Theme: Art and Environment

Chris Csikszentmihályi, Afghan Explorer, 2001.

Model.

Courtesy of the artist.

Chris Csikszentmihályi, DJ I Robot, 2001.

Courtesy of the artist.

Natalie Jeremijenko, Robotic Geese (2003). Courtesy of the artist.

Natalie Jeremijenko, Robotic Geese, 2003.

Plastic, electronic components, video camera.

Photo: Adat. Courtesy of Natalie Jeremijenko.

Usman Haque (with J. Pletts and L. Turin), Scents of Space (2002). Courtesy of the artists.

Stealth Group, The Wild City: Urban genetics, 2000-2001.

"Urban Genetics" is a system of codes extracted through monitoring and denoting the rules of urban design and chaotic transformation in Belgrade.

Courtesy of Stealth Group.

Jim Campbell, Portrait of a Portrait of Harry Nyquist (2000). Courtesy of the artist.

Catherine Richards, Charged Hearts, 1997.

Brass, copper, glass, electronics, electron guns, computer, Terrella, luminescent gases, lights, variable dimension. Commissioned by the National Gallery of Canada.

Courtesy of the artist.

Mike MacDonald, Touched by the Tears of a Butterfly, 1995.
Video installation.
Video still.
Courtesy of the artist.

Igor Vamos and The X Group, Malcolm X St. Project, 1991.

Intervention in Portland.

When the city was considering stripping Martin Luther King Jr.'s name off a local street, a covert organization calling itself Group X changed the name of another downtown street to Malcolm X Street in a clandestine overnight action.

Courtesy of Igor Vamos.

Igor Vamos, Melinda Stone, Suggested Photo Spots, 1997.

New York City sludge depository (situated in Texas).

Courtesy of Igor Vamos.

Igor Vamos, Le Pétomane : Fin de Siècle Fartiste, 1998.

Betacam SP, coul., 56 min. Still image from the videotape Le Pétomane : Fin de Siècle Fartiste.

Courtesy of Igor Vamos.

View of the landscape around the Center for Land Use Interpretation, Wendover, Utah, United States.

Courtesy of C.L.U.I.

Igor Vamos, Rose Festival Performance, 1991.

Intervention in Portland.

During a festival in Portland commemorating the return of troupes
from the Persian Gulf, Vamos responded to the Bush government's Operation Desert Storm by hanging an enormous U.S. flag, composed of human silhouette targets, off a bridge directly in front of U.S. Navy ships.

Courtesy of Igor Vamos.

Igor Vamos, Melinda Stone, Suggested Photo Spots, 1997.

Waste water treatment facility of the Eastman Kodak Company in Rochester, New York.

Courtesy of Igor Vamos.

John Klima, Earth, 2001.

Multi-media installation.

A software that places data from geological surveys, satellites and global weather stations onto a 3-D model of the Earth.

Courtesy of the Postmasters Gallery.

John Klima, Terrain Machine, 2002.

Multi-media installation.

Surface effect produced by the array of actuators that modulate the Earth's terrain on a small scale in keeping with the desired topographic coordinates.

Courtesy of John Klima.