Conference / Symposium
6e symposium international sur le droit d'auteur, Montreal, Que., Canada, April 23-25, 2006. – Organisation : Union internationale des éditeurs, Geneva.
Conference / Symposium
New Technologies - Distribution of Video Art : Seminar + expert meetings on new techniques for distribution and author's rights, Amsterdam, The Netherlands, April 14-16, 2005. – Organisation : Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam. – As part of the «Dutch Open : International Festival for Dutch Film- and Video-Art».
Conference / Symposium
International Symposium: Image Rights, Saint-Gervais Genève : Centre pour l'image contemporaine, Geneva, Switzerland, December 3-4, 2004. {{www.centreimage.ch}}
Group exhibition
6. Werkleitz Biennale, Halle, Germany, September 1-5, 2004. {{www.werkleitz.de}}
Conference / Symposium
Share/Share Alike : A Conversation with Lawrence Lessig & Joline Blais, Jon Ippolito, Carrie McLaren, Jonah Peretti, Eyebeam Atelier, New York, N. Y., United States, November 21, 2003. {{www.eyebeam.org}}
Conference / Symposium
Distributed Creativity, Internet, November 12-December 19, 2003. – Organisation : Eyebeam Atelier, New York ; Integrated Media Program, California Institute of the Arts, Valencia. – Online forum. {{cordova.asap.um.maine.edu}}
Conference / Symposium
Who Controls New Media? : Open Art in Closed Systems, Solomon R. Guggenheim Museum, New York, N. Y., United States, March 21, 2002. {{eon.law.harvard.edu}}
Conference / Symposium
The One Hundredth American Assembly : Art, Technology and Intellectual Property, Arden House, New York, N. Y., United States, February 7-10, 2002. – Organisation : American Assembly, New York.
Conference / Symposium
Les récents développements en droit de la propriété intellectuelle, Montreal, Que., Canada, May 18, 2001. – Organisation : Service de la formation permanente, Barreau du Québec, Montreal.
Conference / Symposium
Collaboration and Ownership in the Digital Economy (CODE), Queens' College, Cambridge, England, United-Kingdom, April 4-6, 2001. – Organisation : The Arts Council of England, London. {{www.cl.cam.ac.uk}}
Conference / Symposium
Copyright \ copywrong, Nantes, France ; Saint Nazaire, France ; Le Mans, France, February 14-19, 2000. – Organisation : École Régionale des Beaux-Arts de Nantes, Nantes.
Conference / Symposium
International Cultural Heritage Informatics Meeting (ICHIM 1999), Washington, D.C., United States, September 22-26, 1999. – Organisation : Archives & Museum Informatics, Toronto.
Conference / Symposium
Deuxièmes rencontres francophones nouvelles technologies et institutions muséales, Hötel du Parc, Montreal, Qué., Canada, September 16-17, 1999. – Organisation : Société des musées québécois, Montreal ; Ministère de la Communauté française de Belgique, Brussel ; Office de Coopération et d'Information Muséographiques, Dijon.
Digital document
Rinehart, Richard. – Nailing down bits: digital art and intellectual property = Bien fixer les éléments d'information : l'art numérique et la propriété intellectuelle [On-line]. – Gatineau : Canadian Heritage Information Network, 2006. – 46 p. – Acrobat (PDF) file. {{www.pro.rcip-chin.gc.ca}}
Book
Bailey Jr., Charles W. – Open access bibliography : liberating scholarly, literature with e-prints and open access journal. – Annapolis : The Association of Research Libraries, 2005. – 129 p.
Also available on the Internet. {{info.lib.uh.edu}}
Archive document : Report / Memorandum
Artists, musicians and the internet : the have embraced the Internet as a tool that helps them create, promote, and sell their work. However, they are divided by the impact and importance of free-file sharing and other copyright issues. – Washington : Pew Internet & American Life Project, 2004. – 61 p. – Report. {{www.pewinternet.org}}
Book
Asseraf-Olivier, Frédérique ; Barbry, Eric. – Le droit du multimédia : du CD-ROM à l'internet. – Third edition. – Paris : Presses Universitaires de France, 2001. – 127 p. – (Que sais-je ; 3219).
Text in periodical
«Mystery Tape Laboratory annual report». – Musicworks. – No. 40 (Spring 1988) . – P. 16.
Text in periodical
Oswald, John. – «Plunderphonics, or audio piracy as a compositional prerogative». – Musicworks. – No. 34 (Spring 1986). – P. 5-8.