Web site
Interactive frictions : a national conference on interactive narrative. – 1999. {{www.annenberg.edu}}
Text in periodical
Kac, Eduardo. – «Beyond the screen : new directions in interactive art». – Blimp Film Magazine [on line]. – No. 40 (1999). – P. 49-50.
Also available on the Internet. {{www.ekac.org}}
Digital document
Bowers, John et al. – Constructing and manipulating the virtual : gesture transformation, soundscaping and dynamic environments for extended artistic performance [On-line]. – [Europe] : Electronic Arenas for Culture, Art, Performance and Entertainment, 1998. {{www.nada.kth.se}}
Part of Web site
Seaman, Bill. – «Fields of meaning / becoming in recombinant poetics». – Ensemble logic + choragraphy. – Adelaide : Electronic Writing Research Ensemble, 1998. {{ensemble.va.com.au}}
Text in periodical
Kac, Eduardo. – «Beyond the screen : new directions in interactive art». – Veredas [on line]. – Vol. 3, no. 32 (1998). – P. 12-15.
Also available on the Internet. {{www.ekac.org}}
SOLO Exhibition catalogue
George Legrady : de l'analogie au codage numérique : la photographie et l'interactivité = From analogue to digital : photography & interactive media [CD-ROM]. – Ottawa : National Gallery of Canada, 1997.
Also available on the Internet. {{www.fondation-langlois.org}}
Web site
INTERACTIVE at the Salina Art Center. – Salina : Salina Art Center, 1996. {{www.et-arts.com}}
Dictionnary
Dictionnaire des arts médiatiques. – Montréal : Groupe de recherche en arts médiatiques, Université du Québec à Montréal, 1996. {{132.208.118.245}}
Part of Web site
Campbell, Jim. – «Delusions of dialog : control and choice in interactive art». – Technology in the 1990's : the human/machine interface. – New York : äda`web, 1996. {{adaweb.walkerart.org}}
Text in periodical
Gagnon, Jean. – «Blind date in cyberspace or the figure that speaks». – Artintact. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – No. 2 (1995). – Also in German under the title «Blind Date im Cyberspace oder die sprechende Figur», p. 30-39. – P. 42-50.
Also available on the Internet. {{www.fondation-langlois.org}}
Part of Web site
Lozano-Hemmer, Rafael. – «Homographies». – Rafael Lozano-Hemmer. {{www.lozano-hemmer.com}}
Web site
Duff, Tagny. – PDOCA : Public Domain of Contemporary Art = Domain Public d'Art Actuel. – Montréal : PDOCA : Public Domain of Contemporary Art = Domain Public d'Art Actuel. {{www.pdoca.ca}}
Part of Web site
Haque, Usman. – «Moody Mushroom Floor». – res-Qualia. – Barcelona : Res-Qualia.net, 2006. {{www.res-qualia.net}}
Part of Web site
Brucker-Cohen, Jonah ; Redfern, Tim ; Murphy, Duncan. – «SimpleTEXT ». – CultureTV. {{culturetv.tv}}
Web site
Benayoun, Maurice. – Créations interactives = Interactive works. – [1993-2005]. {{www.moben.net}}
Part of Web site
Levin, Golan. – «Communication in evolution». – banquete_05 : comunicación en evolución = Communication in evolution. – Also in Spanish under the tile «». {{www.banquete.org}}
Part of Web site
«Agent Ruby.com». – V2. – Rotterdam : V2_Organisation, Institute for the Unstable Media. {{framework.v2.nl}}
Part of Web site
«Lynn Hershman : «Agent Ruby»». – Medien kunst netz = Media art net. {{www.medienkunstnetz.de}}
Web site
Programmation orientée art. – Paris : Centre de Recherches d'Esthétique du Cinéma et des Arts Audiovisuels. {{creca.univ-paris1.fr}}
Book
Spielmann, Yvonne. – Video : das reflexive Medium. – Frankfurt am Main : Suhrkamp Verlag, 2005. – 478 p.
SOLO Exhibition catalogue
Woody Vasulka : The Brotherhood : a series of six interactive media constructions. – Tokyo : NTT Publishing, 1998. – 120 p.
Book
Goodman, Cynthia. – Digital visions : computers and art. – New York : Harry N. Abrams, 1987. – 191 p.
Solo exhibition
Studio Azzuro : ambienti sensibili : esperienze tra interattività e narrazione, Palazzo delle Esposizioni, Rome, Italy, March 10-May 24, 1999.
Solo exhibition
Peter D'Agostino : Interactivity and Intervention : 1978-1999, Lehman College Art Gallery, Bronx, N. Y., United States, March 16-May 15, 1999.