Fondation
Daniel
Langlois
Explore
Event: Software
12 documents in the collection
Thesis
Gilman, Amy. – Organizing art : information theory and conceptual art : a case study of the Xeroxbook exhibition. – Cleveland : Case Western Reserve University, 2005. – 385 p.
Book
Lee, Pamela, M. – Chronophobia : on time in the arts of the 1960s. – Cambridge : MIT Press, 2004. – 368 p.
Text in periodical
Manovich, Lev. – «Ten key texts on digital art : 1970-2000». – Leonardo. – Vol. 35, no. 5 (2002). – P. 567-569.
Text in periodical
Montfort, Nick. – «Strained bedfellows : art and software meet and marry, circa 1970». – Artbyte [on line]. – Vol. 4, no. 4 (Nov./Dec. 2001). – P. 30-31.
Text in catalogue
Cramer, Florian ; Gabriel, Ulrike. – «Software art». – Transmediale.01 : do it yourself! : art and digital media : software - participation - distribution = Kunst und digitale Medien : Software - Partizipation - Distribution. – Edited by Andreas Broeckmann and Susanne Jaschko. – Berlin : Berliner Kulturveranstaltungs, 2001. – P. 29, 31, 33.
Book
Bijvoet, Marga. – Art as inquiry : toward new collaboration between art, science and technology. – New York : Peter Lang Publishing, 1997. – 283 p. – (Series XX ; 32).
Text in catalogue
Sheridan, Sonia Landy. – «Cuatro modos de tiempo : el uso del pincel, la cámara, la fotocopiadora y el ordenador». – Cultura y nuevas tecnologías. – Madrid : Novatex ediciones, 1986. – P. 55-63.
Text in book
Burnham, Jack. – «Art and technology : the panacea that failed». – The myths of information : technology and postindustrial culture. – Edited by Kathleen Woodward. – Madison : Coda Press ; Milwaukee : The Center for Twentieth Century Studies, 1980. – (Theories of contemporary culture ; 2). – P. 200-215.
Text in book
Woodward, Kathleen. – «Art and technics : John Cage, electronincs, and world improvement». – The myths of information : technology and postindustrial culture. – Edited by Kathleen Woodward. – Madison : Coda Press ; Milwaukee : The Center for Twentieth Century Studies, 1980. – (Theories of contemporary culture ; 2). – P. 171-192.
4 pages in this Web Site
Kathryn Farley, Sonia Sheridan & Generative Systems This publication describes the singular methods of instruction used by Sonia Sheridan in her Generative Systems courses.
Sonia Sheridan fonds This fonds exemplifies the groundbreaking role played by Sonia Sheridan in the use of industrial photocopiers and early computer graphic systems as creative tools.
Jennifer Gabrys, Residue in the E.A.T. archives In the wake of her ongoing research on parallel phenomena such as the exponential accumulation of obsolete computer components and the saturation of data in electronic networks, Gabrys here comments on the projects undertaken by E.A.T.
3 web sites
Text in book
Shanken, Edward A. – «Gemini rising, moon in Apollo : attitudes on the relationship between art and technology in the US, 1966-71». – ISEA97 Chicago : conference proceedings. – Chicago : The School of the Art Institute of Chicago, [1998]. – P. 58-61.
Also available on the Internet. {{www.duke.edu}}
Text in catalogue
Shanken, Edward A. – «Art in the information age : technology and conceptual art». – SIGGRAPH 2001 : electronic art and animation catalog. – New York : Association for Computing Machinery, 2001. – P. 8-15.
Also available on the Internet. {{www.duke.edu}}
Text in book
Shanken, Edward A. – «The house that Jack built : Jack Burnham's concept of "software" as a metaphor for art». – Reframing consciousness. – Edited by Roy Ascott. – Exeter : Intellect Books, 1999. – P. 156-161.
Also available on the Internet. {{www.duke.edu}}