Conference / Symposium
6e symposium international sur le droit d'auteur, Montreal, Que., Canada, April 23-25, 2006. – Organisation : Union internationale des éditeurs, Geneva.
Conference / Symposium
New Technologies - Distribution of Video Art : Seminar + expert meetings on new techniques for distribution and author's rights, Amsterdam, The Netherlands, April 14-16, 2005. – Organisation : Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam. – As part of the «Dutch Open : International Festival for Dutch Film- and Video-Art».
Conference / Symposium
International Symposium: Image Rights, Saint-Gervais Genève : Centre pour l'image contemporaine, Geneva, Switzerland, December 3-4, 2004. {{www.centreimage.ch}}
Group exhibition
6. Werkleitz Biennale, Halle, Germany, September 1-5, 2004. {{www.werkleitz.de}}
Conference / Symposium
Share/Share Alike : A Conversation with Lawrence Lessig & Joline Blais, Jon Ippolito, Carrie McLaren, Jonah Peretti, Eyebeam Atelier, New York, N. Y., United States, November 21, 2003. {{www.eyebeam.org}}
Conference / Symposium
Distributed Creativity, Internet, November 12-December 19, 2003. – Organisation : Eyebeam Atelier, New York ; Integrated Media Program, California Institute of the Arts, Valencia. – Online forum. {{cordova.asap.um.maine.edu}}
Conference / Symposium
Who Controls New Media? : Open Art in Closed Systems, Solomon R. Guggenheim Museum, New York, N. Y., United States, March 21, 2002. {{eon.law.harvard.edu}}
Conference / Symposium
The One Hundredth American Assembly : Art, Technology and Intellectual Property, Arden House, New York, N. Y., United States, February 7-10, 2002. – Organisation : American Assembly, New York.
Conference / Symposium
Les récents développements en droit de la propriété intellectuelle, Montreal, Que., Canada, May 18, 2001. – Organisation : Service de la formation permanente, Barreau du Québec, Montreal.
Conference / Symposium
Collaboration and Ownership in the Digital Economy (CODE), Queens' College, Cambridge, England, United-Kingdom, April 4-6, 2001. – Organisation : The Arts Council of England, London. {{www.cl.cam.ac.uk}}
Conference / Symposium
Copyright \ copywrong, Nantes, France ; Saint Nazaire, France ; Le Mans, France, February 14-19, 2000. – Organisation : École Régionale des Beaux-Arts de Nantes, Nantes.
Conference / Symposium
International Cultural Heritage Informatics Meeting (ICHIM 1999), Washington, D.C., United States, September 22-26, 1999. – Organisation : Archives & Museum Informatics, Toronto.
Conference / Symposium
Deuxièmes rencontres francophones nouvelles technologies et institutions muséales, Hötel du Parc, Montreal, Qué., Canada, September 16-17, 1999. – Organisation : Société des musées québécois, Montreal ; Ministère de la Communauté française de Belgique, Brussel ; Office de Coopération et d'Information Muséographiques, Dijon.
Digital document
Rinehart, Richard. – Nailing down bits: digital art and intellectual property = Bien fixer les éléments d'information : l'art numérique et la propriété intellectuelle [On-line]. – Gatineau : Canadian Heritage Information Network, 2006. – 46 p. – Acrobat (PDF) file. {{www.pro.rcip-chin.gc.ca}}
Book
Bailey Jr., Charles W. – Open access bibliography : liberating scholarly, literature with e-prints and open access journal. – Annapolis : The Association of Research Libraries, 2005. – 129 p.
Also available on the Internet. {{info.lib.uh.edu}}
Archive document : Report / Memorandum
Artists, musicians and the internet : the have embraced the Internet as a tool that helps them create, promote, and sell their work. However, they are divided by the impact and importance of free-file sharing and other copyright issues. – Washington : Pew Internet & American Life Project, 2004. – 61 p. – Report. {{www.pewinternet.org}}
Book
Warusfel, Bertrand. – La propriété intellectuelle et l'internet. – Paris : Flammarion, 2001. – 128 p. – (Dominos ; 225).
Archive document : File
Morton, Phil. – [1971-1993]. – Set of 47 elements. – File. – The person who processed the documents established the arrangement of items. – Includes one communique, five advertising documents, two project's descriptions, four set of diagrams, three lists, two curriculum vitae, two photocopies of books parts, two manuscripts, eleven technical descriptions, three notes, one description of the videotape, one extract of an interview, one black and white photocopy of a photography, one budget, one catalogue part, one photocopy of a periodical article, six letters [...].
Archive document : Communiqué / Memo
[Morton], Phil. – Notes on the aesthetics of copying an image processor. – [s.d.]. – [1] p. – Notes. – Included in the file entitled «Morton, Phil».