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Veilleux, Cindy. – «La conservation des oeuvres à composante technologique». – Muséologies : les cahiers d'études supérieures. – Vol. 2, n° 3 (oct. 2007). – P. 86-101.
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Foisy, Marie-Hélène ; Courchesne, Marie-Ève. – «Sylvie Lacerte, coordonnatrice de l'Alliance DOCAM Fondation Daniel Langlois pour l'art, la science et la technologie». – Muséologies : les cahiers d'études supérieures. – Vol. 2, n° 3 (oct. 2007). – Interview with Sylvie Lacerte. – P. 104-117.
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Gagnon, Jean ; Depocas, Alain. – «Special section introduction : documentation and conservation of the media-arts heritage (DOCAM)». – Leonardo. – Vol. 40, no. 2 (2007). – P. 180.
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Rinehart, Richard. – «The media art notation system : documenting and preserving digital / media art». – Leonardo. – Vol. 40, no. 2 (2007). – Revised version of a paper originally presented at the "Refresh! The First International Conference on the Histories of Media Art, Science and Technology" (28 September-1 October 2005) at the Banff New Media Institute, Banff, Alberta, Canada.. – P. 181-187.
Book
Documentation et conservation de patrimoine des arts médiatiques. – Edited by Sylvie Lacerte. – Montréal : Coop UQAM : Département d'histoire de l'art, Université du Québec à Montréal, 2007. – [] p. – French and English text. – Course notes.
Book
Gladney, Henry M. – Preserving digital information. – Heidelberg : Springer Verlag, 2007. – 314 p.
Archive document : Press kit
AV Trust : Trust AV. – Ottawa : The AV Preservation Trust.ca, 2007. – 1 folder. – Press kit. – Includes one press releases, two leaflets, the programmation and general information leaflets. – Also in English.
Book
Inside installations : preservation and presentation of installation art. – Edited by Tatja Scholte and Paulien t' Hoen. – Amsterdam : Netherlands Institute for Cultural Heritage : The Foundation for the Conservation of Modern Art, 2007. – 64 p.
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Tadros, Jean-Pierre. – «Grâce au Trust pour la préservation de l'audio-visuel, le Canada protège son patrimoine audio-visuel des ravages du temps». – Ciné-TV multimédia. – (Vol. 17, n° 191, 30 oct. 2006). – Arcticle on the «Trust AV for the preservation of canadian audiovisual heritage» in wich it is mentioned that the film Wavelength by Michael Snow is chosen to be preserved by the organism. – P. 1,4.
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Nicoud, Anabelle. – «Les Bons débarras au panthéon». – La Presse. – (28 oct. 2006). – P. 14 (cinéma).
Program
Sommet International DOCAM 2006. – Montréal : DOCAM : Documentation and Conservation of the Media Arts Heritage, 2006. – 6 p. – Biographical notes and summaries.
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Chaffee, Cathleen. – «Cory Arcangel». – Contemporary. – No.84 (2006). – An interview with Cory Arcangel. – P. 26-29.
Program
The 13th festival of preservation : calendar. – Los Angeles : UCLA Film and Television Archive, 2006. – 8 p.
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Turci, Arianna. – «The use of digital restoration within European film archives : a case study». – The Moving Image. – Vol. 6, no.2 (Spring 2006). – P. 111-124.
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Bardiot, Clarisse. – «DOCAM, une réflexion sur l'archivage du spectacle vivant = DOCAM, a reflexion on archiving living art». – Le Magazine arts de la scène / écritures numériques = The magazine performing arts / digital scripts. – N° 4 (avril-sept 2006). – P. 29.
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«L'alliance de recherche de la fondation Langlois : DOCAM». – PréserVision : le bulletin du Trust pour la préservation de l'AV = PreserVision : newsletter of the AV Preservation Trust. – N° 7 (printemps 2006). – Under «Industry shorts» – Also in English under the title «The Daniel Langlois foundation's research alliance : DOCAM». – P. 3.
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Gladney, Henry M. – «Principles for digital preservation : focusing on end users' needs rather than those of archiving institutions». – Communications of the ACM. – Vol. 49, no. 2 (Feb. 2006). – P. 111-116.
Thesis
Durand, Anita. – Perpétuer l'instant : ou quelle conservation-restauration pour les oeuvres impermanentes et/ou performative. – 2006. – 369 p. – A thesis submitted as part of a Diplôme Supérieur en Conservation-Restauration d'oeuvres peintes at the École Supérieure d'Art d'Avignon, in 2006. – Includes aCD-ROM and two DVDs. – Also available as a PDF file in the CD-ROM accompanying the publication.
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Guenther, Rebecca ; Myrick, Leslie. – «Archiving web sites for preservation and access : MODS, METS, and MINERVA». – Journal of archival organization. – Vol. 4, no. 1/2. – P. 141-166.
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McDonough, Jerome P. ; Jimenez, Mona. – «Video preservation and digital reformatting : pain and possibility». – Journal of archival organization. – Vol. 4, no. 1/2. – P. 167-192.
