Natalie Jeremijenko, Robotic Geese (2003). Courtesy of the artist.
Natalie Jeremijenko, Robotic Geese, 2003.
Plastic, electronic components, video camera.
Photo: Adat. Courtesy of Natalie Jeremijenko.
Lynn Hershman, Roberta's Construction (1975). Courtesy of the artist.
Lynn Hershman, Agent Ruby Mood Swing Diagram, 2002.
Courtesy of the artist.
Elizabeth Vander Zaag, Talk Nice, 1999-2000.
Still image taken from Talk Nice (video).
Courtesy of the artist.
Martin Kusch and Marie-Claude Poulin, schème, Fixed body with a "gone" head, physically present but mentally elsewhere, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Chico MacMurtrie, Skeletal Reflections, 2003.
Courtesy of Chico MacMurtrie and Amorphic Robot Works.
Natalie Jeremijenko, Robotic Geese, 2003.
Plastic, electronic components, video camera.
Photo: Adat. Courtesy of Natalie Jeremijenko.
Natalie Jeremijenko, Robotic Geese, 2003.
Plastic, electronic components, video camera.
Photo: Adat. Courtesy of Natalie Jeremijenko.
Golan Levin and Paul Debevec, Rouen Revisited, 1996.
Daytime facade of the Rouen Cathedral, in an image synthesized from street-level photographs re-rendered from a new point of view.
Courtesy of Golan Levin and Paul Debevec.
Char Davies, Forest and Grid, 1995.
Real-time frame capture from Osmose.
Courtesy of the artist.
Martin Kusch and Marie-Claude Poulin, schème, Siamese Twins Connected to a Projected Space Illusion, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin and Line Nault during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Martin Kusch and Marie-Claude Poulin, schème, Siamese Twins Connected to a Projected Space Illusion, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin and Line Nault during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Martin Kusch and Marie-Claude Poulin, schème, Fixed body with a "gone" head, physically present but mentally elsewhere, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
David Rokeby, n-Cha(n)t, 2001.
Multi-media installation.
Network of computers operating in unison sharing a stream of semantic associations.
Courtesy of David Rokeby.
Chico MacMurtrie, Skeletal Reflections, 2003.
Detail.
Courtesy of Chico MacMurtrie and Amorphic Robot Works.
Golan Levin, Hidden Worlds of Noise and Voice, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, Hidden Worlds of Noise and Voice, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, Messa di Voce, 2003.
Performance with Joan La Barbara and Jaap Blonk, London (ICA), November 2003.
Courtesy of the artist.
Golan Levin, Messa di Voce, 2003.
Performance with Joan La Barbara and Jaap Blonk, London (ICA), November 2003.
Courtesy of the artist.
Golan Levin, RE:MARK, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, RE:MARK, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Bill Vorn and Simon Penny, Bedlam, 2001-2003.
Interactive robotic installation.
Photo: Simon Penny. Courtesy of the artists.
Golan Levin, Messa di Voce (2003). Courtesy of the artist.