Book
ANAT : Australian Network for Art and Technology : annual report : 1999. – Adelaide : Australian Network for Art and Technology, 1999. – 36 p.
Text in catalogue
Lineberry, Heather Sealy. – «Electronic interview with Jim Campbell». – Jim Campbell : transforming time : electronic works : 1990-1999. – Tempe : Arizona State University Art Museum, 1999. – P. 64-68.
Text in catalogue
Zeitlin, Marilyn A. – «Jim Campbell : working in the open sphere». – Jim Campbell : transforming time : electronic works : 1990-1999. – Tempe : Arizona State University Art Museum, 1999. – P. 45-48.
Text in catalogue
Morse, Margaret. – «Threshold experiences : incendiary bodies and frail machines». – Jim Campbell : transforming time : electronic works : 1990-1999. – Tempe : Arizona State University Art Museum, 1999. – P. 31-35.
Text in catalogue
Cornwell, Regina. – «Time and intuition : within the installations of Jim Campbell». – Jim Campbell : transforming time : electronic works : 1990-1999. – Tempe : Arizona State University Art Museum, 1999. – P. 8-14.
Book
Spalter, Anne Morgan. – The computer in the visual arts. – Reading : Addison-Wesley Longman, 1999. – 500 p.
SOLO Exhibition catalogue
Alan Rath : robotics. – Santa Fe : Site Santa Fe ; Santa Monica : Smart Art Press, 1999. – 64 p. – (Smart art press (series) ; vol. 6, no. 56).
Group exhibition catalogue
Gail Wight "Spike" : Eduardo Kac "Genesis" : Ars Electronica '99 : Cyberarts '99 : Prix Ars Electronica Exhibition. – Linz : O.K Center for Contemporary Art Upper Austria : Ars Electronica Center : ORF Landesstudio Oberösterreich, 1999. – 64 p. – English and German text.
Book
Rush, Michael. – New media in late 20th-Century art. – London : Thames and Hudson, 1999. – 224 p.
Book
Rutsky, R. L. – High Techne : art and technology from the machine aesthetic to the posthuman. – Minneapolis : University of Minnesota Press, 1999. – 196 p. – (Electronic Mediations ; vol. 2).
Book
Ars Electronica : facing the future : a survey of two decades. – Edited by Timothy Druckrey with Ars Electronica, foreword by Hannes Leopoldseder, preface by Gerfried Stocker and Christine Schöpf. – Cambridge : MIT Press, 1999. – 449 p. – (Electronic culture. History, theory, practice).
Proceedings
Reframing consciousness. – Edited by Roy Ascott. – Exeter : Intellect Books, 1999. – 314 p.
Video : Documentary / Report
Stock market skirt. – Toronto : City TV, 1998. – VHS, col., stereo sound, 7 min 17 s.
Archive document : File
Thundergulch. – 1998. – Set of 2 elements. – File. – The person who processed the documents established the arrangement of items. – Includes one letter, one communique.
Program
3èmes rencontres internationales art cinéma-vidéo-ordinateur : pour une écologie des média. – Paris : A.S.T.A.R.T.I. pour l'Art Audiovisuel, 1998. – [12] p.
Archive document : File
Screens and memes. – 1998. – 1 element. – File. – The person who processed the documents established the arrangement of items. – Includes one Web site printing.
Group exhibition catalogue
Multimedia art : beyond the new millenium smile. – Kyongju : Kyongju world culture expo, 1998. – 83 p. – English and corean text.
Book
Pour une écologie des médias : art : cinéma : vidéo : ordinateur. – Edited by Maria Klonaris and Katerina Thomadaki. – Paris : A.S.T.A.R.T.I. pour l'Art Audiovisuel, 1998. – 157 p. – Publication created for the «Troisièmes rencontres internationales : art : cinéma : vidéo : ordinateur».
Group exhibition catalogue
First Greek festival for art and technology. – Athínai : Fournos : Centre for Digital Culture , 1998. – 68 , 94 p. – English and Greek text. – Document bound in tumble format.
Periodical issue
Architectural design. – (1998). – London : John Wiley & Sons, 1998. – 96 p. – (Profile ; 133). – (Aug. 1998). – Issue title : «Hypersurface architecture».
Proceedings
ISEA97 Chicago : conference proceedings. – Chicago : The School of the Art Institute of Chicago, [1998]. – 67 p.
