Chico MacMurtrie, Skeletal Reflections, 2003.
Detail.
Courtesy of Chico MacMurtrie and Amorphic Robot Works.
Alan Dunning, Paul Woodrow, The Einstein's Brain Project: The Fall, The Flesh, The Furnace, 1995-2001.
Video and sound installation with interactive components. Anatomically accurate model of the human head and tactile sensors.
Courtesy of Alan Dunning.
Alan Dunning, Paul Woodrow, The Einstein's Brain Project: The Madhouse, 1995-2001.
Multi-media installation with virtual environment. The participant alters an electromagnetic field emanating from an anatomical model of the human body and thereby triggers different media events (sound, video projections) in real time.
Courtesy of Alan Dunning.
Alan Dunning, Paul Woodrow, The Einstein's Brain Project: The Fall, The Flesh, The Furnace, 1995-2001.
Video and sound installation with interactive components. Anatomically accurate model of the human head and tactile sensors.
Courtesy of Alan Dunning.
David Rokeby, Echoing Narcissus, 1987.
Interactive sound sculpture. Installation view.
Courtesy of David Rokeby.
David Rokeby, The Giver of Names, 1991-present.
Interactive computer installation. A screen shot from the first full version of The Giver of Names, Macdonald Stewart Art Centre, Guelph (Ontario, Canada), January 1998.
Courtesy of David Rokeby.
David Rokeby, Watch, 1995.
Real-time computer installation.
Courtesy of David Rokeby.
Jessica Field, Personal Scale, 1999.
Courtesy of the artist.
Golan Levin, Hidden Worlds of Noise and Voice, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, Hidden Worlds of Noise and Voice, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, Messa di Voce, 2003.
Performance with Joan La Barbara and Jaap Blonk, London (ICA), November 2003.
Courtesy of the artist.
Golan Levin, Messa di Voce, 2003.
Performance with Joan La Barbara and Jaap Blonk, London (ICA), November 2003.
Courtesy of the artist.
Golan Levin, RE:MARK, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, RE:MARK, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Rafael Lozano-Hemmer, Vectorial Elevation (1999-2002). Courtesy of the artist.
Rafael Lozano-Hemmer, Vectorial Elevation, Relational Architecture 4, 1999-2002.
Artium Square, Vitoria, Basque Country, Spain, 2002.
Photo: David Quintas. Courtesy of the artist.
Bill Vorn and Simon Penny, Bedlam, 2001-2003.
Interactive robotic installation.
Photo: Simon Penny. Courtesy of the artists.
Golan Levin, Messa di Voce (2003). Courtesy of the artist.
Jessica Loseby, views from the ground floor, 2003.
Screen capture.
Courtesy of the artist.
Jim Campbell, I Have Never Read the Bible, 1995.
Installation.
Courtesy of the artist.
Jim Campbell, Shadow (for Heisenberg), 1993-1994.
Custom electronics, video camera, glass cube with LCD material, statue.
Courtesy of the artist.