Dante Grela, Intangibles universos, 1986
For processed voice and electronic sounds (on tape) (10 min. 52 sec.)
Ricardo Dal Farra and Arturo Gervasoni, Integrados, 1986
For guitar and live electroacoustic processing (8 min. 00 sec.)
Mesías Maiguashca, Intensidad y Altura, 1979
For 6 percussionists and magnetic tape (17 min. 44 sec.)
Gilles Mercier, Interacciones Iniciales, 1996
For digital tape (or CD) or Yamaha SY77 synthesizer with Cubase sequencer running in Pentium II (and WTF30 software)
Fernando Iazzetta, InterAto, 1996
For clarinet, alto sax, trumpet, trombone, French horn, piano, percussion and computer controlled interactive electronic system (7 min. 53 sec.)
alcides lanza, interferences I (1966-II), 1966
For two groups of wind instruments and electronic sounds (5 min. 35 sec.)
alcides lanza, interferences I (1966-II) [tape part only], 1966
Two groups of wind instruments and electronic sounds
alcides lanza, interferences II (1967-I) , 1967
Percussion ensemble and electronic sounds (8 min. 08 sec.)
alcides lanza, interferences II (1967-I) [tape part only], 1967
Percussion ensemble and electronic sounds
alcides lanza, interferences III (1983-IV), 1983
For (voice) chamber ensemble and computer generated sounds (12 min. 03 sec.)
alcides lanza, interferences III (1983-IV) [tape part only], 1983
For chamber ensemble and computer generated sounds
Frederico Richter, Introdução e Elegia por um Herói Moribundo, 1980
For tape (violin: Frederico Richter)
Antonio Russek, Introspecciones, 1981
Acousmatic music (original for 12 channels tape) (16 min. 58 sec.)
Germán Toro, Inventario III, 1999
For piano, harp, percussion, 2 violins, 2 violas, 2 cellos and electronics
Ricardo Dal Farra, Japi-Nd, 1989
For acoustic guitar, tenor sax, and live electroacoustic processing (2 min. 40 sec.)
Horacio Vaggione, KITAB, 1992
For bass clarinet, piano, contrabass and computer processed and controlled sounds
Audio file
Audio file with sonogram
Audio file with score
Audio file with limited access