Part of Web site
Ayers, Robert. – «Code in a box». – ARTINFO: The premier site for news about art and culture around the world. – New York : LTB Media, 2007. {{www.artinfo.com}}
Part of Web site
Lewis, Jacquelyn . – «Conserving pixels, bits, and bytes». – ARTINFO: The premier site for news about art and culture around the world. – New York : LTB Media, 2007. {{www.artinfo.com}}
Text in periodical
Phillips, Joanna. – «Reconstructing the forgotten : an exhibition of 1970s and 1980s video installations, re-staged with authentic technology». – Tate Papers [on line]. – No. 8 (Autumn 2007). – N. p. {{www.tate.org.uk}}
Part of Web site
Paul, Christiane. – «Challenges for a ubiquitous museum : presenting and preserving new media». – NeMe. – Limassol : NeMe. {{neme.org}}
Part of Web site
Dietz, Steve. – «Collecting new media art: just like anything else, only different». – NeMe. – Limassol : NeMe. {{neme.org}}
Digital document
Rinehart, Richard. – Nailing down bits: digital art and intellectual property = Bien fixer les éléments d'information : l'art numérique et la propriété intellectuelle [On-line]. – Gatineau : Canadian Heritage Information Network, 2006. – 46 p. – Acrobat (PDF) file. {{www.pro.rcip-chin.gc.ca}}
Digital document
Genest, Gwendolina. – Net art : schemas d'accessibilites et evolution du role des acteurs. [digital document]. – 2005. – Mémoire de DESS. – Maître de mémoire : Alain Raymond. – Université Paris 13. – DESS Design d'Interface Internet et Multimédia. {{cyberquebec.ca}}
Digital document
Winget, Megan. – Like a wave upon the sand : digital preservation of variable media art [digital document]. – 2005. {{www.ischool.utexas.edu}}
Part of Web site
Graham, Beryl. – «Taxonomies of new media art : real world namings». – Museums and the Web 2005 : Speakers. – Toronto : Archives & Museum Informatics. – Text written in 2005. {{www.archimuse.com}}
Text in periodical
Jones, Caitlin. – «Est-ce le matériel qui dicte le sens? : trois études de cas de conservation de médias variables». – HorizonZero [on line]. – N° 18 (nov. 2004). – Also available in English under the title «Does hardware dictate meaning? : three variable media conservation case studies». – N. p. {{www.horizonzero.ca}}
Text in periodical
Depocas, Alain. – «Modèles pour l'archivage numérique : préservation et documentation du patrimoine des arts électroniques et numériques, un parcours». – HorizonZero [on line]. – N° 18 (nov. 2004). – Also available in English under the title «Variable and unstable : preserving and documenting our digital art heritage». – N. p. {{www.horizonzero.ca}}
Text in periodical
Moulon, Dominique. – «un instantané des arts numériques à New York». – Images magazine. – N° 5 (Juillet 2004). – P. 88-92.
Also available on the Internet. {{www.moulon.net}}
Part of Web site
Jones, Caitlin. – «Seeing double : emulation in theory and practice : the erl king case study». – Electronic Media Group : Special Sessions Program Information : June 13-14, 2004. – Washington : Electronic Media Group of the American Institute for Conservation of Historic and Artistic Works. {{aic.stanford.edu}}
Web site
Capturing Unstable Media. – Rotterdam : V2_Organisation, Institute for the Unstable Media, 2004. {{capturing.projects.v2.nl}}
Part of Web site
«Seeing double : emulation in theory and practice». – Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. {{www.variablemedia.net}}
Part of Web site
Morice, Anne-Marie. – «Conserver, exposer, restaurer les oeuvres instables». – Synesthésie. – France : Synesthésie, 1995-. – Text written in 2003. {{www.synesthesie.com}}
Text in periodical
Soeborg, Torben. – «Two new books about preservation of video art and variable media art». – VIDEOART\e-monitor [on line]. – No. 16 (May 25, 2003). – N. p. {{www.videoart.suite.dk}}
Digital document
Choudhury, Sharmin ; Hunter, Jane. – Implementing preservation strategies for complex multimedia objects [On-line]. – [2003]. – Acrobat (PDF) file. {{metadata.net}}
Text in digital document
Grau, Oliver. – «The database of virtual art : for an expanded concept of documentation». – ICHIM Paris 03 : actes : les institutions culturelles et le numérique = Proceedings : cultural institutions and digital technologies [CD-ROM]. – Toronto : Archives & Museum Informatics, 2003. – Acrobat (PDF) file.
Also available on the Internet. {{www.ichim.org}}
Text in digital document
Laforet, Anne. – «Conservation du net art». – ICHIM Paris 03 : actes : les institutions culturelles et le numérique = Proceedings : cultural institutions and digital technologies [CD-ROM]. – Toronto : Archives & Museum Informatics, 2003. – Acrobat (PDF) file. {{www.ichim.org}}
Book
Permanence through change : the variable media approach = L'approche des médias variables : la permanence par le changement. – Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology ; New York : Solomon R. Guggenheim Museum, 2003. – 137 p.
