Vera Frenkel

Cartographie d'une pratique / Mapping a Practice

Liste d'expositions

Liste sommaire d'expositions individuelles

* L'astérisque indique une publication

2009

ONCE NEAR WATER: notes from the Scaffolding archive, Images Festival, Toronto, Canada.

2008

ONCE NEAR WATER: notes from the Scaffolding archive, Akau Inc. Project Space, Toronto, Canada. Curator: Cheryl Sourkes.

2004-2005

The Institute™: Or, What We Do for Love, Version 3*, Carleton University Art Gallery, Ottawa, Canada.

The Institute™: Or, What We Do for Love, Version 2*, Art Gallery of Sudbury, Sudbury, Canada.

2003

The Institute™: Or, What We Do for Love*, Justina M. Barnicke Gallery, Hart House, University of Toronto, Toronto, Canada.

Body Missing*, The Freud Museum, London, UK.

2001-2002

The Body Missing Project*, Georg Kargl Gallery, Vienna, Austria.

Body Missing, Centre culturel canadien, Paris, France. Curator: Cathérine Bédard.

Videoculture 2000, Wayne State University Festival and Symposium, Detroit, USA.

2000

Body Missing, Goethe-Institut, Toronto, Canada.

1998-1999

Video art Plastique*, Centre d'art contemporain, Basse-Normandie, Hérouville-St. Clair, France.

Messiahs, Migration and Loss, Museum of Modern Art, Department of Film and Video, New York, USA.

"...from the Transit Bar"* and Body Missing*, Riksutställningar, Visby, Sweden; Göteborgs Konstmuseum, Gothenburg, Sweden.

1997-1998

Works of Vera Frenkel*, Riksutställningar, Visby, Sweden. Curators: Tom Sandqvist, Ulla Arnell.

Vera Frenkel: Body Missing*, Gesellschaft für Aktuelle Kunst (GAK), Bremen, Germany. Curators: Sigrid Schade, Eva Schmidt.

1996

Two Projects by Vera Frenkel*, National Gallery of Canada, Ottawa, Canada. Curator: Jean Gagnon.

Vera Frenkel's Body Missing: Media-installation und Internet-Projekt, Offenes Kulturhaus, Linz, Austria. Curator: Norbert Schweizer.

1995

Body Missing Web site, Inter-Society for Electronic Arts (ISEA), Montreal; V-Tape, Toronto; InterAccess, Toronto, Canada. Curator: Michael Century.

1994

"...from the Transit Bar"*, The Power Plant, Toronto, Canada.

Trust between Strangers*, Mount Saint Vincent University Art Gallery; Transit Gallery, Halifax, Canada.

1993

Raincoats, Suitcases, Palms*, Art Gallery of York University, Toronto, Canada. Curator: Loretta Yarlow.

1990-1991

Messiah Speaking, Artangel Trust commissioned work, Piccadilly Circus Spectacolor Board, London, UK.

Metro-Centre Messiah, Newcastle Polytechnic Institute, Newcastle upon Tyne, UK.

1989

Mad for Bliss, The Music Gallery, Toronto, Canada. Executive Producer: Elizabeth Chitty.

1987

Trust Me, It's Bliss: The Hugh Hefner/richard Wagner Connection, Hefner Hall (former Playboy Mansion), Art Institute of Chicago, USA.

1985

Vera Frenkel: The Videotapes/Les Bandes Vidéo*, National Gallery of Canada, Ottawa, Canada. Curator: Rob McFadden.

1983

The Screening room, Minneapolis College of Art and Design, USA. Curator: Diane Shamash.

1982

The Screening room, Minneapolis College of Art and Design, USA. Curator: Diane Shamash.

In Search of the True-Blue romance, Artculture Resource Centre (ARC), Toronto, Canada.

Likely Stories: Text/Images/Sound Works for Video and Installation*, Agnes Etherington Art Centre, Kingston, Canada. Curator: Louise Dompierre.

1979

Vera Frenkel: But I'm Telling You everything I Know, Artspace, Trent University, Peterborough, Canada.

Listening to Video and Her room in Paris, York University Downtown Gallery, Toronto, Canada.

Signs of a Plot: a Text, True Story & Work of art, A Space, Toronto, Canada.

1978

Lies & Truths: Mixed Format Installations*, Vancouver Art Gallery, Canada. Curator: Alvin Balkind.

