagram of the installation's components. SKIN-PÔ evolved directly from the Tontauben installation, the first phase of the Transduction project.

Courtesy of the artist.

Elizabeth Vander Zaag, Whispering Pines, 1993.

Image taken from the Whispering Pines CD-ROM.

Actress: Sidney Shadbolt. In the collection of the Morris and Helen Belkin Art Gallery (University of British Columbia, Vancouver, British Columbia, Canada) and the Kamloops Art Gallery (Kamloops, British Columbia, Canada).

Courtesy of the artist.

John Klima, The Great Game, 2001.

Game playable on the Internet.

Topographical map of Afghanistan. Though initially clear, the region gradually fills with icons evoking the West's military strategies aimed at toppling the Taliban regime.

Courtesy of John Klima.

John Klima, Earth, 2001.

Multi-media installation.

A software places data from geological surveys, satellites and and global weather stations onto a 3-D model of the Earth.

Courtesy of the Postmasters Gallery.

John Klima, Terrain Machine, 2002.

Multi-media installation.

Surface effect produced by the array of actuators that modulate the Earth's terrain on a small scale in keeping with the desired topographic coordinates.

Courtesy of John Klima.

John Klima, Context Breeder, 2002.

Search engine interface.

Research results in the Artbase database operated by Rhizome.org.

Courtesy of Rhizome.org.

Alan Dunning, Billy Budd's Stammer, 1988.

Installation.

Courtesy of Alan Dunning.

Luc Courchesne, Panoscopic Image (2005). Courtesy of the artist.

Luc Courchesne, Portrait One (1990).

Luc Courchesne in conversation with Marie (Paule Ducharme).

Courtesy of the artist. Collection of the National Gallery of Canada.