Jessica Loseby, Hello, 2001.
Screen capture.
Courtesy of the artist.
John Klima, Go Fish, 2001.
Multi-media installation.
Video arcade game console, holding tanks and interactive components.
Courtesy of John Klima.
Elizabeth Vander Zaag, Whispering Pines, 1993.
Image taken from the Whispering Pines CD-ROM.
Actress: Sidney Shadbolt. In the collection of the Morris and Helen Belkin Art Gallery (University of British Columbia, Vancouver, British Columbia, Canada) and the Kamloops Art Gallery (Kamloops, British Columbia, Canada).
Courtesy of the artist.
John Klima, The Great Game, 2001.
Game playable on the Internet.
Topographical map of Afghanistan. Though initially clear, the region gradually fills with icons evoking the West's military strategies aimed at toppling the Taliban regime.
Courtesy of John Klima.
John Klima, Earth, 2001.
Multi-media installation.
A software places data from geological surveys, satellites and and global weather stations onto a 3-D model of the Earth.
Courtesy of the Postmasters Gallery.
John Klima, Terrain Machine, 2002.
Multi-media installation.
Surface effect produced by the array of actuators that modulate the Earth's terrain on a small scale in keeping with the desired topographic coordinates.
Courtesy of John Klima.
John Klima, Context Breeder, 2002.
Search engine interface.
Research results in the Artbase database operated by Rhizome.org.
Courtesy of Rhizome.org.
®TMark, ®TMark Board.
Courtesy of ®TMark.
®TMark, Biotech 2000, 1999.
Still from Power Point Presentation.
Courtesy of ®TMark.
®TMark, Deconstructing Beck, 1998.
View of CD cover.
Courtesy of ®TMark
®TMark, The Y2K Fund, 1999.
Promotional material.
Courtesy of ®TMark.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Lynn Hershman, Roberta's Construction (1975). Courtesy of the artist.
Lynn Hershman, Agent Ruby Mood Swing Diagram, 2002.
Courtesy of the artist.
John Klima, Glasbead, 1999.
Interactive game playable on Internet.
By accessing audio files, participants create myriad soundscapes that grow increasingly complex as more viewers enter the on-line environment.
Courtesy of the Postmasters Gallery.
John Klima, Go, 2001.
Multi-media installation.
Robotic components of the installation.
Courtesy of the Postmasters Gallery.
Foto/Graphik Galerie Käthe Kollwitz, 2000.
Courtesy of Pat Binder.
Elizabeth Vander Zaag, Talk Nice, 1999-2000.
Still image taken from Talk Nice (video).
Courtesy of the artist.
Alain-Martin Richard, L'atopie textuelle est une cause qui se perd (2001). Courtesy of the artist.
Atau Tanaka, Sensorband Long Distance Concert With ISDN Connection, 1997
Ventspils International Radio Astronomy Centre (VIRAC), Irbene, Latvia.
Honor Harger inside the VIRAC.
Courtesy of radioqualia.
Jessica Loseby, Lapdance, 2001.
Screen capture.
Courtesy of the artist.
Jessica Loseby, restricted movement, 2001.
Screen capture.
Courtesy of the artist.
Jessica Loseby, Anger, 2001.
Screen capture.
Courtesy of the artist.
Jessica Loseby, views from the ground floor, 2003.
Screen capture.
Courtesy of the artist.
Jessica Loseby, views from the ground floor, 2003.
Screen capture.
Courtesy of the artist.
Science Fair: Feminist Configurations in Cyberspace
Web Site screen capture.
Courtesy of Studio XX.
Michael Snow, Place des peaux (1998).
Image from Digital Snow. Courtesy of the artist.
Sharon Daniel, Narrative Contingencies, 1997-present.
Interactive Web project.
Screen shot.
Courtesy of the artist.
Sharon Daniel, Signal-to-Noise, 1996.
Interactive Web project.
Screen shot.
Courtesy of the artist
Pat Binder in front of the Foto/Graphik Galerie Käthe Kollwitz, 2000
Foto/Graphik Galerie Käthe Kollwitz, 1999-2000.
View of the Foto/Graphik Galerie Käthe Kollwitz featuring the work of Dmitri Prigov.
Courtesy of Pat Binder.
Pat Binder, Voices From Ravensbrück, 2000.
Screen capture.
Courtesy of the artist.
Samuel Bianchini, If I Were U / Si j'étais toi, 2000.
IIWU graphic interface screen capture.
Courtesy of Samuel Bianchini.
John Klima, Ecosystm, 1999.
3D-animated visualization device.
This 3-D animated work simultaneously showcases changes in global currency, stock markets and weather conditions at John F. Kennedy Airport.
Courtesy of Zurich Capital Markets.
Pat Binder, Voices From Ravensbrück, 2000.
Screen capture.
Courtesy of the artist.
Foto/Graphik Galerie Käthe Kollwitz, 2000.
Courtesy of Pat Binder.
Sharon Daniel, Signal-to-Noise, 1996.
Interactive Web project.
Screen shot.
Courtesy of the artist
Sharon Daniel, Subtract the Sky, 2000.
Interactive Web project.
Screen shot.
Courtesy of the artist
Michael Snow, Venetian Blind (1970).
Photographic work.
Courtesy of the artist.
Digital Snow screen capture (2012): opening sequence.
Jessica Loseby, views from the ground floor, 2003.
Screen capture.
Courtesy of the artist.
®TMark, Barbie Liberation Organization, 1993.
Courtesy of ®TMark.
Michael Snow, Two Sides to Every Story (1974).
Filmic installation.
Courtesy of the artist.