1976

The Big Book & related Works*, The Gallery, Stratford, Canada.

1975

Frenkel/Perrin: Words Movement Music, St. Lawrence Hall, Toronto, Canada.

1974

String Games: Improvisations for Inter-City Video (Montreal-Toronto, 1974)*, Bell Canada Teleconferencing Studios, Montreal/Toronto; Galerie Espace 5, Montreal, Canada.

1973

Vera Frenkel: new Work, Robert McLaughlin Art Gallery, Oshawa, Canada.

1971-1972

Vera Frenkel : Métagravure, National Gallery of Canada, Ottawa, Canada.

Printmaking Plus*, National Gallery of Canada, Ottawa, Canada.

1970

Vera Frenkel: Prints and Drawings, Gallery Pascal, Toronto, Canada.


Liste sommaire d'expositions collectives

2010-2011

Archival Dialogues, Ryerson University Gallery and Research Centre, Toronto, Canada. Curators: Peggy Gale, Doina Popescu.

Screen 2010 exhibition 12: Consumerism-I shop therefore I am?, Cultural Olympiad Project, VANOC, Vancouver, Canada. Curator: Milena Placentile.

Analogue: Pioneering artists' Video from the UK. Canada and Poland*, final three venues of the tour of Canadian galleries.

2008–2009

ONCE NEAR WATER: notes from the Scaffolding archive, Isabel Bader Theatre, Toronto, Canada.

Recollecting: raub und restitution*, Museum für Angewandte Kunst (MAK), Vienna, Austria.

Messiah Speaking, Art Gallery of Ontario, Toronto, Canada.

Tiefenrausch: Strom des Vergessens (Body Missing)*, OK Centrum Für Gegenwartskunst, Linz, Austria.

ONCE NEAR WATER: notes from the Scaffolding archive, SHIFT: movement and meaning between The Netherlands and Canada*, Amsterdam, Images Festival, Toronto, Canada.

City Poem/Poem City, Penex-Metropolis Video Wall, Yonge/Dundas Square, Toronto, Canada. Curator: Jane Zeidler.

2007

Container Project, Luminato, Toronto, Canada. Curator: Clara Hargittay.

Six of one, half-dozen of the other: Images from Canada*, Anthology Film Archives, New York, USA; Images Festival, Toronto, Canada.

At the Core of all that Matters, Prefix Institute of Contemporary Art, Toronto, Canada. Curators: Scott McLeod, Rhonda Corvese.

2006

Analogue: Pioneering artists' Video*, Tate Britain, Tate Modern, London, UK; Anthology Film Archives, New York, USA; MOCCA, Toronto, Canada.

Governor General's award Laureates exhibition*, National Gallery of Canada, Ottawa, Canada.

"...from the Transit Bar," La Grande expérience, Nuit Blanche, Toronto, Canada. Curator: William Huffman.

Her Room in Paris, Telling Stories, Secret Lives*, Agnes Etherington Art Centre, Kingston, Canada. Curator: Jan Allen.

This Is Your Messiah Speaking, Video Art in Canada, Heritage Canada Web site. Curator: Peggy Gale.

2005

At the Core of All that Matters (...despite Evelyn), BLOW-OUT, Prefix Contemporary Art Center, Toronto, Canada.

Wer Visionen hat soll zum arzt gehen, Gesellschaft für Aktuelle Kunst, Bremen, Germany.

Video Lounge, Toronto International Art Fair, Canada. Curator: Peggy Gale.

String Games: Improvisations for Inter-City Video (Montreal-Toronto, 1974)*, This Must Be the Place, InterAccess Electronic Media Arts Centre, Toronto, Canada.

The Institute™: Or, What We Do for Love (condensed version), Centre for Contemporary Canadian art award Winners' exhibition, Gallery 1313, Toronto, Canada.

The Last Screening Room, Six Days of resistance, Modern Fuel Art Centre, Kingston, Canada. Curators: Andrea Cooper, Craig Leonard.

The Institute Board room Door, Walk Here, Toronto, Canada. Curator: Dyan-Marie.

The Past Supports the Future / TSV Purchased Collection, Trinity Square Video, Toronto, Canada. Curator: Reinaldo Jordan.

2004

The Institute™: Or, What We Do for Love (condensed version), Archive Gallery, Toronto, Canada.

