Text in digital document
Legrady, George. – «The postcard trail». – The complete Artintact Komplett : Vol. 1-5 1994-1999 [DVD-ROM]. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1999. – Acrobat (PDF) file. – Also in German under the title «Die Spur der Postkarten».
Text in digital document
Peternák, Miklós. – «Detailed traces of secrets». – The complete Artintact Komplett : Vol. 1-5 1994-1999 [DVD-ROM]. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1999. – Acrobat (PDF) file. – Also in German under the title «Detaillierte Spuren von Geheimnissen».
Text in digital document
Zapp, Andrea. – «Elusive tracks and mise-en-scène : some thoughts on montage as an open dialogue between artist and viewer». – The complete Artintact Komplett : Vol. 1-5 1994-1999 [DVD-ROM]. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1999. – Acrobat (PDF) file. – Also in German under the title «Spurensuche und Mise en scène : Einige Gedanken zur Montage als offenem Zwiegesprachäch zwischen Autor und Zuschauer».
Group exhibition catalogue
[ emoção art.ficial ]. – São Paulo : Itaú Cultural Institute, 2002. – 70 p. – English and Portuguese text.
Text in book
Weibel, Peter. – «Narrated theory : multiple projection and multiple narration (past and future)». – The new screen media : cinema/art/narrative. – Edited by Martin Rieser and Andrea Zapp. – London : British Film Institute, 2002. – P. 42-53.
Text in book
«George Legrady : Slippery traces». – The complete Artintact Komplett : Vol. 1-5 1994-1999. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1999. – English and German text. – P. 23.
Text in periodical
Benichou, Anne ; Doyon, Jacques. – «Collection/fabrication : regards croisés sur l'oeuvre de George Legrady». – Parachute. – N° 92 (oct./nov./déc. 1998). – P. 24-35.
Group exhibition catalogue
Deep storage : collecting, storing, and archiving in art. – Edited by Ingrid Schaffner and Matthias Winzen. – München : Prestel, 1998. – 303 p.
Text in periodical
Gibbs, Michael. – «Net works : objects versus pixels». – Art Monthly. – No. 203 (Feb. 1997). – P. 42-43.
Text in periodical
Bellemare-Brière, Véronique. – «Imagier du temps : George Legrady, codage numérique». – Parcours : l'informateur des arts. – Vol. 3, n° 3 (1997). – P. 12.
Text in periodical
Zapp, Andrea. – «Elusive tracks and mise-en-scène : some thoughts on montage as an open dialogue between artist and viewer». – Artintact. – Translated by Thomas Morrison. – No. 3 (1996). – Under «Slippery traces : three lines of pursuit». – Also in German under the title «Spurensuche und Mise en scène : Einige Gedanken zur Montage als offenem Zwiegesprachäch zwischen Autor und Zuschauer», p. 95-99. – P. 109-113.
Text in periodical
Peternák, Miklós. – «Detailed traces of secrets». – Artintact. – No. 3 (1996). – Under «Slippery traces : three lines of pursuit». – Also in German under the title «Detaillierte Spuren von Geheimnissen», p. 89-94, translated by Hannelore Schmör. – P. 105-109.
Text in periodical
Legrady, George. – «The postcard trail». – Artintact. – No. 3 (1996). – Under «Slippery traces : three lines of pursuit». – Also in German under the title «Die Spur der Postkarten», p. 85-89, translated by Astrid Sommer. – P. 101-104.
Group exhibition
Jitro kouzelníku? = Dawn of the Magicians?, Národní Galerie, Prague, Czech Republic, January 24-February 23, 1997.
Group exhibition
Selected Memories, Palais des Beaux-Arts, Brussel, Belgium, August 23-October 5, 1997.
Group exhibition
A pillangó hatás = The Butterfly Effect, C3 Center for Culture & Communication, Budapest, Hungary, January 20-February 25, 1996.