Group exhibition catalogue
Leiber, Steven. – Extra art : a survey of artists' ephemera, 1960-1999. – Santa Monica : Smart Art Press, 2001. – 190 p. – Text of the introduction English and French.
Text in periodical
London, Barbara. – «The possessed hard drive : Tony Oursler's Timestream». – RES. – Vol. 4, no. 3 (May/June 2001). – P. 60-63.
Book
Welger-Barboza, Corinne. – Le patrimoine à l'ère du document numérique : du musée virtuel au musée médiathèque. – Paris : L'Harmattan, 2001. – 313 p.
Proceedings
ICHIM01 : international cultural heritage informatics meeting : cultural heritage and technologies in the third millenium . – Edited by David Bearman and Franca Garzotto. – Pittsburgh : Archives & Museum Informatics ; Milano : Politecnico di Milano, 2001. – 2 vol. (655 p., 518 p.). – Include a CD-ROM.
Book
La gestion des archives photographiques. – Edited by Normand Charbonneau and Mario Robert. – Montréal : Presses de l'Université du Québec à Montréal, 2001. – 306 p. – (Gestion de l'information).
Proceedings
VSMM 2001 : enhanced realities : augmented and unplugged. – Gifu : International Society on Virtual Systems and Multimedia, 2001. – 876 p.
Text in periodical
Ollman, Leah. – «Relics of the material age». – Art in America. – Vol. 88, no. 11 (Nov. 2000). – P. 134-139, 183.
Text in periodical
Montfort, Nick. – «In search of Webs past : "survival of the hittest" leaves a precious record crumbling». – Technology review : MIT's magazine of innovation. – Vol. 103, no. 4 (July/Aug. 2000). – P. 105-108.
Book
Selected essays in electronic recordkeeping in Australia. – Edited by Judith A. Ellis. – Canberra : Australian Society of Archivists, 2000. – 187 p.
Proceedings
VSMM 2000 : 6th international conference on virtual systems and multimedia. – Gifu : International Society on Virtual Systems and Multimedia, 2000. – 727 p.
Proceedings
Making information available in digital format : perspectives from practitioners. – Edited by Terry Coppock. – Norwich : The Stationery Office, 1999. – 168 p.
Proceedings
Place, interface and cyberspace : archives at the edge. – Canberra : Australian Society of Archivists, 1999. – 236 p.
Book
Chirollet, Jean-Claude. – Les mémoires de l'art. – Foreword by François Dagognet. – Paris : Presses Universitaires de France, 1998. – 265 p. – (Sciences, modernités, philosophies).
Group exhibition catalogue
Deep storage : collecting, storing, and archiving in art. – Edited by Ingrid Schaffner and Matthias Winzen. – München : Prestel, 1998. – 303 p.
Book
The administration of television, newsfilm and videotape collections : a curatorial manual. – Edited by Steven Davidson and Gregory Lukow. – Los Angeles : American Film Institute, 1997. – 246 p.
Proceedings
Quelles mémoires pour l'art contemporain : actes du XXXe congrès de l'association internationale des critiques d'art. – Rennes : Presses Universitaires de Rennes, 1997. – 273 p.
Dictionnary
Dictionnaire encyclopédique des sciences de l'information et de la communication. – Edited by Bernard Lamizet and Ahmed Silem. – Paris : Ellipses, 1997. – 590 p.
Text in catalogue
«George Legrady». – Newmediatopia, newmedialogia. – Edited by Irina Alpatova. – Moskva : Soros Center for Contemporary Arts, 1996. – P. 164.
Book
Research agenda for networked cultural heritage. – Los Angeles : The Getty Art History Information Program, 1996. – 80 p.
Text in periodical
Rogoff, Irit. – «False endings : anecdoted histories, deterritorialised subjects and Central European imaginaries : reflections on George Legrady's "An anecdoted archive from the cold war"». – Art & Design. – Vol. 10, no. 7/8 (July./Aug. 1995). – P. 85-89.
Text in catalogue
Schiphorst, Thecla. – «Cunningham multimedia archival project». – Dance and technology III : transcending boundaries : proceedings of the third annual conference. – Edited by A. William Smith. – Columbus : Fullhouse Publishing, 1995. – Abstract. – P. 57.