Also available on the Internet. {{www.variablemedia.net}}
Text in periodical
Sharp, Rebecca. – «The ephemeral will endure : the future of conceptual art and digital preservation an interview with Jon Ippolito, co-ordinator of the Variable media initiative at the Guggenheim Museum, New York, August 2002». – DigiCULT.Info [on line]. – Acrobat (PDF) file. – No. 2 (Oct. 2002). – P. 9-11. {{www.digicult.info}}
Text in periodical
Hochfield, Sylvia. – «Sticks and stones and lemon cough drops». – ARTnews. – Vol. 101, no. 8 (Sept. 2002). – P. 116-122.
Also available on the Internet. {{artnews.com}}
Text in periodical
Rinehart, Richard. – «Archiving the avant garde : documenting and preserving variable media art». – D-Lib Magazine [on line]. – Vol. 8, no. 5 (May 2002). – N. p. {{www.dlib.org}}
Text in periodical
Ippolito, Jon. – «The Variable Media initiative at the Guggenheim». – D-Lib Magazine [on line]. – Vol. 7, no. 5 (May 2001). – N. p. {{www.dlib.org}}
Text in periodical
Berwick, Carly. – «The new new-media blitz : digital art, in all its forms, is gaining prominence among artists, curators, and audiences». – ARTnews. – Vol. 100, no. 4 (Apr. 2001). – P. 112-116.
Also available on the Internet. {{www.artnewsonline.com}}
Part of Web site
«Manifesto for the unstable media». – V2. – Rotterdam : V2_, Institute for the Unstable Media. {{www.v2.nl}}
Part of Web site
«UMaine New Media Group 'Still Water' Wins $300,000 Research Grant». – University of Maine. {{www.umaine.edu}}
Part of Web site
«New media art preservation». – Wikipedia : the free encyclopedia, 2001. {{en.wikipedia.org}}
Part of Web site
«Monograph abstract : the variable media approach : permanence through change». – ERPANET : Electronic Ressource Preservation and Access Network. – Glasgow : ERPANET : Electronic Ressource Preservation and Access Network. {{www.erpanet.org}}
Part of Web site
Jones, Caitlin. – «Understanding medium: preserving content and context in variable media art». – Keep Moving Images. – London : The Lux Centre for film and video. {{kmi.lux.org.uk}}
Digital document
Rothenberg, Jeff. – Renewing The Erl King [On-line]. – 28 p. – Acrobat (PDF) file. {{www.bampfa.berkeley.edu}}
Text on email list
«To save or not to save? : international preservation projects dealing with online art». – Empyre. – Discussion topic of the Empyre list for February 2005. – N. p. {{mail.cofa.unsw.edu.au}}
Bibliography
DOCAM : general bibliography [digital document]. – Montréal : DOCAM : Documentation and Conservation of the Media Arts Heritage.
Also available on the Internet. {{www.fondation-langlois.org}}
Part of Web site
LeBlanc, Valerie. – «Facts and artifacts in the collective matrix». – Purplefireworks. – [Calgary : V. LeBlanc]. {{purplefireworks.com}}
Part of Web site
Wijers, Gaby. – «Preservation and/or documentation : the conservation of media art». – Nederlands Instituut voor Mediakunst = Netherlands Media Art Institute : Montevideo Time Based Art. – Amsterdam : Netherlands Media Art Institute, Montevideo/Time Based Arts. {{www.montevideo.nl}}
Text in periodical
Franck, Philippe. – «Mémoires du techno passé et futur variable cherchent archivage sûrs = The memories of yesterday's technology and an unknown future wish to be preserved». – Le Magazine arts de la scène / écritures numériques = The magazine performing arts / digital scripts. – N° 2 (avril-oct. 2005). – Interview with Alain Depocas. – P. 24-27.
Text in periodical
Rinehart, Richard. – «The media art notation system : documenting and preserving digital / media art». – Leonardo. – Vol. 40, no. 2 (2007). – Revised version of a paper originally presented at the "Refresh! The First International Conference on the Histories of Media Art, Science and Technology" (28 September-1 October 2005) at the Banff New Media Institute, Banff, Alberta, Canada.. – P. 181-187.
Text in book
«Research of institute for digital archive : Variable Media». – 404 Object Not Found_Seoul : International Project for Media Art / Data Archiving, Presentation. – Seoul : Total Museum of Contemporary Art, 2007. – Korean and English text. – P. 93.
Conference / Symposium
Archiving the Avant-Garde : Preserving Digital / Media Art, PFA Theater, The University of California, Berkeley, Berkeley, Calif., United States, November 12, 2003. – Organisation : The University of California, Berkeley ; Pacific Film Archive, Berkeley Art Museum, Berkeley. {{www.bampfa.berkeley.edu}}
Conference / Symposium
AIC 32nd Annual Meeting, Portland, Oregon, USA, June 9-14, 2004. – Organisation : American Institute for Conservation of Historic and Artistic Works, Washington. {{aic.stanford.edu}}
Conference / Symposium
Curation : preservation and dissemination of media art, Birmingham, England, United Kingdom, January 29, 2005. – Organisation : Vivid ; University of Central England in Birmingham, Birmingham. {{www.vivid.org.uk}}