Text in book
Kluszczynski, Ryszard W. – «The context is the message : interactive art as a medium of communication». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 36-40.
Text in book
London, Barbara ; Weinbren, Grahame. – «Looking for the interactive». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 40-46.
Text in book
Callesen, Jørgen. – «Into the black box». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 67-68.
Text in book
Law, John. – «Drawing on the brain, an art-science collaboration». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 76-77.
Text in book
Singer, Eric et al. – «Improv : interactive improvisational animation and music». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 79-80, 89-90.
Text in book
«Exodus». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 101.
Text in book
Martino, Jacquelyn A. – «Without a special object of worship : an interactive book arts computer installation». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 110-112.
Text in book
Search, Patricia. – «Hickory dickory dock : the clock strikes one in hyperspace!». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 122-126.
Text in book
Tosa, Naoko ; Nakatsu, Ryohei. – «For interactive future movie : body communication actor, "mic" and feeling improvisation actor, "muse"». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 126-129.
Text in book
Povall, Richard. – «Aesthetic and compositional issues in interactive systems». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 149-151.
Proceedings
Proceedings : the sixth biennial symposium for arts and technology. – New London : The Center for Arts and Technology, 1997. – 221 p.
Text in book
Ascott, Roy. – «Emergent mind : art in the technoetic dimension». – ISEA97 Chicago : conference proceedings. – Chicago : The School of the Art Institute of Chicago, [1998]. – P. 7-9.
Text in book
Rieser, Martin. – «Interactivity, public art, and architecture». – ISEA97 Chicago : conference proceedings. – Chicago : The School of the Art Institute of Chicago, [1998]. – P. 51-55.
Book
MIQ 97 : perspectives sur l'industrie et le marché du multimédia et d'Internet au Québec. – Montréal : Sciencetech communications, 1997. – 124 p.
Proceedings
Siggraph Los Angeles : program and buyer's guide. – New York : ACM SIGGRAPH, 1997. – 160 p.
Proceedings
Visual proceedings : the art and interdisciplinary programs of Siggraph 97. – New York : ACM SIGGRAPH, 1997. – 304 p.
Proceedings (video)
ACM Siggraph 97 : conference proceedings video tape. – New York : ACM SIGGRAPH, 1997. – VHS, col., stereo sound, 2 h 1 min 50 s.
Video document : Documentary / Report
Prado, Gilbertto. – 9/4 fragmentos de azul. – São Paulo : Itaú Cultural Institute, 1997. – 1 videocassette. – VHS, col., stereo sound, 9 min.
Book
A arte no século XXI : a humanização das tecnologias. – Edited by Diana Domingues. – São Paulo : Editora UNESP, 1997. – 374 p.
Book
Pearce, Celia. – The interactive book : a guide to the interactive revolution. – Indianapolis : Macmillan Technical Publishing : New Riders, 1997. – 586 p.
Periodical issue
Visible language. – Vol. 31, no. 2 (1997). – Edited by Dietmar Winkler. – Providence : Visible Language, 1997. – 139 p. – Special issue, catalogue of the exhibition «Interactivity, interconnectivity and media».
Book
TechnoMorphica. – Edited by Joke Brouwer and Carla Hoekendijk. – Rotterdam : V2_Organisation, Institute for the Unstable Media, 1997. – 637 p. – English and Dutch text.
Program
ISEA 97 : the eighth international symposium on electronic art : program guide : abstracts : events. – Chicago : The School of the Art Institute of Chicago, [1997]. – 131 p.
Dictionnary
Dictionnaire des arts médiatiques. – Edited by Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec, 1997. – 431 p. – (Esthétique).
Book
Dinkla, Söke. – Pioniere interaktiver Kunst von 1970 bis heute. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Ostfildern : Cantz Verlag, 1997. – 270 p.
Digital document
Technophobia [CD-ROM]. – Edited by Dooley Le Cappellaine. – New York : D. Le Cappellaine, 1996. – Stereo sound. – QuickTime file.
Book
Context and consciousness : activity theory and human-computer interaction. – Edited by Bonnie A. Nardi. – Cambridge : MIT Press, 1996. – 400 p.
Proceedings
Proceedings of international conference on virtual systems and multimedia '96 : September 18-20, 1996 : Nagaragawa Convention Center, Gifu, Japan. – Gifu : International Society on Virtual Systems and Multimedia, 1996. – 550 p.
Group exhibition catalogue
Sorbelli, Alberto. – Just from Cynthia [CD-ROM]. – Paris : Centre Georges Pompidou, 1996. – Stereo sound.
Text in catalogue
Seifert, Oliver. – «Bill Seaman : Passage sets / One pulls pivots at the tip of the tongue, 1994-1995». – Mediascape. – New York : Guggenheim Museum, 1996. – P. 44.
Text in catalogue
Campbell, Jim. – «Jim Campbell». – Serious games : art, interaction, technology. – London : Barbican Art Gallery, 1996. – P. 20.
Text in catalogue
Davies, Char. – «Char Davies». – Serious games : art, interaction, technology. – London : Barbican Art Gallery, 1996. – P. 26.
Text in catalogue
Seaman, Bill. – «Bill Seaman». – Serious games : art, interaction, technology. – London : Barbican Art Gallery, 1996. – P. 49.
Group exhibition catalogue
Digital gardens : a world in mutation. – Edited by Louise Dompierre. – Toronto : The Power Plant Contemporary Art Gallery at Harbourfront Centre, 1996. – 123 p.
Book
Brockman, John. – Digerati : encounters with the cyber elite. – San Francisco : HardWired, 1996. – 354 p.
Book
Kumar, Vinay. – MBone : interactive multimedia on the Internet. – Indianapolis : New Riders, 1996. – 232 p.
Proceedings (video)
ACM Siggraph 96 : papers video proceedings. – New York : ACM SIGGRAPH, 1996. – VHS, col., stereo sound, 2 h 50 min 12 s.
Book
Lab : Jahrbuch 1995/96 für Künste und Apparate. – Köln : Buchhlandung Walther König : Academy of Media arts, 1996. – 352 p.
Part of Web site
Schiphorst, Thecla. – «Intentional grammars : networked gestural analysis for mixed realities». – cast 01: living in mixed realities. – Sankt Augustin : netzspannung.org, 2001. {{netzspannung.org}}
Part of Web site
Lozano-Hemmer, Rafael. – «Homographies». – Rafael Lozano-Hemmer. {{www.lozano-hemmer.com}}
Web site
Duff, Tagny. – PDOCA : Public Domain of Contemporary Art = Domain Public d'Art Actuel. – Montréal : PDOCA : Public Domain of Contemporary Art = Domain Public d'Art Actuel. {{www.pdoca.ca}}
Solo exhibition
Studio Azzuro : ambienti sensibili : esperienze tra interattività e narrazione, Palazzo delle Esposizioni, Rome, Italy, March 10-May 24, 1999.
Solo exhibition
Peter D'Agostino : Interactivity and Intervention : 1978-1999, Lehman College Art Gallery, Bronx, N. Y., United States, March 16-May 15, 1999.