David Rokeby, Echoing Narcissus, 1987.
Interactive sound sculpture. Installation view.
Courtesy of David Rokeby.
David Rokeby, The Giver of Names, 1991-present.
Interactive computer installation. A screen shot from the first full version of The Giver of Names, Macdonald Stewart Art Centre, Guelph (Ontario, Canada), January 1998.
Courtesy of David Rokeby.
David Rokeby, Watch, 1995.
Real-time computer installation.
Courtesy of David Rokeby.
FoAM and associates, TransDimensional BioSphere, December 2000.
Documentation of the installation in Brussels, Belgium.
Photo: Maja Kuzmanovic. Courtesy of FoAM.
Geoffrey Smedley, The Roulette – The Organ of Chance (2012).
Artist's collection.
© Geoffrey Smedley. Courtesy of the artist and the Canadian Centre for Architecture (CCA).
motiroti et The Builders Association, Alladeen (1999-2007). Courtesy of the artists.
Atau Tanaka, Constellations, 1999.
Installation view.
Courtesy of the artist.
Golan Levin, Hidden Worlds of Noise and Voice, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, Hidden Worlds of Noise and Voice, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, Messa di Voce, 2003.
Performance with Joan La Barbara and Jaap Blonk, London (ICA), November 2003.
Courtesy of the artist.
Golan Levin, Messa di Voce, 2003.
Performance with Joan La Barbara and Jaap Blonk, London (ICA), November 2003.
Courtesy of the artist.
Golan Levin, RE:MARK, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, RE:MARK, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Rafael Lozano-Hemmer, Vectorial Elevation (1999-2002). Courtesy of the artist.
Rafael Lozano-Hemmer, Vectorial Elevation, Relational Architecture 4, 1999-2002.
Artium Square, Vitoria, Basque Country, Spain, 2002.
Photo: David Quintas. Courtesy of the artist.
Geoffrey Smedley, The Name of the Piece, 1979-1982.
As exhibited at the Vancouver Art Gallery in 1982.
Courtesy of Geoffrey Smedley.
Golan Levin, Messa di Voce (2003). Courtesy of the artist.
Grahame Weinbren and Roberta Friedman, The Erl King, 1982-1985.
Rear view.
View of the installation as presented in 2004 in the exhibition Seeing Double: Emulation in Theory and Practice at the Guggenheim Museum in New York.
Grahame Weinbren and Roberta Friedman, The Erl King (1982-1985). Courtesy Guggenheim Museum.
Eduardo Kac, Rara Avis, 1996.
Interactive telepresence installation. Topology of Rara Avis.
Courtesy of the artist.
Diagram: Eduardo Kac.
George Legrady, Pockets Full of Memories, 2001.
Cornerhouse Gallery, Manchester, United Kingdom (2005).
Courtesy of George Legrady.
George Legrady, Pockets Full of Memories, 2001.
Ars Electronica, Linz, Austria (2003).
Courtesy of George Legrady.
George Legrady, Pockets Full of Memories, 2001.
Ars Electronica, Linz, Austria (2003).
Courtesy of George Legrady.