Text in book
Legrady, George. – «Interface metaphors and new narratives in interactive media». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 155-157.
Book
Derrida, Jacques. – Mal d'archive : une impression freudienne. – Paris : Galilée, 1995. – 154 p. – (Incises).
Book
Rousseau, Jean-Yves ; Couture, Carol. – Les fondements de la discipline archivistique. – With the collaboration of Florence Arès, Chantale Fillion, Marlène Gagnon, Louise Gagnon-Arguin and Dominique Maurel. – Sainte-Foy : Presses de l'Université du Québec, 1994. – 348 p.
Text in periodical
Goldstein, Seth J. – «The Robert Wilson archive». – Fine Media. – Nr. 2 (1993). – P. 6-7.
Book
Ritzenthaler, Mary Lynn. – Preserving archives and manuscripts. – Chicago : The Society of American Archivists, 1993. – 225 p. – (Archival fundamentals).
Book
MacNeil, Heather. – Without consent : the ethics of disclosing personal information in public archives. – Chicago : The Society of American Archivists ; Lanham : Scarecrow Press, 1992. – 224 p.
Book
La normalisation en archivistique : un pas de plus dans l'évolution d'une discipline. – Edited by Carol Couture, with the collaboration of Frédérick Brochu. – Québec : Documentor, 1992. – 184 p.
Group exhibition catalogue
Production 91 : compétition internationale des nouvelles technologies médiatiques. – [S.l. : s.n.], 1991. – N. p.
Book
Notes de l'ICC. – Ottawa : Canadian Conservation Institute, [2002]. – N. p. – Also in English under the title «ICC notes».
Archive document : File
[Tapes and tools list]. – [1979-1999]. – Set of 11 elements. – File. – The person who processed the documents established the arrangement of items. – Includes eight lists, two photocopies of books parts, one essay.
Text in book
Dietz, Steve. – «Memory_Archive_Database v 3.01». – 404 Object Not Found_Seoul : International Project for Media Art / Data Archiving, Presentation. – Seoul : Total Museum of Contemporary Art, 2007. – Korean and English text. – P. 135-155.
Text in book
Cooke, Jacqueline ; Harding, Anna. – «Working in parallel : artists and archivists re-examine the potential of the archive». – Archiving the present : manual on cataloguing modern and contemporary art in archives and databases = Gegenwart dokumentieren : handbuch zur erschließung moderner und zeitgenössischer kunst in archiven une databanken. – Edited by Lioba Reddeker. – Wien : Basis Wien, [2006]. – Also in German under the title «Parallel arbeiten : Künstler/innen une archivar/innen überprüfen das potenzial von archiven», p. 36-50. – P. 51-62.
Web site
MediaArtHistoriesArchive : Archiving the histories of media art, science and technology. – Bonn : MediaArtHistoriesArchive, 2007. {{www.mediaarthistory.org}}
Web site
Hershman Leeson, Lynn. – Life to the second power (L2) : project wiki. – Project wiki for «Life to the second power : Animating the archive». {{presence.stanford.edu:3455}}
Web site
Life to the Second Power - Animating the Archive. – Stanford : Stanford Humanities Center, Stanford University. {{shl.stanford.edu}}
Group exhibition
L'archivage comme activité artistique, Université de Paris 1, U.F.R. d'Arts Plastiques et Sciences de l'Art, Centre Saint-Charles ; showroom Dine Chélabi, Paris, France, December 6-16, 2000. – In collaboration with OLATS/The Leonardo Observatory for the Arts and Techno-Sciences. – As part of «ISEA 2000 : Révélation : 10e Symposium International des Arts Électroniques = Revelation : 10th International Symposium on Electronics Arts». {{www.fohel.com}}
Conference / Symposium
The Artist in the Archive, Sallis Benny Theatre, University of Brighton, Brighton, England, United Kingdom, December 9, 2000. – Organisation : University of Brighton, Brighton ; PhotoWorks, Maidstone. – As part of «Documents : Adrift in Taste» exhibition.
Solo exhibition
Documents : Adrift in Taste, University of Brighton Gallery, Brighton, England, United-Kingdom, December 2-22, 2000. – Organisation : PhotoWorks, Maidstone ; Design Council Archive, Brighton. {{www.documents.org.uk}}