Part of Web site
Depocas, Alain. – «Pourquoi nous soutenons ce projet». – Radical Software. – New York : Radical Software ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. {{www.radicalsoftware.org}}
Part of Web site
Gigliotti, Davidson. – «Bref historique de RainDance». – Radical Software. – New York : Radical Software ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. {{www.radicalsoftware.org}}
Digital document
Choudhury, Sharmin ; Hunter, Jane. – Implementing preservation strategies for complex multimedia objects [On-line]. – [2003]. – Acrobat (PDF) file. {{metadata.net}}
Digital document
Spielmann, Yvonne. – Video and computer : the aesthetics of Steina and Woody Vasulka [On-line]. – 2003. – Acrobat (PDF) file. – PDF version. – English and French text. – Text written in 2003. {{www.fondation-langlois.org}}
Text in digital document
Grau, Oliver. – «The database of virtual art : for an expanded concept of documentation». – ICHIM Paris 03 : actes : les institutions culturelles et le numérique = Proceedings : cultural institutions and digital technologies [CD-ROM]. – Toronto : Archives & Museum Informatics, 2003. – Acrobat (PDF) file.
Also available on the Internet. {{www.ichim.org}}
Digital document
Brown, Paul. – Recovering history : critical and archival histories of the computer-based arts [digital document]. – New York : ACM SIGGRAPH, 2003. – Acrobat (PDF) file. {{www.siggraph.org}}
Text in periodical
Henderson, Jennifer. – «Slipping the interface : strategies of art making and Lynn Hershman ». – Switch [on line]. – No. 18 (2003). – N. p. {{switch.sjsu.edu}}
Group exhibition catalogue
Transfigure. – Melbourne : The Australian Center for the Moving Image, 2003. {{www.acmi.net.au}}
Directory
In repertoire : a guide to Australian media art. – Sydney : Real Time, 2003. – 15 p.
Also available on the Internet. {{www.ozco.gov.au}}
Web site
404 Object Not Found : Was bleibt von der Medienkunst? = What remains of media art?. – Dortmund : Hartware MedienKunstVerein, 2003. – English and German texts. {{www.404project.net}}
Book
Permanence through change : the variable media approach = L'approche des médias variables : la permanence par le changement. – Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology ; New York : Solomon R. Guggenheim Museum, 2003. – 137 p.
Also available on the Internet. {{www.variablemedia.net}}
Group exhibition catalogue
Translocations. – Minneapolis : Walker Art Center, 2003. {{latitudes.walkerart.org}}
Group exhibition catalogue
How latitudes become forms : art in a global age. – Minneapolis : Walker Art Center, 2003. {{latitudes.walkerart.org}}
Program
Archiving the avant garde : documenting and preserving variable media art. – 2003. {{www.bampfa.berkeley.edu}}
Text in periodical
Rivoire, Annick. – «One-man show sur Michael Snow». – Libération. – (1 nov. 2002). – N. p. {{www.liberation.fr}}
Text in periodical
Sharp, Rebecca. – «The ephemeral will endure : the future of conceptual art and digital preservation an interview with Jon Ippolito, co-ordinator of the Variable media initiative at the Guggenheim Museum, New York, August 2002». – DigiCULT.Info [on line]. – Acrobat (PDF) file. – No. 2 (Oct. 2002). – P. 9-11. {{www.digicult.info}}
Part of Web site
Rinehart, Richard. – «Preserving the Rhizome ArtBase». – Rhizome.org. – New York : Rhizome.org. – Text written in 2002. {{rhizome.org}}
Periodical
HorizonZero. – Banff : The Banff Centre for the Arts, 2002-2004. – N° 1 (août 2002)-N° 18 (nov. 2004). – Electronic journal. {{www.horizonzero.ca}}
Text in periodical
Mayfield, Kendra. – «How to preserve digital art». – Wired News [on line]. – (July 23, 2002). – N. p. {{wired-vig.wired.com}}
Archive document
Ideas in residence / creative dislocations : sense of place and digital connections in the rural landscape / Acadia University. – June 30, 2002. – 12 p. – Description of the project submitted to the Daniel Langlois Foundation in 2002. {{pearl.acadiau.ca}}
Text in periodical
Carlson, Scott. – «Museums seek methods for preserving digital art». – The Chronicle of Higher Education. – (May 28, 2002). – P. [?].
