Web site
DOCAM : Documentation et conservation du patrimoine des arts médiatiques = Documentation and conservation of the media arts heritage. – Montréal : DOCAM : Documentation and Conservation of the Media Arts Heritage. {{www.docam.ca}}
Part of Web site
«[Preservation and presentation of installation art : case study : Bruce Nauman's «MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)», 2001]». – Tate. – London : Tate. {{www.tate.org.uk}}
Part of Web site
«Specialization course in new technologies for art heritage and conservation». – Media Centre d'Art i Disseny (MECAD). – Barcelona : Media Centre of Art & design. {{www.mecad.org}}
Web site
Conservation of New Media and Digital Information (M. A.) = Konservierung Neuer Medien un Digitaler Information (M. A.). – Stuttgart : Staatliche Akademie der Bildenden Künste Stuttgart. {{www.mediaconservation.abk-stuttgart.de}}
Text on email list
«To save or not to save? : international preservation projects dealing with online art». – Empyre. – Discussion topic of the Empyre list for February 2005. – N. p. {{mail.cofa.unsw.edu.au}}
Bibliography
DOCAM : general bibliography [digital document]. – Montréal : DOCAM : Documentation and Conservation of the Media Arts Heritage.
Also available on the Internet. {{www.fondation-langlois.org}}
Digital document
Digital video preservation reformatting project : a report [digital document]. – Washington : Dance Heritage Coalition ; New York : Media Matters, LLC. {{www.danceheritage.org}}
Part of Web site
Vermaat, Simone. – «Installation art and fatal conservation : case study». – Nederlands Instituut voor Mediakunst = Netherlands Media Art Institute : Montevideo Time Based Art. – Amsterdam : Netherlands Media Art Institute, Montevideo/Time Based Arts. {{www.montevideo.nl}}
Part of Web site
«Preservation and presentation of installation art». – International Network for the Conservation of Contemporary Art : INCCA. – Amsterdam : International Network for the Conservation of Contemporary Art. {{www.incca.org}}
Digital document
Rinehart, Richard. – Appendices to a system of formal notation for scoring works of digital and variable media art [On-line]. – 23 p. – Acrobat (PDF) file. {{www.bampfa.berkeley.edu}}
Digital document
Rinehart, Richard. – A system of formal notation for scoring works of digital and variable media art [On-line]. – 25 p. – Acrobat (PDF) file. {{www.banffcentre.ca}}
Web site
ERPANET : Electronic Ressource Preservation and Access Network. – Glasgow : ERPANET : Electronic Ressource Preservation and Access Network. {{www.erpanet.org}}
Web site
Association of Canadian Archivists. – Ottawa : Association of Canadian Archivists. {{archivists.ca}}
Part of Web site
«International Art Archives - Contemporary Art». – Art Spaces Archives Project. – [S.l.] : Art Spaces Archives Project. {{www.as-ap.org}}
Web site
PACKED : Platform for the archiving and preservation of artistic creations on electronic and digital bearers. – Bruxelles : PACKED : Platform for the archiving and preservation of artistic creations on electronic and digital bearers. {{www.packed.be}}
Part of Web site
Wijers, Gaby. – «Preservation and/or documentation : the conservation of media art». – Nederlands Instituut voor Mediakunst = Netherlands Media Art Institute : Montevideo Time Based Art. – Amsterdam : Netherlands Media Art Institute, Montevideo/Time Based Arts. {{www.montevideo.nl}}
Part of Web site
Hancock, Mark. – «New art, old problems». – bbc.co.uk. – [S.l.] : BBC. {{www.bbc.co.uk}}
Proceedings
Electronic Media Group : Special Sessions Program Information : June 13-14, 2004. – Washington : Electronic Media Group of the American Institute for Conservation of Historic and Artistic Works. {{aic.stanford.edu}}
Text in book
Laurenson, Pip. – «The management of display equipment in time-based media installations». – Modern art, new museums : contributions to the Bilbao congress. – Edited by Ashok Roy and Perry Smith. – London : The International Institute for Conservation of Historic and Artistic Works, 2004. – P. 49-53.