2002

MY GENERATION: Video art from the ‘70s to the present day, London Electronic Arts (L.E.A.) at Atlantis Gallery, London, UK. Curators: Mark Nash, Alexandre Pollazzon.

2001

This is Your Messiah Speaking, Head Start, Venice Biennale, Italy. Curator: Bill Huffman.

2000

British-Canadian Video exchange*, London Electronic Arts (L.E.A.) at Canada House, UK. Curators: Cate Elwes, Lisa Steele.

1999

Not On Any Map: Travel and Identities of Displacement*, The Film Center, School of the Art Institute of Chicago, USA. Curator: John di Stefano.

Fragile electrons*, National Gallery of Canada, Ottawa, Canada. Curators: Barbara London, Janice Seline.

TELEGRAPHIC: Silence and Voice, Trinity Square Video, Toronto, Canada. Curator: Michael Balser.

Images Festival*, Toronto, Canada. Curator: Stéfan St. Laurent.

Track records*, Winnipeg Art Gallery, Winnipeg, Canada.

LAB VII*, Festival of Film, Video and New Media, Centre of Contemporary Art, Warsaw, Poland. Curator: Ryszard Kluszczinski.

The Layer Show, Wynick-Tuck Gallery, Toronto, Canada. Curator: Lynn Wynick.

1998

Track records*, Alberta College of Art Gallery, Calgary; Centre Culturel de Sherbrooke, Sherbrooke; Mackenzie Art Gallery, Regina, Canada. Curator: Marnie Fleming.

Lump in the Throat, or the Adam's Apple: A Revisionist History, Second Skin: Looking at the Garden again, The Gallery, Stratford; Tom Thomson Memorial Gallery, Owen Sound, Canada. Curator: Anne McPherson.

1997

Vera Frenkel Spotlight*, Images Festival, Toronto, Canada. Curator: Dot Tuer.

LAB VI, Festival of Film Video and New Media, Centre for Contemporary Art, Ujazdoswki Castle, Warsaw, Poland. Curator: Ryszard Kluszczinski.

Video art Plastique*, Centre d'art contemporain de Basse-Normandie, Hérouville-St. Clair, France. Curator: Brent Klinkum.

Passing Through, Track records*, Oakville Galleries, Oakville; Canadian Museum of Contemporary Photography (CMCP), Ottawa; Presentation House Gallery, Vancouver, Canada. Curator: Marnie Fleming.

Club Media, Venice Biennale, Fondazione Bevilacqua La Masa, Italy. Curator: Thomas Büsch.

Deep Storage*, Haus der Kunst, Munich; Siemens Kulturprogramm, Munich; Neue Nationalgalerie, Berlin, Germany; Henry Gallery, Seattle; PS1, New York, USA. Curator: Matthias Winzen.

Virtualität des Verschwindens*, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin, Germany. Curator: Frank Wagner.

The Destabilized Landscape: Post-Colonial Space & Unreal estate, Art Gallery of Ontario, Toronto; Art Gallery of Windsor; Vancouver Art Gallery, Canada. Curators: Bruce Grenville, Lisa Steele, Kim Tomczak.

1995-1996

"...from the Transit Bar," The John Street Project, Virtual Metropolis, Toronto, Canada. Curator: Robert Ouellette.

In the realm of Freedom*, YYZ Artists' Outlet, Toronto, Canada. Curator: Teresa Heffernan.

Friede, Freude, Eierkuchen*, Galerie Gabrielle Rivet, Cologne, Germany.

Lump in the Throat, or the Adam's Apple:A Revisionist History, Second Skin: Looking at the Garden again, Macdonald Stewart Art Centre, Guelph; Rodman Hall Arts Centre, St. Catharines; Lynnwood Arts Centre, Simcoe, Canada. Curator: Anne McPherson.

The Destabilized Landscape: Post-Colonial Space and Unreal estate*, Edmonton Art Gallery; Mendel Art Gallery, Saskatoon, Canada. Curators: Bruce Grenville, Kim Tomczak.

Spirits at the Crossing*, Setagaya Museum of Contemporary Art, Tokyo; Museum of Modern Art, Kyoto; Museum of Modern Art, Sapporo, Japan. Curator: Yuko Hasegawa.

Body Missing Web site, Inter-Society for the Electronic Arts (ISEA 95), Montreal, Canada. Curator: Michael Century.