Also available on the Internet. {{chronicle.com}}
Text in periodical
Spielmann, Yvonne. – «Virtual arts in history and the present : Virtuelle Kunst in Geschichte und Gegenwart : Visuelle Strategies ». – Leonardo Digital Reviews [on line]. – (May 2002). – N. p. {{mitpress2.mit.edu}}
Text in periodical
Iovine, Julie V. – «An avant-garde design for a new-media center». – The New York Times. – (Mar. 21, 2002). – P. [?].
Also available on the Internet. {{www.nytimes.com}}
Web site
Anarchive 2 : Digital Snow. – Montréal : Époxy Communications, 2002. {{www.digitalsnow.org}}
Proceedings
Museums and the web 2002 : selected papers from an international conference. – Edited by David Bearman and Jennifer Trant. – Pittsburgh : Archives & Museum Informatics, 2002. – 254 p. – Includes a CD-ROM. – Certain texts available on the Internet. {{www.archimuse.com}}
Book
McCarthy, Kevin F. ; Ondaatje, Elizabeth Heneghan. – From celluloid to cyberspace : the media arts and the changing arts world. – Santa Monica : RAND, 2002. – 79 p.
Also available on the Internet. {{www.rand.org}}
Web site
The re(structured) screen. – New York : Eyebeam Atelier ; Valencia : Integrated Media Program, California Institute of the Arts, 2002. {{www.eyebeam.org}}
Book
The DigiCULT report : technological landscapes for tomorrow's cultural economy : unlocking the value of cultural heritage : full report. – Luxembourg : Office for Official Publications of the European Communities, 2002. – 324 p. – Report.
Also available on the Internet. {{www.digicult.info}}
Web site
MetaPet. – Project Director and Manager : Natalie Bookchin. – New York : Creative Time, 2002. {{www.metapet.net}}
Program
[ emoção art.ficial ] Simpósio = Symposium. – São Paulo : Itaú Cultural Institute, 2002. {{www.itaucultural.org.br}}
Part of Web site
«February 2002- October 2002: Primal Graphics 2002 by Jim Campbell». – Art on the Plaza. – New York : Creative Time, 2002. {{www.creativetime.org}}
Group exhibition catalogue
Gene(sis): Contemporary Art Explores Human Genomics. – Seattle : Henry Art Gallery, 2002. {{www.gene-sis.net}}
Program
Numer.02 : Rencontres internationales du design interactif. – Paris : Numer, 2002. {{www.numer.org}}
Book
Sarai reader 02 : the cities of everyday life. – Delhi : Sarai : the new media initiative ; Amsterdam : Waag Society, 2002. – 376 p.
Also available on the Internet. {{www.sarai.net}}
Text in periodical
Gonzales, Mark. – «An interview with Sharon Daniel». – Switch [on line]. – No. 17 (Jan./Feb. 2002). – N. p. {{switch.sjsu.edu}}
Text in periodical
Bouvier, Pierre. – «Les nouveaux médias entre déjà-vu et enchantement au FCMM de Montréal». – Le Monde [on line]. – (25 oct. 2001). – «Le Monde Interactif» supplement. – P. [?].
Also available on the Internet. {{interactif.lemonde.fr}}
Text on email list
Galloway, Alex. – «Ars Electronica '01 report». – Rhizome.org. – (Sept. 7, 2001). – N. p. {{rhizome.org}}
Text in periodical
Laurenson, Pip. – «Developing strategies for the conservation of installations incorporating time-based media with reference to Gary Hill's Between cinema and a hard place». – Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – P. 259-266.
Also available on the Internet. {{www.tate.org.uk}}
Book
MediaArtHistories. – Edited by Oliver Grau. – Cambridge : MIT Press, 2007. – 475 p. – (Leonardo book series).
Book
Rush, Michael. – Les nouveaux médias dans l'art. – London : Thames and Hudson, 2005. – 248 p. – (L'Univers de l'art). – Newly revised edition.
Proceedings
Re:place 2007 : the second international conference on the histories of media, art, science and technology. – Berlin : Kulturprojekte Berlin GmbH, 2007. – 175 p.
Multidimensional event
World-Information, Brussel, Belgium, June 30-July 30, 2000. – Organisation : World-Information.Org, Vienna. – Exhibition and conference. {{world-information.org}}
Festival
net.congestion : International Festival of Streaming Media, , October 6-8, 2000. – Organisation : De Balie, Amsterdam.
Group exhibition
New Media Program Kunst NRW.NL, Cologne, Germany ; Düsseldorf, Germany ; Duisburg, Germany ; Arnhem, Netherlands ; Rotterdam, Netherlands. – Organisation : Academy of Media arts, Cologne ; De Balie ; De Digitale Stad, Amsterdam.