Periodical issue
Aspect. – Vol. 8 (2007). – Boston : Aspect Magazine, 2007. – N. p. – DVD Video, col., stereo sound. – Issue title : «Early works». – Periodical published as a DVD.
Book
Collection nouveaux médias installations. – Edited by Christine Van Assche. – Paris : Éditions du Centre Georges Pompidou, 2006. – 288 p.
Text in periodical
Palmiéri, Christine. – «Entre flux et excès : la fable contrariée». – ETC Montréal. – N° 71 (sept./oct./nov. 2005). – P. 42-47.
Text in periodical
Baillargeon, Stéphane. – «Ouverture d'Art Basel, la plus grande foire d'art contemporain du monde». – Le Devoir. – (17 juin 2005). – P. B 2.
Text in periodical
Ardenne, Paul. – «Tony Oursler : identité floue = Tony Oursler's fuzzy identities». – Art Press. – N° 310 (mars 2005). – P. 42-46.
Text in periodical
Mitchell, Charles Dee. – «Report from Santa Fe : everything in excess». – Art in America. – Vol. [92], no. 10 (Nov. 2004). – P. 84-91.
Text in periodical
Mohal, Anna. – «Une collection engagée = Art makes you a different person». – Art Press. – Supplément au no. 305 (oct. 2004). – P. 15-19.
Text in periodical
Tumlir, Jan. – «Tony Oursler : Margo Leavin gallery». – Artforum. – Vol. 43, no. 1 (Sept. 2004). – P. 277-278.
Text in periodical
Dezeuze, Anna. – «Art, lies and performance». – Art Monthly. – No. 273 (Feb. 2004). – P. 13-16.
Archive document : Report / Memorandum
Final report. – Lima : Instituto de Investigaciones Museológicas y Artísticas, Universidad Ricardo Palma, [2004]. – [8] p. – Final report of the project submitted to the Daniel Langlois Foundation in 2002.
Book
Lovejoy, Margot. – Digital currents : art in the electronic age. – Third edition. – London : Routledge, 2004. – 342 p. – Originally published in 1989.
Group exhibition catalogue
Bal, Mieke. – Videodreams : Zwischen Cinematischem und Theatralischem = Videodreams : between the cinematic and the theatrical. – Edited by Peter Pakesch. – Köln : Verlag der Buchhandlung Walther König, 2004. – 196 p.
Group exhibition catalogue
Feeke, Stephen ; Wood, Jon. – With hidden noise : video, sculpture and ventriloquism. – Leeds : Henry Moore Institute, 2004. – 51 p.
Group exhibition catalogue
Eyes, lies and illusions : the art of deception. – London : Hayward Gallery, 2004. – 239 p.
Group exhibition catalogue
Future cinema : the cinematic imaginary after film. – Edited by Jeffrey Shaw and Peter Weibel. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Cambridge : MIT Press, 2003. – 635 p. – German and english text.
Group exhibition catalogue
Peru / video / arte / electronico : memorias del festival internacional de video/arte/electrónica. – Lima : Alta Tecnología Andina, 2003. – 127 p.
Poster
7 festival international video arte electronica. – Lima : Alta Tecnología Andina, 2003. – N. p. – Poster.
Book
Mèredieu, Florence de. – Arts et nouvelles technologies : art vidéo art numérique. – Paris : Larousse, 2003. – 239 p. – (Comprendre, reconnaître).
Group exhibition catalogue
Video acts : single channel works from the collections of Pamela and Richard Kramlich and New Art Trust. – Long Island City : P.S.1 Center for Contemporary Art, 2003. – 311 p.
Group exhibition catalogue
World wide catalogue [CD-ROM]. – Edited by Tom van Vliet and Lilet Breddels. – Amsterdam : Stichting World Wide Video Festival, 2003. – Silent.
Book
Prado, Gilbertto. – Arte telemática : dos intercâmbios pontuais aos ambientes virtuais multiusuário. – São Paulo : Itaú Cultural Institute, 2003. – 128 p. – Includes a CD-ROM.
Text in periodical
Madoff, Steven Henry. – «What Documenta meant to them». – The New York Times. – (June 2, 2002). – P. [].
Text in periodical
Delson, Susan. – «Wiring into a changing climate : museums & digital art». – Museum News. – Vol. 81, no. 2 (Mar./Apr. 2002). – P. 51-64.
Group exhibition catalogue
Vidéo topiques : tours et retours de l'art vidéo. – Paris : Paris-Musées ; Strasbourg : Les musées de Strasbourg, 2002. – 189 p.
Book
Wilson, Stephen. – Information arts : intersections of art, science, and technology. – Cambridge : MIT Press, 2002. – 945 p.
Book
Buci-Glucksmann, Christine. – La folie du voir : une esthétique du virtuel. – Paris : Galilée, 2002. – 271 p. – (Débats).
Text in catalogue
Heartney, Eleanor. – «Video installation and the poetics of time». – Outer and inner space : Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the history of video art. – Richmond : Virginia Museum of Fine Arts, 2002. – P. 14-21.
Text in periodical
London, Barbara. – «The possessed hard drive : Tony Oursler's Timestream». – RES. – Vol. 4, no. 3 (May/June 2001). – P. 60-63.
Group exhibition catalogue
Unter der Haut : Transformationen des Biologischen in der zeitgenössischen Kunst = Under the skin : biological transformations in contemporary art. – Ostfildern : Hatje Cantz, 2001. – 135 p.
Book
Tony Oursler : the influence machine. – London : Artangel ; New York : Public Art Fund, 2000. – 104 p.
Group exhibition catalogue
Illuminations : contemporary film and video art. – Chapel Hill : Ackland Art Museum, The University of North Carolina at Chapel Hill, 2000. {{www.ackland.org}}
Group exhibition
Unter der Haut : Transformationen des Biologischen in der zeitgenössischen Kunst / Under the Skin : Biological Transformations in Contemporary Art, Wilhelm Lehmbruck Museum - Zentrum internationaler Skulptur, Duisburg, Germany, May 6-June 17, 2001. {{www.duisburg.de}}
Group exhibition
Electronic Maple : Human Language and Digital Culture in Contemporary Art, NY Center for Media Arts, Long Island City, N. Y., United States, May 2001.
Festival
Documenta X, Documenta und Museum Fridericianum Veranstaltungs-GmbH, Kassel, Germany, June 21-September 28, 1997.