Text in periodical
Rouillé, André. – «Chaos des images, dérive des matériaux». – paris-art.com [on line]. – [2007]. – N. p. {{www.paris-art.com}}
Digital document
Rinehart, Richard. – Nailing down bits: digital art and intellectual property = Bien fixer les éléments d'information : l'art numérique et la propriété intellectuelle [On-line]. – Gatineau : Canadian Heritage Information Network, 2006. – 46 p. – Acrobat (PDF) file. {{www.pro.rcip-chin.gc.ca}}
Text in periodical
Laurenson, Pip. – «Developing strategies for the conservation of installations incorporating time-based media with reference to Gary Hill's Between cinema and a hard place». – Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – P. 259-266.
Also available on the Internet. {{www.tate.org.uk}}
Book
Rush, Michael. – Les nouveaux médias dans l'art. – London : Thames and Hudson, 2005. – 248 p. – (L'Univers de l'art). – Newly revised edition.
Group exhibition catalogue
Iles, Chrissie. – Into the light : the projected image in American art 1964-1977. – New York : Whitney Museum of American Art, 2001. – 183 p.
Group exhibition catalogue
Future cinema : the cinematic imaginary after film. – Edited by Jeffrey Shaw and Peter Weibel. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Cambridge : MIT Press, 2003. – 635 p. – German and english text.
Group program
Image Processing : the Electronic Manipulation of Video, The Kitchen, New York, N. Y., United States, December 4-29, 1981.
Group program
Themes in Electronic Image Processing, The Kitchen, New York, N. Y., United States, December 1-31, 1981.
Group exhibition
Book/Ends Wired : Electronic Media at the Arts Center, Capital Region Center for the Arts, Troy, N. Y., United States, September 15-November 2, 2000. – As part of «Book/Ends : The Transformation of the Book and the Redefinition of the Humanities».