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Artwork: Erl King, The

7 web sites

Text in periodical
Jones, Caitlin. – «Est-ce le matériel qui dicte le sens? : trois études de cas de conservation de médias variables». – HorizonZero [on line]. – N° 18 (nov. 2004). – Also available in English under the title «Does hardware dictate meaning? : three variable media conservation case studies». – N. p. {{www.horizonzero.ca}}

Part of Web site
«Echoes of art : emulation as a preservation strategy». – Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – Includes a transcript of the conferences. {{www.variablemedia.net}}

Part of Web site
«Seeing Double: Emulation in Theory and Practice opens at the Guggenheim March 19, 2004». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Text written in 2004. {{www.fondation-langlois.org}}

Part of Web site
Jones, Caitlin. – «Seeing double : emulation in theory and practice : the erl king case study». – Electronic Media Group : Special Sessions Program Information : June 13-14, 2004. – Washington : Electronic Media Group of the American Institute for Conservation of Historic and Artistic Works. {{aic.stanford.edu}}

Part of Web site
Dimitrovsky, Isaac. – «Final report, Erl-King project». – Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – Text written in 2004. {{www.variablemedia.net}}

Part of Web site
«Seeing double : emulation in theory and practice». – Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. {{www.variablemedia.net}}

Digital document
Rothenberg, Jeff. – Renewing The Erl King [On-line]. – 28 p. – Acrobat (PDF) file. {{www.bampfa.berkeley.edu}}

2 pages in this Web Site

The Guggenheim Museum and the Daniel Langlois Foundation, The Variable Media Network
The variable media concept was developed in 1998 by Jon Ippolito, an associate curator at the Guggenheim Museum in New York.

Variable Media, Permanence Through Change: The Variable Media Approach
The Daniel Langlois Foundation and the Guggenheim Museum held on May 7, 2003, a book launch at Ex-Centris for Permanence Through Change: The Variable Media Approach.

7 documents in the collection

Text in book
Jones, Caitlin. – «Object and behaviour : variable media preservation». – Hothaus papers : perspectives and paradigms in media arts. – Edited by Joan Gibbons and Kaye Winwood. – Birmingham : Vivid, [2005]. – P. 187-192.

Text in book
Ippolito, Jon. – «Accommodating the unpredictable : the variable media questionnaire». – Performance documentation and preservation in an online environment. – Edited by Kenneth Schlesinger. – New York : Theater Library Association, 2004. – (Performing arts resources ; vol. 24). – P. 94-101.

Text in periodical
Biancorosso, Giorgio. – «Seeing double : emulation in theory and practice». – Future anterior. – Vol. 1, no. 2 (Fall 2004). – P. 75-83.

1 event

Conference / Symposium
Echoes of art : emulation as a preservation strategy, Solomon R. Guggenheim Museum, New York, N. Y., United States, May 8, 2004. {{www.variablemedia.net}}