Also available on the Internet. {{www.tate.org.uk}}
Bibliography
Conservation and documentation of electronic, digital and media arts [digital document]. – Montréal : Research and Documentation Centre, Daniel Langlois Foundation.
Also available on the Internet. {{www.fondation-langlois.org}}
Web site
netpreserve.org. – Paris : International Internet Preservation Consortium. {{www.netpreserve.org}}
Web site
CoOL : Conservation OnLine. – Stanford : Preservation Department of Stanford University Libraries, Stanford University. {{palimpsest.stanford.edu}}
Part of Web site
«IMAP Cataloging Project ». – Independant media arts preservation. – New York : Independent Media Arts Preservation. {{www.imappreserve.org}}
Web site
PANIC (preservation and archival of newmedia and interactive collections). – Brisbane : Distributed Systems Technology Centre. {{metadata.net}}
Web site
InterPARES : international research on permanent authentic records in electronic systems. – Vancouver : InterPARES, School of Library, Archival and Information Studies, University of British Columbia. {{www.interpares.org}}
Web site
Digital preservation coalition. – London : Digital Preservation Coalition. {{www.dpconline.org}}
Bibliography
«Bibliographies [Preserving access to digital information]». – National Library of Australia. – Canberra : National Library of Australia. {{www.nla.gov.au}}
Web site
Archiving the avant-garde : documenting and preserving digital / variable media art. – Edited by Richard Rinehart. – Berkeley : Berkeley Art Museum. {{www.bampfa.berkeley.edu}}
Part of Web site
«Open archival information system (OAIS) resources». – RLG. – Mountain View : Research Libraries Group. {{www.rlg.org}}
Web site
Electronic Media Group of the American Institute for Conservation of Historic and Artistic Works. – Washington : American Institute for Conservation of Historic and Artistic Works. {{cool.conservation-us.org}}
Part of Web site
«Abstracts + material». – 404 Object Not Found : Was bleibt von der Medienkunst? = What remains of media art?. – Dortmund : Hartware MedienKunstVerein, 2003. {{www.404project.net}}
Web site
Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. {{www.variablemedia.net}}
Web site
Immaterial variable media art / video art preservation : reseach and suggestions. – Haslev : The Danish Video Art Data Bank. {{www.mediaart-preservation.dk}}
Periodical
VIDEOART\e-monitor. – Haslev : The Danish Video Art Data Bank. – Electronic journal. {{www.videoart.suite.dk}}
Web site
Hartware Medien Kunst Verein. – Dortmund : Hartware MedienKunstVerein. {{www.hartware-projekte.de}}
Text in book
Kuivila, Ronald. – «Open sources : notation and realization in new media». – Feedback : perception and interaction in the electronic arts : proceedings : the eighth biennial symposium on arts and technology. – New London : The Center for Arts and Technology, 2001. – P. 76-80.
Thesis
Durand, Anita. – Perpétuer l'instant : ou quelle conservation-restauration pour les oeuvres impermanentes et/ou performative. – 2006. – 369 p. – A thesis submitted as part of a Diplôme Supérieur en Conservation-Restauration d'oeuvres peintes at the École Supérieure d'Art d'Avignon, in 2006. – Includes aCD-ROM and two DVDs. – Also available as a PDF file in the CD-ROM accompanying the publication.
Book
Paul, Christiane. – Digital art. – London : Thames and Hudson, 2003. – 224 p. – (World of art).
Conference / Symposium
2001 Annual AMIA Conference, Portland, Or., United States, November 6-10, 2001. – Organisation : Association of Moving Image Archivists, Hollywood. {{www.amianet.org}}
Conference / Symposium
TechArcheology : A Symposium on Installation Art Preservation, San Francisco Museum of Modern Art, San Francisco, Calif., United States, January 5-6, 2000.
Conference / Symposium
Preserving the Immaterial : A Conference on Variable Media, Solomon R. Guggenheim Museum, New York, N. Y., United States, March 30-31 2001. {{www.guggenheim.org}}