Book
Goifman, Kiko. – Valetes am slow motion. – Campinas : Editoria da UNICAMP, 1998. – 218 p. – (Momento). – Includes a CD-ROM.
Digital document
Goifman, Kiko. – Valetes em slow motion = Jacks in slow motion [CD-ROM]. – Campinas : Editoria da UNICAMP, [1998]. – Stereo sound. – QuickTime file. – CD-ROM accompanying the publication «Valetes am slow motion», 1998.
Group exhibition catalogue
Chabot : l'imaginaire. – Cap-Rouge : Galerie Trans-Art Québec, 1998. – [31] p.
Book
Morse, Margaret. – Virtualities : television, media art, and cyberculture. – Bloomington : Indiana University Press, 1998. – 266 p. – (Theories of contemporary culture ; vol. 21).
Text in book
Davies, Char. – «Changing space : virtual reality as an arena of embodied being». – The virtual dimension : architecture, representation and crash culture. – Edited by John Beckman. – New York : Princeton Architectural Press, 1998. – P. 144-155.
SOLO Exhibition catalogue
Lewis deSoto : recital. – Cambridge : MIT List Visual Arts Center, 1998. – 12 p.
Group exhibition catalogue
Ars Electronica 98 : Infowar : information.macht.krieg. – Edited by Gerfried Stocker and Christine Schöpf. – Wien : Springer Verlag, 1998. – 307 p. – English and German text.
Book
Henderson, Linda Dalrymple. – Duchamp in context : science and technology in the Large Glass and related works. – Princeton : Princeton University Press, 1998. – 374 p.
Text in periodical
Misch, Georg. – «The difference engine». – The Wire. – No. 165 (Nov. 1997). – P. 42-46.
Text in periodical
Nechvatal, Joseph. – «Sex/machine/art : from mechanical repetition into electronic flicker». – Intelligent Agent. – Vol. 2, no. 1 (Fall 1997). – P. 74-79.
Text in periodical
Haynes, Deborah J. – «On the need for ethical aesthetics : or, where I stand between neo-Luddites and cyberians». – Art Journal. – Vol. 56, no. 3 (Fall 1997). – P. 75-82.
Text in periodical
Savedoff, Barbara E. – «Escaping reality : digital imagery and the resources of photography». – Journal of Aesthetics and Art Criticism. – Vol. 55, no. 2 (Spring 1997). – P. 201-214.
Book
Bijvoet, Marga. – Art as inquiry : toward new collaboration between art, science and technology. – New York : Peter Lang Publishing, 1997. – 283 p. – (Series XX ; 32).
Text in book
Goodman, Cynthia. – «Art and technology : the ineluctable liason [sic]». – Art @ Science. – Edited by Christa Sommerer and Laurent Mignonneau. – Wien : Springer Verlag, 1997. – P. 247-261.
Text in book
Klüver, Billy ; Martin, Julie. – «Four collaborations». – Robert Rauschenberg : Haywire : major technological works of the 1960s. – Ostfildern : Hatje, 1997. – P. 59-101.
Part of Web site
Cates, Jon et al. – «re:place collectively re:viewed». – re:place 2007 : Second international conference on the histories of media, art, science and technology, 2007. {{www.mediaarthistory.org}}
Part of Web site
«El final del eclipse = The end of the eclipse». – Fundación Telefónica = Telefonica Foundation. – Madrid : Telefonica Foundation. {{www.fundacion.telefonica.com}}
Group exhibition catalogue
El Final del Eclipse. – Madrid : Telefonica Foundation, 2001. – 332 p.
Also available on the Internet. {{www.fundacion.telefonica.com}}
Conference / Symposium
Patrick Clancy : The Interactive Technologies of the Avant-Gardener, Artspace, Woolloomooloo, New South Wales, Australia, July 31, 2000.
Group exhibition
Computer Voices / Speaking Machines, Walter Phillips Gallery, The Banff Centre for the Arts, Banff, Alb., Canada, May 19-July 29, 2001. {{www.banffcentre.ca}}
Multidimensional event
Medi@terra 2000 : International Art and Technology Festival & Symposium : Neo [techno] logisms, Athens, Greece, November 3-9, 2000. – Organisation : Fournos : Center for Art and New Technologies, Athens. {{www.mediaterra.org}}