1994

Body Missing, Andere Körper*, Offenes Kulturhaus, Linz, Austria. Curator: Sigrid Schade.

Werkstattquartier, Akademie der Bildenen Künste, Vienna, Austria.

Shifting Paradigms, Bucharest, Romania. Curator: Nina Czegledy.

1993

The Grief Journey, Toronto Cybercity Project, transmission between the McLuhan Program for Culture and Technology, University of Toronto, Canada and the Aperto, Venice Biennale, Italy.

Angles of Incidence: Video Reflections of Multimedia Artworks, International Council for Computer Communication, The Banff Centre, Canada.

Welcome Canada Festival, Vidéothèque, Budapest, Hungary.

Empowering the Word*, Carleton University Art Gallery, Ottawa, Canada. Curator: Michael Bell.

The Other revolution, Goethe-Institut Festival, John Spotton Theatre, National Film Board, Toronto, Canada.

1992

20th anniversary exhibition*, Optica, Montreal, Canada.

Queues, rendezvous, riots: Questioning the Public, Walter Phillips Gallery, Banff, Canada. Curators: John Baird, Mark Lewis.

"...from the Transit Bar," documenta IX*, Kassel, Germany. Curators: Jan Hoet, Denys Zacharopoulos.

1990-1991

Metro-Centre Messiah, nine from Toronto*, Newcastle Polytechnic Art Gallery, Newcastle upon Tyne, UK; Art Gallery of York University, North York, Canada; Galerie Glendon, Toronto, Canada.

War, Media & The new World Order, Centre international d'art contemporain de Montréal, Canada. Curator: Janine Marchessault.

1990

Issues in Contemporary Video: narrative, The Mendel Art Gallery, Saskatoon, Canada. Curator: Bruce Grenville.

1988

The Fukui International Video Biennale*, Fukui, Japan.

Censored, or The Making of a Pornographer*, edge '88, A.I.R. Gallery, London, UK.

1987

Toronto: a Play of History (Toronto jeu d'histoire)*, The Power Plant, Toronto, Canada. Curator: Bruce Ferguson.

1986

C.A.T./Scan: Slow-scan T.V., between Western Front, Vancouver, Canada and Venice Biennale, Venice, Italy. Organizers: Hank Bull, Canada; Robert Adrian X., Austria.

Attention: Lost Canadian, Expo '86, Canada Pavilion, Vancouver, Canada.

Lost Art: A Cargo-Cult Romance, Luminous Sites: Ten Installations*, Contemporary Art Gallery, Vancouver, Canada. Curator: Karen Henry.

1985

The Business of Frightened Desires: Or the making of a pornographer, aurora Borealis*, Centre international d'art contemporain de Montréal, Canada. Curator: Claude Gosselin.

Visual Facts: Photography and Video by eight artists in Canada*, Third Eye Centre, Glasgow, Scotland; Mappin Art Gallery, Sheffield, UK. Curator: Michael Tooby.

The Business of Frightened Desires: Or the making of a pornographer, Issues of Censorship*, A Space, Toronto, Canada.

Winnipeg Perspective: Video, Winnipeg Art Gallery, Canada.

1984

Ruling Fictions, Vestiges of empire*, Camden Arts Centre, London, UK. Curator: Zuleika Dobson.

1983

Chromaliving, The Colonnade, Toronto, Canada. Curators: Chromazone Collective.

Signs of a Plot: A Text, True Story & Work of Art, OKanada*, Akademie der Künste, Berlin, Germany. Curator: Bruce Ferguson.

1980

The Big Book: Between Intentions and Executions, Women's Bookworks*, Galerie Powerhouse, Montreal, Canada. Curator: Sarah McCutcheon.

The Storyteller's Device, The Fifth Dalhousie Drawing exhibition*, Dalhousie Art Gallery, Halifax, Canada. Curator: Tim Whiten.

1977

03-23-03*, Musée d'art contemporain de Montréal, Canada; National Gallery of Canada, Ottawa, Canada. Curator: Chantal Pontbriand.

1975

The Big Book: Between Intentions and Executions, Language & Structure in north america*, Kensington Art Association, Toronto, Canada.

1972

Mostra Grafica, Biennale di Venezia*, Ca' Pesaro, Italy.

1971

Segunda Bienal americana de artes*, Museo Tertullia, Cali, Colombia.