Digital documentThesis
Durand, Anita. – Perpétuer l'instant : ou quelle conservation-restauration pour les oeuvres impermanentes et/ou performative [CD-ROM]. – 2006. – DVD Video. – Set composed of one CD-ROM and two DVDs accompanying the eponym publication.
Group exhibition catalogue
40 years videoart.de : Part 1 : Digital heritage : video art in Germany from 1963 to the present . – Edited by Rudolf Frieling and Wulf Herzogenrath. – Ostfildern : Hatje Cantz, 2006. – 400 p. – Includes a DVD. – Catalogue being published in conjunction with the exhibition «40yearsvideoart.de-Part 1 Digital heritage : video art in Germany from 1963 until the present» held March 25 - May 21, 2006.
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Thompson, Chris ; Weslien, Katarina. – «Pure raw : performance, pedagogy, and (re)presentation». – PAJ : A Journal of Performance and Art. – Vol. 28, no. 82 (Jan. 2006). – P. 29-50.
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Gallasch, Keith. – «New media art : Omigod! It's alive!». – Real Time. – No. 70 (Dec. 05/Jan. 06). – P. 35-36.
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Letarte, Martine. – «Avoir accès à un patrimoine mondial unique». – Le Devoir. – (1-2 oct. 2005). – P. H 3.
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Leleu, Nathalie. – «"Mettre le regard sous le contrôle du toucher" : répliques, copies et reconstitutions au XIXe siècle : les tentations de l'historien de l'Art». – Cahiers du Musée national d'art moderne. – N° 93 (automne 2005). – P. 85-103.
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Mercure, Philippe. – «Les défis de la restauration». – La Presse. – (2 juil. 2005). – P. AS 6.
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Frenkel, Vera. – «Letter to A. and A. (About moving on, moving through...)». – Intermédialités. – N° 6 (automne 2005). – P. 143-175.
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Talbot, David. – «The fading memory of the state». – Technology review : MIT's magazine of innovation. – Vol. 108, no. 7 (July 2005). – P. 44-49.
Book
Chirollet, Jean-Claude. – Numeriser, reproduire, archiver les images d'art. – Paris : L'Harmattan, 2005. – N. p.
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Kinnard, Nathalie. – «Altérer une oeuvre pour la conserver». – Découvrir. – Vol. 26, no. 4 (juil./août 2005). – P. 27.
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Franck, Philippe. – «Mémoires du techno passé et futur variable cherchent archivage sûrs = The memories of yesterday's technology and an unknown future wish to be preserved». – Le Magazine arts de la scène / écritures numériques = The magazine performing arts / digital scripts. – N° 2 (avril-oct. 2005). – Interview with Alain Depocas. – P. 24-27.
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Franck, Philippe. – «Le CECN partenaire de la Fondation Daniel Langlois dans le cadre du projet 'Alliance' sur les 'médias variables' = CCDS in partnership with the Daniel Langlois Foundation in the contexte of the 'Alliance' project on 'unstable media'». – Le Magazine arts de la scène / écritures numériques = The magazine performing arts / digital scripts. – N° 2 (avril-oct. 2005). – Interview with the Centre for Contemporary and Digital Scripts. – P. 28-29.
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Gibbs, Michael. – «Archiving media art». – Art Monthly. – No. 285 (Apr. 2005). – P. 37.
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Connolly, Jocelyne. – «La réexposition de l'art contemporain : les jeux de l'immanence de l'oeuvre = Re-exhibiting contemporary art : the plays of a work's immanence». – Espace sculpture. – N° 71 (printemps 2005). – P. 5.
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Couture, Francine. – «Réexposer ou produire l'oeuvre originale = To re-exhibit ot to produce the original work». – Espace sculpture. – N° 71 (printemps 2005). – P. 6-11.
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Depocas, Alain. – «La mutation comme facteur de conservation : le cas des oeuvres à composantes technologiques = Mutations as a conservation factor : the case of works with technological elements». – Espace sculpture. – N° 71 (printemps 2005). – P. 12-16.
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Connolly, Jocelyne. – «La transplantation de l'oeuvre originelle : une installation de Pierre Granche : immanence ou transcendance = Transplanting an original artwork : an installation by Pierre Granche : immanence or transcendence». – Espace sculpture. – N° 71 (printemps 2005). – P. 17-23.
Periodical issue
Tate papers. – No. 8 (Autumn 2007). – London : Tate, 2007. – N. p. – Issue title : «Inherent Vice: The Replica and its Implications in Modern Sculpture Workshop». {{www.tate.org.uk}}
Web site
Messier, Paul ; Vitale, Timothy. – Video Preservation. – 2007. {{videopreservation.stanford.edu}}
Conference / Symposium
2001 Annual AMIA Conference, Portland, Or., United States, November 6-10, 2001. – Organisation : Association of Moving Image Archivists, Hollywood. {{www.amianet.org}}
Conference / Symposium
TechArcheology : A Symposium on Installation Art Preservation, San Francisco Museum of Modern Art, San Francisco, Calif., United States, January 5-6, 2000.
Conference / Symposium
Preserving the Immaterial : A Conference on Variable Media, Solomon R. Guggenheim Museum, New York, N. Y., United States, March 30-31 2001. {{www.guggenheim.org}}